Play Pause Support the PodcastDownloadShare var srp_player_params_672baea9b3a8a = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_672baea9b3a8a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-672baea9b3a8a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-672baea9b3a8a"); } In the midst of moving this weekend, I was able to complete the Peak Hour "Throw Your Hands Up" - a set I finished over a week ago and features the latest Tech House, Bass House, Techno, and more! That being said, I can't help but notice a trend in the dance music industry. The volume of new releases is declining, particularly in commercial dance. Gone are the days when big music labels paid top-tier DJs to remix their tracks. Even remix bootlegs are getting scarce nowadays. Genres like Tech House, which once dominated dance floors, have been diluted, and now, Bass House and Big Room is stepping into the limelight. However, most of it echoes the sounds of Future House and EDM, which themselves were successors to Electro House. Personally, I see potential in the Breaks or Breakbeat genre, but I'm aware of its limited appeal. Even Techno can be a bit redundant but when it's done right — it's hot! This year hasn't seen many ground-breaking tracks capable of electrifying dancefloors worldwide. Billboard Magazine discontinuing its Dance Club chart could be a significant factor behind this. Instead, we're seeing songs primarily made for streaming, with no extended versions, and a lack of originality in the new releases that heavily rely on past hits. Let's face it — these songs are not paying homage rather they're being lazy in writing and creating new sounds. This scarcity of fresh content is likely to lead to shorter sets, with Dance Classics compilations being the exception. What's concerning is the growing trend of music charts being skewed by tactics like bundling CD sales with ticket sales and merch, and having all the tracks off an album by the biggest artists charting without official releases or videos. Frankly, Spotify is the bane of my existence and has been the worst thing for the entire music industry. Everything is about singles and streaming with only the biggest artists profiting from it. It's completely destroyed the validity of the Billboard Top 100 and album chart, with Billboard being complicit in how they're now ranking songs. With Spotify stuffing big releases into everyone's playlist no matter if they follow the artist or not — it's starting to give the appearance of RICO violations or what used to be known in the industry as pay to play but I digress because I'm not a lawyer only a music fan. This is NOT an indictment of their service, but if it walks like a duck... Despite these tectonic shifts, the role of Party Favorz remains the same. Our mission is to navigate through the dynamics of the industry, bringing you the finest and most innovative trends in Tech House, Bass House, Techno, and beyond!
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