Emii Alrai & Amanda Pinatih discuss material artefacts, memory, belonging and museum practice.

Emii Alrai: https://www.instagram.com/emiialrai/?hl=en-gb

https://emiialrai.com/

Amanda Pinatih: https://www.instagram.com/amandapinatih/?hl=en-gb

https://madepinatih.com/

Design Museum Dharavi: http://designmuseumdharavi.org/Design_Museum_Dharavi/Dharavi.html

Guna Guna, When things are beings exhibition at Stedelijk https://s3-eu-west-1.amazonaws.com/production-static-stedelijk/images/_whats%20on/tentoonstellingen/2022/When%20things%20are%20beings/WhenThingsAreBeings2022-EN-FINAL24112022-SMALL.pdf

A Lake as Great as its Bones: https://emiialrai.com/A-Lake-as-Great-as-its-Bones

Royal Armoury Museum https://royalarmouries.org/leeds

Horsehair with Nicola Turner & Mick Sheridan on The Mater Podcast: https://podcasts.apple.com/gb/podcast/the-mater-podcast/id1749226924?i=1000665067091

Emii Alrai is an artist and trained museum registrar whose work spans material investigation in relation to memory, and critique of the western museological structure and the complexity of ruins. Working primarily in sculpture and installation, her work operates as large-scale realms built in relation to bodies of research which concern archaeology and the natural environments objects are excavated from. Her material explorations weave in oral histories, inherited nostalgia and the details of language to question the rigidity of Empire, the power of hierarchy and the static presence of history. Clay vessels, gypsum forms and steel armatures punctuate the labyrinth-like spaces Alrai creates, mimicking museum dioramas and romanticised visions of the past.

Amanda Pinatih is an art historian, curator and PhD candidate. As Design Curator at the Stedelijk Museum Amsterdam, she brings new perspectives to the museum’s vast design collection. Her experimental working method is driven by an interest in developing new formats for knowledge transfer, while her exhibitions and projects explore the intersections of social, political, (de)colonial, environmental and economic issues. Simultaneously as a PhD candidate at the VU Amsterdam, Pinatih is researching the affordances of Indonesian objects around social and political contestations of belonging for diasporic communities with roots in the Indonesian archipelago, both in the museum, at home and in artistic practice.

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