Welcome to the inaugural episode of Out There in the Dark.  In this episode, Azed & Tom discuss Sight & Sound's decennial poll of the Greatest Films of All Time and the seemingly out of nowhere elevation of a little known, 1970's experimental French feminist film to the number one spot.  Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was released in 1975 to quiet acclaim within the halls of critical film discourse. A comfortable in-crowd of elite cineastes wrote, discussed and championed the 3+ hour film as a major artistic breakthrough in feminist cinema.  But whereas previous S&S top spot films, The Bicycle Thief, Citizen Kane and Vertigo are all accessible narratives, Akerman's film is not.  A 3+ hour film where there is very little dialogue, the camera is mostly still and the "story" unfolds through a highly structured look at the domestic chores of a largely inscrutable protagonist isn't necessarily going to appeal to the Marvel crowd. While the synopsis of Jeanne Dielman may make it sound like a chore, it really isn't.  Akerman's masterpiece holds the viewer in a state of hypnotic suspense.  it is almost impossible to make a film that captures the audience's attention to this degree, it is a miracle when it is achieved by a 24 year old female artist.

As Jessica Winter wrote in the New Yorker, "The Sight and Sound tabulations are a striking turn of events, representing a consensus that one of the pinnacle films ever produced in an overwhelmingly male-dominated art form was made by a young woman, with a crew mostly made up of women, starring a middle-aged woman, about women’s work."