Once again, Alan Cumming and his collection of capes and tartans have assembled a band of merry C-list celebrities in a Highland castle, where they are participating in a lavishly produced parlor game of murder and betrayal: “The Traitors.” We became hooked in season 2, and season 3 brought in some of our dream cast members — Chrishell Stause, Gabby Windey, Dorinda Medley — alongside legendary contestants from strategy shows like “Survivor” and “Big Brother,” a motley crew of one-off stars from shows like “Summer House” and “The Biggest Loser,” and people who are one degree of separation from actual fame. But it also brought in a heavy dose of sexism, a palpable undercurrent of boys-rule-girls-drool, that we didn’t expect after watching season 2.

Given the success of “Selling Sunset” and “Selling The O.C.,” it was only a matter of time before the franchise spun off all the way to New York City. Enter “Selling The City.” The newest real estate mogul reality show centers on an all-women team of Douglas Elliman agents in New York City, lead by super-agent Eleanora Srugo.

It’s hard to tell exactly where the show’s emotional core lies, and the plot is not as propulsive as “Selling Sunset’s” was in those first few seasons. However, the show is at its most gripping when we are seeing the most stunning real estate that New York has to offer — so much more variety than in Los Angeles! — and when the women on the show are having surprisingly real and candid conversations about being in their 30s and 40s and figuring out how to make big life decisions about family planning, partnership and career. These moments of relatable humanity give us hope that “Selling The City” can really hit its stride if it gets a second season. (Fingers crossed!) In this episode, we discuss what works about the show’s premiere episodes and what doesn’t, and we discuss how it stacks up with the other shows in the “Selling” franchise.

“The Ultimatum: Marry Or Move On” is less of a reality dating show, and more of a cautionary tale for straight people. A messy, unhinged, gripping one. In this episode, we talk about the whole season of “The Ultimatum,” some of the gossip that has come out about the cast since, and the reunion.

This week, we discuss two of the great homemaking influencers: Ballerina Farm (an unassuming tradwife Instagram icon), and Martha Stewart (a ruthless perfectionist and corporate mogul). In the midst of their recent moments in the cultural conversation — thanks to some high-profil…

Lindsay Lohan isn’t just a zany rom-com leading lady! She’s a (semi) serious rom-com leading lady.

After “Falling for Christmas” (extremely unhinged) and “Irish Wish” (extremely AI-generated), Lohan apparently wanted to work on a film that was slightly more grounded. Enter “Our Little Secret.”

“Our Little Secret” follows exes Avery (…

We imagine the pitch for “Hot Frosty” was simple: Olaf from “Frozen,” but he f***s. This Netflix holiday rom-com is here to remind us that Christmas may take place during the cold season, but it can still be *hot*.

“Hot Frosty” follows widow-slash-diner owner Kathy (Lacey Chabert) as she accidentally brings a notably chisele…

We don’t have any answers, but we do have a lot of feelings. We tried to express them in a cogent way, but full warning that we maybe were only partially successful. Claire would also like all of you to know that she’s angry and doing punditry. Please feel free to ignore her (or both of us!) if that’s not where you’re at right now. We love you all. We are so very grateful for this little community we’ve built together. Onward.

Thank you to Harry Huggins for editing this episode so we didn’t have to.

Warning: This post and episode contain spoilers for the “Love Is Blind” season 7 reunion!

This “Love Is Blind” DC reunion had it all, if “it all” refers to every one of Nick and Vanessa Lachey’s well-documented inadequacies as hosts: corny dad jokes that Nick’s punch-up writer clearly prepared well in advance, missed lines of questioning and failures to follow up on important points, muddled back-and-forth disputes between the cast that dragged out for long minutes while the moderators mentally checked out, Vanessa claiming dubious familial relationships with the “Love Is Blind” babies, and, of course, a couple of the biggest villains of the season being let off the hook with barely a slap on the wrist apiece.