『S.W.E.A.T.』のカバーアート

S.W.E.A.T.

S.W.E.A.T.

著者： Mad Kate
無料で聴く

S.W.E.A.T. >>sex/uality. work. extraction. art. theatr/ics.<< is a series of conversations about performance and performativity of the sexual and sexualized body at work—where work is broadly defined as the labour of survival, the labour of care, creativity, and capital-A-Art. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? My hope is that these conversations are a means to speak between intersectionalities by anchoring through our always already sexualized bodies, our working bodies, our artistic bodies and our performative bodies. photos by Onsoh Studios and Claudia Brijbag please support S.W.E.A.T. on my patreon page https://www.patreon.com/madkate S.W.E.A.T. hostex Mad Kate is a Berlin-based electronic artist, vocalist, and producer who fuses sound, performance, and activism into a singular, immersive experience. Rooted in a background of writing and queer feminist, sex-positive performance art, Mad Kate weaves together interviews, field recordings, and vocal manipulations with raw, pulsating synthesizers to explore the porous borders between bodies, identities, and geographies. With a sonic language shaped by storytelling and embodied experience, Mad Kate’s compositions interrogate the personal as a lens for understanding collective realities—how power structures inscribe themselves onto intimacy, how movement across borders reshapes identity, and how world-building through imagination disrupts existing narratives. Whether through hypnotic, shape-shifting club compositions or experimental soundscapes, their work pulses with a deep commitment to sonic activism, carving out space for new forms of relationality and resistance. Mad Kate’s performances are immersive and confrontational, collapsing the boundary between artist and audience, body and machine. Their sonic explorations have been featured in venues and festivals across Europe, where they continue to push the boundaries of electronic music as a site of both political critique and radical pleasure.All rights reserved アート
エピソード
  • S5E6 S.W.E.A.T. with Nancy Nutter

    S5E6 S.W.E.A.T. with Nancy Nutter
    2026/06/09
    This month's conversation is with performer Nancy Nutter. Nancy’s artistry expands through visual, performative, musical realms. She is one half of the piano cabaret duo THE DAMES, the lead vocalist of trans-femme punk band GIRLS IN YOUR AREA, and head of performance at TRACEY. She co-creates TREASON cabaret club night, and co-curates the performance stage at WHOLE FESTIVAL. Nancy teaches gender performance in various workshops, including the EMBODIED DISRUPTION series, KÖNIG, and at ARTHAUS. They are a costume maker, makeup artist, and drag star. A graphic designer, film maker, tattoo artist, and a painter. https://nancynutter.net/ photo of Nancy by Javier Alejandro Cerrada In this episode, Nancy and Mad Kate speak about parenthood, gender, drag, folk music, workers' solidarity, the aching vulnerability of performing your truest self in front of a room of strangers and the power of empathy. Nancy also shared some of their brilliant ideas on gender beyond the binary that she is outlining in her book-in-progress, working title Drag, Disruption and Descent We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage. You can find out more https://www.alfabus.us/s-w-e-a-t/ Mad Kate (they/them) is an electronic producer, sound designer, performance artist and writer who began working the Berlin performance and club scene in 2004, expanding their unique identity-queering, genderfcking and sexpositive performative work throughout music, theatre and film. Their explorations of borders between/within bodies, audibility, consent, proximity, and touch as political practice have brought them to theaters, communes, technomansions, prisons, dungeons, squats and galleries around the world.
    続きを読む 一部表示
    1 時間 1 分
  • S5E5 S.W.E.A.T. with Bishop Black

    S5E5 S.W.E.A.T. with Bishop Black
    2026/05/12
    This month's conversation is with performer and director Bishop Black Bishop Black is a black British performer, who has lived in Berlin since 2011. Bishop uses movement as a language and their body to expresses themselves primarily by using as a tool, politicized through the lenses of sexuality, gender and race. They have been performing in theater since 2017, and working as a performance and burlesque artist since 2012. Having worked in the field of film in recent years, they are now mainly developing unique but interconnected performances in the theater, making use of mythology, occultism, queerness and dance as methodologies.
    続きを読む 一部表示
    58 分
  • S5E4 S.W.E.A.T. with LIADLAND

    S5E4 S.W.E.A.T. with LIADLAND
    2026/04/14
    In this month's conversation, Mad Kate speaks with activist, musician and performer LIAD LAND. They speak about the layered realities of sex work and why the ProstSchG – Gesetz law in Germany pushed migrant sex workers further underground and out of reach of the peer networks that actually kept them safe. They talk about what community care really looks like when the system, and individuals, are exhausted and broke. And they talk about how the body becomes a political site — in performance, in sex work, in watching and/or surviving genocide. Liad talks about what she’s carrying from Palestine into her music and live shows right now, how watching a genocide from Europe has felt on her body. Finally, why she’s in the process of revoking her Israeli citizenship — and encouraging other anti-Zionist Jews to do the same. LIADLAND is a musician, an artist, an activist, a perpetual migrant, a queer trash diva, a Jew from Pralestine, and a master of the margins. Her music, performances, and films de-exotify and demystify positions of so-called sexual and political deviance. In them, the body and voice are used as tools of decolonial education and resistance, as platforms to display vulnerabilities, and as means to call for a revolution, celebrate life, and mourn. Liad's art and worldview is informed by decades of political work on intersectional issues such as sex worker rights and queer and Palestinian liberation. Her debut album, Nothing to Declare and subsequent EP, Nothing to Remix, were released in 2024. Her current music and live show focuses on collective organizing and ongoing resistance with Palestine as a starting point. Broken is her upcoming single. You'll hear an excerpt at the end of the show. Photo of Liad by Oren Ziv Buy LIADLAND’s music: https://liadland.bandcamp.com/
    続きを読む 一部表示
    57 分
adbl_web_anon_alc_button_suppression_t1
まだレビューはありません