『S.W.E.A.T.』のカバーアート

S.W.E.A.T.

S.W.E.A.T.

著者： Mad Kate
無料で聴く

今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

 S.W.E.A.T. >>sex/uality. work. extraction. art. theatr/ics.<< is a series of conversations about performance and performativity of the sexual and sexualized body at work—where work is broadly defined as the labour of survival, the labour of care, creativity, and capital-A-Art. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? My hope is that these conversations are a means to speak between intersectionalities by anchoring through our always already sexualized bodies, our working bodies, our artistic bodies and our performative bodies. photos by Onsoh Studios and Claudia Brijbag please support S.W.E.A.T. on my patreon page https://www.patreon.com/madkate S.W.E.A.T. hostex Mad Kate is a Berlin-based electronic artist, vocalist, and producer who fuses sound, performance, and activism into a singular, immersive experience. Rooted in a background of writing and queer feminist, sex-positive performance art, Mad Kate weaves together interviews, field recordings, and vocal manipulations with raw, pulsating synthesizers to explore the porous borders between bodies, identities, and geographies. With a sonic language shaped by storytelling and embodied experience, Mad Kate’s compositions interrogate the personal as a lens for understanding collective realities—how power structures inscribe themselves onto intimacy, how movement across borders reshapes identity, and how world-building through imagination disrupts existing narratives. Whether through hypnotic, shape-shifting club compositions or experimental soundscapes, their work pulses with a deep commitment to sonic activism, carving out space for new forms of relationality and resistance. Mad Kate’s performances are immersive and confrontational, collapsing the boundary between artist and audience, body and machine. Their sonic explorations have been featured in venues and festivals across Europe, where they continue to push the boundaries of electronic music as a site of both political critique and radical pleasure.All rights reserved アート
エピソード
  • S5E4 S.W.E.A.T. with LIADLAND

    S5E4 S.W.E.A.T. with LIADLAND
    2026/04/14
    In this month's conversation, Mad Kate speaks with activist, musician and performer LIAD LAND. They speak about the layered realities of sex work and why the ProstSchG – Gesetz law in Germany pushed migrant sex workers further underground and out of reach of the peer networks that actually kept them safe. They talk about what community care really looks like when the system, and individuals, are exhausted and broke. And they talk about how the body becomes a political site — in performance, in sex work, in watching and/or surviving genocide. Liad talks about what she’s carrying from Palestine into her music and live shows right now, how watching a genocide from Europe has felt on her body. Finally, why she’s in the process of revoking her Israeli citizenship — and encouraging other anti-Zionist Jews to do the same. LIADLAND is a musician, an artist, an activist, a perpetual migrant, a queer trash diva, a Jew from Pralestine, and a master of the margins. Her music, performances, and films de-exotify and demystify positions of so-called sexual and political deviance. In them, the body and voice are used as tools of decolonial education and resistance, as platforms to display vulnerabilities, and as means to call for a revolution, celebrate life, and mourn. Liad's art and worldview is informed by decades of political work on intersectional issues such as sex worker rights and queer and Palestinian liberation. Her debut album, Nothing to Declare and subsequent EP, Nothing to Remix, were released in 2024. Her current music and live show focuses on collective organizing and ongoing resistance with Palestine as a starting point. Broken is her upcoming single. You'll hear an excerpt at the end of the show. Photo of Liad by Oren Ziv Buy LIADLAND’s music: https://liadland.bandcamp.com/
    続きを読む 一部表示
    57 分
  • S5E3 S.W.E.A.T. with BLEACH

    S5E3 S.W.E.A.T. with BLEACH
    2026/03/09
    This month's conversation with punkrocker preacher drag performer activist and promoter BLEACH. Essex raised, Berlin Based Drag performer BLEACH is a central figure in the German capitals queer underground. Creating parties, shows & festivals. Starting out in a burlesque bar in Stockholm she entertains with a fiery mix of punking, stripping & speeching. A regular host of Berlin club nights, drag shows with a loud point of view. When DJing she plays a wide range of music to keep dancers on their toes, acidy house with sparks of rock n roll punk tunes. BLEACH is front woman of BLEACH and the Bumholes https://bleach.blog/ In this episode, Mad Kate sits down with Bleach — a Berlin-based drag performer, chef, and queer artist originally from Essex — for a wide-ranging conversation about persona, performance, sexuality, and politics. They trace the evolution of Bleach's characters from Baby Chino (a homoerotic, tongue-in-cheek art persona born in Stockholm) to the fierce, unapologetically political drag queen Bleach, and explore how these alter egos have served as vehicles for processing identity, anger, and queer community. The conversation moves through social media, consent and sexual politics, the economics of drag, and ultimately arrives at the role of the artist in a world of rising fascism — concluding that drag's most radical act may simply be giving people a good time. TRACKS played: Mad Kate - My Fear of Pretending (feat. Lori Baldwin)
    続きを読む 一部表示
    53 分
  • S5E2 S.W.E.A.T. with Ramzi Fawaz

    S5E2 S.W.E.A.T. with Ramzi Fawaz
    2026/02/10
    My conversation this month is with queer and feminist cultural historian, educator, podcaster, and public speaker Ramzi Fawaz. https://www.ramzifawaz.com/ https://www.instagram.com/nerdfromthefuture/ Ramzi Fawaz is a professor of English at the University of Wisconsin, Madison, and host of the podcast "Nerd from the Future". He is the author of two books, including The New Mutants: Superheroes and the Radical Imagination of American Comics (2016) and Queer Forms (2022), both published by NYU Press. The New Mutants received the 2017 ASAP Book Prize from the Association for the Study of the Arts of the Present. Fawaz is a contributing editor to Film Quarterly, where he writes a column titled “Imagination Unbound.” He is also a co-editor of the NYU Press book series Postmillennial Pop with Gayle Wald and Aaron Trammell. Fawaz is currently working on a new book project titled _How to Think Like a Multiverse: Psychedelic Pathways to Embracing a Diverse World._ In it, he argues for a rethinking of humanities education as a form of collective psychedelic therapy, which uses literature, art, and media, rather than psychoactive medicines, to induce positive, long-term transformations in students’ mental wellbeing. As part of this project, He recently edited a special issue of _South Atlantic Quarterly_ on the topic of “Psychedelic Imaginaries,” which was published in April 2025. We talk about teaching as an act of love, psychedelics as tools for loosening rigid thought, and how imagination can help us live with difference instead of fearing it. Ramzi describes entering the classroom as a “radiant light,” grounded, joyful, and fully present with students. At the heart of his pedagogy is **attention as care**: treating students as people worth listening to, challenging them without shaming, and creating a "cone of trust" where risk, disagreement, and mistakes are part of learning. Ramzi shares insights from his upcoming book, **How to Think Like a Multiverse: Psychedelic Pathways to Embracing a Diverse World**, arguing that both art and psychedelic experience can soften hardened thinking and help us approach human difference with curiosity rather than fear. Together we ask: How do we practice being with people we don’t agree with? How do we act when theory fails us? How do we cultivate imagination that changes the world rather than escapes it? We mention: Hannah Arendt (enlarged mentality) Linda Zerilli (_Feminism and the Abyss of Freedom_) Judith Butler (performativity and grieveability) Lauren Berlant (cruel optimism) The movie Everything Everywhere All At Once_ The series Heated Rivalry
    続きを読む 一部表示
    59 分
まだレビューはありません