• Maria Balshaw on Museums (+ Tracey Emin, Frida Kahlo, and more!)

  • 2024/11/06
  • 再生時間： 44 分
  • ポッドキャスト

Maria Balshaw on Museums (+ Tracey Emin, Frida Kahlo, and more!)

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  • I am so excited to say that my guest on the GWA Podcast is Maria Balshaw. Currently serving as Director of Tate, a position she has held since 2017, Balshaw began her career as an academic and lecturer in cultural studies. At the dawn of the 2000s, she swapped this to become Director of Creative Partnerships, a government programme that aimed to develop creativity in young people by bringing schools and artists together, which was sadly cut after the Labour Government was replaced by the coalition. In 2006, she became the director of the Whitworth Art Gallery, and in 2011, took on the additional role of director of Manchester City Galleries, and, to cement her reign in Manchester, she was made Director of culture, while also earning herself a CBE. But it’s been under her premiership at Tate – as the historic institution’s first ever female director – where we’ve seen some of the most groundbreaking shows take place in recent years. From Women in Revolt, that explored the trailblazing work of feminist communities in Britain; Now You See Us: Women Artists 1520–1920, that essentially rewrote art history from a female perspective – and even introduced me to hundreds of names I hadn’t heard of; or Life Between Islands: Caribbean British Art from the 1950s to today. There’s been solo shows of Yoko Ono, Paula Rego, Zanele Muholi, Sarah Lucas, Cornelia Parker, and so much more – and… I’m sure more to come. Tate today is fizzing with great shows, an institution no doubt unrecognisable to when Balshaw first visited aged 16 when she came down to London on the train from her hometown, Northampton in search of modern art. Though she found the dizzying world of Bridget Riley, it was mainly the Picassos on the wall. And while that’s still good art, representation of different communities, cultures, genders and classes, is important. And there is no denying that having people in charge who are invested in the importance of this, has a huge impact on how art history has been and is being written – which Balshaw is at the centre of shaping. And, I am excited to say, she has just published a book, Gathering of Strangers, about museums: their origins, roles, and complexities, and the future of what they mean today. Here is a link to her new book! https://www.waterstones.com/book/gathering-of-strangers/maria-balshaw/9781849769136 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
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あらすじ・解説

I am so excited to say that my guest on the GWA Podcast is Maria Balshaw. Currently serving as Director of Tate, a position she has held since 2017, Balshaw began her career as an academic and lecturer in cultural studies. At the dawn of the 2000s, she swapped this to become Director of Creative Partnerships, a government programme that aimed to develop creativity in young people by bringing schools and artists together, which was sadly cut after the Labour Government was replaced by the coalition. In 2006, she became the director of the Whitworth Art Gallery, and in 2011, took on the additional role of director of Manchester City Galleries, and, to cement her reign in Manchester, she was made Director of culture, while also earning herself a CBE. But it’s been under her premiership at Tate – as the historic institution’s first ever female director – where we’ve seen some of the most groundbreaking shows take place in recent years. From Women in Revolt, that explored the trailblazing work of feminist communities in Britain; Now You See Us: Women Artists 1520–1920, that essentially rewrote art history from a female perspective – and even introduced me to hundreds of names I hadn’t heard of; or Life Between Islands: Caribbean British Art from the 1950s to today. There’s been solo shows of Yoko Ono, Paula Rego, Zanele Muholi, Sarah Lucas, Cornelia Parker, and so much more – and… I’m sure more to come. Tate today is fizzing with great shows, an institution no doubt unrecognisable to when Balshaw first visited aged 16 when she came down to London on the train from her hometown, Northampton in search of modern art. Though she found the dizzying world of Bridget Riley, it was mainly the Picassos on the wall. And while that’s still good art, representation of different communities, cultures, genders and classes, is important. And there is no denying that having people in charge who are invested in the importance of this, has a huge impact on how art history has been and is being written – which Balshaw is at the centre of shaping. And, I am excited to say, she has just published a book, Gathering of Strangers, about museums: their origins, roles, and complexities, and the future of what they mean today. Here is a link to her new book! https://www.waterstones.com/book/gathering-of-strangers/maria-balshaw/9781849769136 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
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