This week, we continue with the second film in the highest rated trilogy of all time. These films condense Tolkien’s novels into accessible blockbusters that don’t sacrifice depth. They also continues to have a tremendous impact on the artistry in filmmaking as well as in pop culture. The Lord of the Rings: The Two Towers (2002), directed by Peter Jackson.

This week, we move into the second film in the highest rated trilogy of all time. These films condense Tolkien’s novels into accessible blockbusters that don’t sacrifice depth. They also continues to have a tremendous impact on the artistry in filmmaking as well as in pop culture. The Lord of the Rings: The Two Towers (2002), directed by Peter Jackson.

Part 3!

This week, we dive into the highest rated trilogy of all time. These films condense Tolkien’s novels into accessible blockbusters that don’t sacrifice depth. They also continues to have a tremendous impact on the artistry in filmmaking as well as in pop culture. The Lord of the Rings: The Fellowship of the Ring (2001), directed by Peter Jackson.

Part 2!

This week, we dive into the highest rated trilogy of all time. These films condense Tolkien’s novels into accessible blockbusters that don’t sacrifice depth. They also continues to have a tremendous impact on the artistry in filmmaking as well as in pop culture. The Lord of the Rings: The Fellowship of the Ring (2001), directed by Peter Jackson.

This week, we dive into the highest rated trilogy of all time. These films condense Tolkien’s novels into accessible blockbusters that don’t sacrifice depth. They also continues to have a tremendous impact on the artistry in filmmaking as well in pop culture. The Lord of the Rings: The Fellowship of the Ring (2001), directed by Peter Jackson

This week, we watch the Academy Award nominated official submission from Germany, that is actually an Iranian made film that was filmed entirely in secret and made it necessary for the director and many of the people who worked on the film to flee Iran. It is a very unique film in the way it was made, it shows some shocking real footage of the 2022 protests in Iran, and is worth a watch for the subject matter alone. The Seed of the Sacred Fig (2024), directed by Mohammad Rasoulof.

This week, we watch a dumpster fire of a film that Netflix managed to buy its way to a nearly record setting number of Oscar nominations. This film is not just poorly made in every respect, it also exploits every topic it decides to shove into its fractured story. This is the opposite of the film we need these days. Emilia Perez (2024), directed Jacques Audiard.

This week, we watch one of the films nominated Best International Films Academy Award. This film is best if you watch without knowing anything about it at all, so we’ll just say this - Watch it, but only if you can tolerate every genre of movie that exists. If you don’t tolerate some genres, then you may have a bad time. The Girl with the Needle (2024), directed Magnus von Horn.