Step 1) Nuclear Meltdown
Step 2) Gang Warfare Over Simpsons Quotes
Step 3) ????
Step 4) The Greatest Story Ever Told

If you're not familiar with the play of post-apocalyptic pop-culture mythology, prepare to have your mind blown, as we discuss Anne Washburn's play all about The Simpsons and the fusion of high/low art.

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Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

Despite the characters explicitly talking about the cold all the time, prepare to hear about some very  hot and sweaty goings on in this William's classic. When a young hot guy walks into a Southern town that's afraid of hot people, there's prejudice and hatred to deal with on top of all the wild animal metaphors that Tennessee loves so much.

We discuss why the town is so afraid of hot people, what it might be like to be a bird with no legs, and themes of isolation in one's own body.

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Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

Up front:
1) TW, this episode contains quite frank discussions of a variety of grisly topics, including sexual assault and suicide.
2) This podcast is about the original play, NOT the musical version (though we do of course mention the musical as how could you not!? In particular the recent Almeida production which, spoiler alert, we love)

Have some feedback? A play you'd like us to cover?

Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

It was inevitable that at some point we'd bump into the bard on our ever winding theatrical-textual journey, and we do so what in our un-researched opinion is 'one of the more obscure ones.' Cymbeline is a play about a young couple who vow their love to each other but then hate each other but then don't really and also this horrible man named Cloten who is an idiot and a criminal and also some brothers who are gay for their sister but don't worry it all works out in the finish. Also there is a war between Britain and Rome whilst all this is going on. We were confused too.

We discuss mixing of genres, problematic themes and how to interpret them on stage, and if Nancy can be won round to this play.

Have some feedback? A play you'd like us to cover?

Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

You Stupid Darkness! takes us into the world of Brightline, a call centre for those who need to talk to someone about their problems, and the 4 volunteers who answer those calls late at night. Meet Frances, Angie, Jon, and Joey the work experience boy, as they navigate life and each other.
Oh, and also the apocalypse is in full swing.

Have some feedback? A play you'd like us to cover?

Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

The Flick is a 2013 play set in a cinema, in which you the audience sit where the screen is and watch as three employees get into some serious sweeping. This often silent and uneventful play is brim full of sad heartfelt characters, musings on what it means to be a grown up, and terrible opinions about films.
Also discussed:
- The power of celluloid film
- Monkeys

Have some feedback? A play you'd like us to cover?

Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

The Hothouse (so called because the house is...hot?) is a 1980 play by Harold Pinter which was actually written in 1958, but still has his signature style of heightened language, biting edge and yes, lots of famous pauses. It's been a while since we did one of these, so there's lots of catching up to do on theatre and genre-based theatre, as well as a deep dive into the characters and unspecified horror that this play provides.

Have some feedback? A play you'd like us to cover?

Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool

Six Characters is a modern classic. Or maybe just a classic. It's hard to know where the age boundaries for those things are. Either way in this play Pirandello brings an early example of going full meta in theatre, introducing a rehearsal room full of actors (and maybe the real director, stage manager and technician) to a group of fictional characters that have come to life and need help in finishing their dramatic arc.
We talk play structure, Mussolini and Byker Grove.


Have some feedback? A play you'd like us to cover?

Visit the official podcast twitter @playgroundpoddy
Chat to host Nancy @N_Netherwood
Chat to host Sam @Samwebbercool