• New Books in German Studies

  • 著者： Marshall Poe
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New Books in German Studies

著者： Marshall Poe
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  • Interviews with Scholars of Germany about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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Interviews with Scholars of Germany about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
New Books Network
世界 社会科学
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  • Ann Schmiesing, "The Brothers Grimm: A Biography" (Yale UP, 2024)

    Ann Schmiesing, "The Brothers Grimm: A Biography" (Yale UP, 2024)
    2025/02/04
    Ann Schmiesing, Ph.D. is Professor of German and Scandinavian Studies at the University of Colorado-Boulder, with research interests spanning 18th and 19th-century German and Norwegian literature and culture. In our interview we discuss her new book, The Brothers Grimm: A Biography (Yale UP, 2024), their first biography in over half a century. We talk about what led her to Germanic studies and fairy tales in particular. We discuss the revelations in her book dealing with their lives and work, their antisemitism as reflected in their correspondence and the stories they published and its long-ranging consequences. We talk about some of her favorite fairy tales and what makes them special. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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    52 分
  • Karel Margry, "Nordhausen Concentration Camp" (After the Battle, 2024)

    Karel Margry, "Nordhausen Concentration Camp" (After the Battle, 2024)
    2025/01/31
    In the history of Nazi concentration camps, and particularly labor camps, there is probably no place that bears the same stigma of wretchedness as 'Dora-Mittelbau' at Nordhausen. Located in the Harz mountains in central Germany, next to a quarry tunnel system in the Kohnstein mountain, it served to house thousands of slave workers for an underground factory known as the Mittelwerk, which produced three of Germany's best-known secret weapons: the V1 flying bomb, the V2 rocket and jet engines for the Me 262 and Ar 234 fighters. With over 20 kilometers of underground galleries, it was the largest underground factory in the world. Many of the inmates died in indescribable misery, being forced to extend the tunnels with meager equipment and under ghastly conditions, sometimes not seeing daylight for weeks on end. Started in August 1943, 'Dora-Mittelbau' in due course became the centre of a whole complex of underground factories in the Nordhausen area, with several subsidiary camps being set up. In all, of some 60,000 prisoners sent there between 1943 and 1945, 20,000 were driven to extinction to implement Nazi Germany's secret weapons program, but they labored late and in vain, for the products they yielded had little impact on the war. The V1 and V2 are the only weapons which cost more lives in production than in deployment: far more people died producing them than were killed from their impact in London, Antwerp and elsewhere. The history of Nordhausen, already gruesome in itself, ended in a crescendo of violence when, in the final weeks of the war, the surviving inmates were evacuated from the camps in 'death marches'. One group of over a thousand men then became victim of one of the most horrendous of all Nazi atrocities. On April 13, 1945, just outside the town of Gardelegen, their SS camp guards, helped by local troops and Hitlerjugend, locked the prisoners in a big barn and set fire to the inside, burning those inside, killing them with hand-grenades, and shooting anyone who tried to escape from the burning, smoke-filled building. A total of 1,016 men died as a result. When discovered by American troops two days later, Gardelegen quickly became known as the site of one most notorious war crimes committed by the Nazis. In this book, Karel Margry recounts the history of Nordhausen concentration camp and of the Gardelegen massacre in full detail. Both stories are illustrated with unique Then and Now comparison photographs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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    1 時間 38 分
  • Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)

    Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)
    2025/01/29
    Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
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    59 分
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