A Year of Deep Listening was a 365-day online celebration of Pauline Oliveros’ legacy, coinciding with what would have been her 90th birthday. The Center for Deep Listening, established at Rensselaer Polytechnic Institute in 2014, posted one text score per day, totaling 365 pieces, which will be published in book form on January 28, 2025, as A Year of Deep Listening: 365 Text Scores for Pauline Oliveros. On the podcast, Joseph Bohigian is joined by Stephanie Loveless, a sound and media artist, Director of the Center for Deep Listening, and the editor of this new volume, to talk about the project.

Music: Roles of a Machine by Hassan Estakhrian, performed by Extradition (Maxx Katz, flute; Annie Gilbert, trombone; Collin Oldham, cello); Shao Way Wu, bass; Sam Klapper, violin; Caspar Sonnet, dobro; Ben Cohen-Chen, soprano saxophone; Matt Hannafin, percussion), No Small Matter by Seth Cluett, performed by Extradition (Juniana Lanning, Catherine Lee, Annie Gilbert, Loren Chasse, Matt Hannafin, natural objects), Water, Wood, Stone, Breath by Grace Harper, performed by Extradition (Stephanie Lavon Trotter, book, words; Juniana Lanning, cups, water; Loren Chasse, basket, pebbles)

A Year of Deep Listening

Follow Stephanie Loveless on Instagram.

Follow The Center for Deep Listening on Instagram and Facebook.

stephanieloveless.ca

deeplistening.rpi.edu

Follow us on Instagram and Facebook.

otherminds.org

Contact us at otherminds@otherminds.org.

The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Thea Farhadian is a composer and violinist who creates multi-textured sound worlds which employ an array of elements drawn from her engagement with Western classical music, performance art, Arabic classical music, and live electronic processing. She collaborates with a network of Bay Area, East Coast, and international colleagues and her work has been seen and heard at Galerie Mario Mazzoli in Berlin, the Aram Khachaturian Museum in Yerevan, and Bimhuis in Amsterdam. Today, Other Minds Records releases Farhadian’s newest album, Tattoos and Other Markings, an electronic composition exploring cultural memory and the urge to remember difficult histories.

Music: “Mokats Mirza,” “There was and there was not,” and “Eulogy” from Tattoos and Other Markings by Thea Farhadian (Other Minds Records)

Follow Thea on Instagram.

theafarhadian.com

Follow us on Instagram and Facebook.

otherminds.org

Contact us at otherminds@otherminds.org.

The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Trimpin is a sound sculptor, composer, engineer, and inventor. A specialist in interfacing computers with traditional instruments, he has developed ways of playing instruments ranging from giant marimbas to stacks of electric guitars via computer. His work integrates sculpture, sound, and live performance. Born in Germany, Trimpin spent several years living and studying in Berlin, working as a set designer and collaborating with artists from both Germany and the United States. He relocated to the United States in 1979. This year’s Other Minds Festival features the world premiere of a newly commissioned work by Trimpin, The Cello Quartet. It features autonomous cellos, circus artists, percussive lamp shades, and more. In the interview, Joseph Bohigian talks with Trimpin about his custom-built cellos, collaborating with choreographer Margaret Fisher, and the influence of spatial music composer Henry Brant.

Music: Contraption No. 1 by Conlon Nancarrow performed by Trimpin, computer-controlled piano (Other Minds Festival 1)

Follow us on Instagram and Facebook.

otherminds.org

Contact us at otherminds@otherminds.org.

The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).