『S.W.E.A.T.』のカバーアート

S.W.E.A.T.

S.W.E.A.T.

著者： Mad Kate
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10月19日まで。※適用条件あり
S.W.E.A.T. >>sex/uality. work. extraction. art. theatr/ics.<< is a series of conversations about performance and performativity of the sexual and sexualized body at work—where work is broadly defined as the labour of survival, the labour of care, creativity, and capital-A-Art. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? My hope is that these conversations are a means to speak between intersectionalities by anchoring through our always already sexualized bodies, our working bodies, our artistic bodies and our performative bodies. This show is a labour of love. Please support S.W.E.A.T. on Patreon https://www.patreon.com/sweatpodcast S.W.E.A.T. hostex Mad Kate is a Berlin-based electronic artist, vocalist, and producer who fuses sound, performance, and activism into a singular, immersive experience. Rooted in a background of writing and queer feminist, sex-positive performance art, Mad Kate weaves together interviews, field recordings, and vocal manipulations with raw, pulsating synthesizers to explore the porous borders between bodies, identities, and geographies. With a sonic language shaped by storytelling and embodied experience, Mad Kate’s compositions interrogate the personal as a lens for understanding collective realities—how power structures inscribe themselves onto intimacy, how movement across borders reshapes identity, and how world-building through imagination disrupts existing narratives. Whether through hypnotic, shape-shifting club compositions or experimental soundscapes, their work pulses with a deep commitment to sonic activism, carving out space for new forms of relationality and resistance. Mad Kate’s performances are immersive and confrontational, collapsing the boundary between artist and audience, body and machine. Their sonic explorations have been featured in venues and festivals across Europe, where they continue to push the boundaries of electronic music as a site of both political critique and radical pleasure. www.mad-kate.com podcast cover photo by Onsoh StudiosAll rights reserved アート
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  • S5E9 S.W.E.A.T. with Patric da Cunha

    S5E9 S.W.E.A.T. with Patric da Cunha
    2026/09/08
    This months conversation is with dancer, choreographer and writer Patric da Cunha. Patric is a queer Brazilian performer and artist working between writing, dance and sound. A graduate of P.A.R.T.S., trained at EDA and the NEFCD program in Sweden, Patric develops a practice that investigates new perspectives of the body, drawing on history and identity to explore memory, rhythm, and transformation. Rooted in blackness and decolonization, their work moves through non‑linear temporalities where poetry, presence, and movement shape the body as a site of encounter between what is remembered and what is yet to come. I reached out to Patric because I was inspired by their Instagram reels about decolonizing dance. In one post Patric writes, "contemporary dance is not a neutral description but a colonial framing of the present. when we talk about contemporary dance, we see a curated set of styles defined by european instituations." Photo of Patric by Diana Tishchenko Songs played Mad Kate - My Fear of Pretending (featuring Lori Baldwin) Writers mentioned: Ailton Krenak and Nêgo Bispo
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    54 分
  • S5E8 S.W.E.A.T. with Mykki Blanco

    S5E8 S.W.E.A.T. with Mykki Blanco
    2026/08/11
    My conversation this month is with American rapper, performance artist, writer, and poet Mykki Blanco. Blanco just announced his newest album since 2022's _Stay Close to Music_ — it's called _CAFE PARADISO_, out September 4th via Transgressive Records, which includes three videos shot in and around Berlin. I had the pleasure of speaking with him from his home in Tangier, Morocco, where he recently moved after years living between Lisbon, Paris, and Switzerland. Blanco has been an outspoken voice in music since the early 2010s, when he first emerged from New York's underground scene — fighting, in his own words, to be seen as an artist first in an industry that wasn't always ready for him. He's been publicly living with HIV for a decade, using songs like "Carry On" to push back on stigma, and before he ever picked up a mic he was a poet, publishing his first book, _From the Silence of Duchamp to the Noise of Boys_. He reflected with me on performance as connection — what it means to hold a stage alone for an hour with nothing but his own instincts — and we closed out talking about the global economy, the gap between billionaires and everyone else, and what care looks like right now inside artist communities that are struggling to get by.
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    47 分
  • S5E7 S.W.E.A.T. with ReveRso

    S5E7 S.W.E.A.T. with ReveRso
    2026/07/19
    S.W.E.A.T. features conversations about performance and performativity of the sexual/ized body at work—work as labour of survival and labour of a/Art with host Mad Kate. Their guest this month is performance artist ReveRso. Out of the darkness emerged ReveRso. The creation myth of a megalomaniac marred on its own venom: a fetishistic cannibal-of-self bound in love, loss, seduction, salvation, madness, prophecy and pain. Currently based in Berlin, ReveRso has massacred crowds on stages (and in alleyways) from Europe to America, and back again. ReveRso's tour de force of delirium sites: Berlin, Amsterdam, Moscow, Istanbul, Antwerp, Paris, Barcelona,Genève, Madrid, Copenhagen, Warsaw, Frankfurt, San Francisco, Los Angeles, New York,Cologne, London, Basel -Genève,Poznán, Lugano as some of his Holy grounds. ReveRso also serves as the High Priest of the legendary SupperClub as a long-term Resident Performer, desecrating its white walls with his carnal pleasures. Live like a suicide, ReveRso is the teenage harlot strangled by the Mad Hatter, lips suckled in blood, a ghostly white palour. A junky, he must devour the public to feel the light, his rite of purification through the shadows. To Repent to the name of no other but He ☦ ReveRso. We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage. You can find out more https://www.alfabus.us/s-w-e-a-t/ Mad Kate (they/them) is an electronic producer, sound designer, performance artist and writer who began working the Berlin performance and club scene in 2004, expanding their unique identity-queering, genderfcking and sexpositive performative work throughout music, theatre and film. Their explorations of borders between/within bodies, audibility, consent, proximity, and touch as political practice have brought them to theaters, communes, technomansions, prisons, dungeons, squats and galleries around the world. photo of ReveRso by Guille Chipironet
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    1 時間
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