In August 2014, our then regular podcast host Colin Waters travelled to Faslane, home of the UK’s nuclear deterrent, to talk to poet Gerry Loose. Loose’s collection fault line is a suite of poems inspired by the area, which is his backyard. The great natural beauty contrasts with the ugliness of the military base, inspiring Loose. He guides Colin around the area, sharing its history and his thoughts on the nature poetry’s radical past and present.

This edition of our Nothing But The Poem podcast, hosted as usual by Samuel Tongue, features two poems by Isabelle Baafi, from her 2025 Forward Prize winning debut collection Chaotic Good.

‘In this wise-hearted and deft debut, Baafi gets to the grain of family, inheritance, the grit of growing up and the grappling to become oneself.’ - Rachel Long

‘Isabelle Baafi’s Chaotic Good is a debut of amazing endurance. Its formal pressures create a kind of kaleidoscopic intensity that – with each turn of the chamber – brings newly beautiful and painful shapes into focus. - Will Harris

The two poems discussed in the podcast from Chaotic Good are The Cottage and Burst Me Into Song

Hugo Williams won the 1999 TS Eliot Prize for Billy’s Rain, a collection that captured a certain amount of journalistic interest for its unvarnished depiction of an affair. His collection, I Knew The Bride, was also been nominated for the TS Eliot Prize (as well as the Forward), although it’s subject matter is a little darker, taking in the death of his sister and his own kidney failure, which requires him to spend a significant amount of time every week on dialysis.

We were lucky to spend time with the poet in 2014 when he was up for the Edinburgh International Book Festival. He talks about the influence of popular music on his work, mortality, and what Hardy was doing with Shelley’s heart.

When we think of World War One, our images of the conflict are largely shaped by those of the Western Front or perhaps Gallipoli. It was a truly global conflict, however, and one less remarked upon campaign was that of an ill-fated Anglo-Indian force dispatched to secure oil supplies in what is, today, southern Iraq.

Poet, playwright and songwriter Jenny Lewis’ father fought as part of that force. Her collection Taking Mesopotamia (Carcanet) re-imagines the campaign using her father’s diaries. It also takes in more recent wars in the region as well as the story of Gilgamesh, the ancient Sumerian warrior king, to create a vision of a mankind that repeatedly fails to learn the lessons of war. Lewis took time out from the StAnza poetry festival, where she was appearing in March 2014,to talk to us about war, oil, myth, and the gods.

Photo by Ben Prestney

The latest edition of our Nothing But The Poem podcast, hosted as usual by Samuel Tongue, features two poems by Juana Adcock.

Samuel Tongue comments: "Juana Adcock is a poet who works between languages and registers and themes, ever inventive and risk-taking. In this all too brief intro to two of her poems, I hope you get a sense of all of these elements. And please come and borrow her books from the SPL."

Liz Lochhead said of her first collection Split: "Here is sharp specificity, humour, daring. These poems rock. They sing."

The two poems discussed in the podcast are The Task of the Translator and The Guitar's Lament.

J.L. Williams is a poet fascinated by the possibility of metamorphosis, whether it be witnessed in the natural world or experienced in one’s own life. Her first collection Condition of Fire (Shearsman) was inspired by Ovid, and in her second collection Locust and Marlin (Shearsman) she returns to the theme of change from a fresh perspective. In this 2014 podcast, she talks to us about the nature of stone, the poetry of locusts, and just how spiritual she is.

Photo by Chris Scott.

On Monday 19th November 2018 the poet Tony Harrison took part in a special event at Edinburgh Filmhouse. It was a rare public appearance from harrison which consisted of a conversation with his friend and collaborator Peter Symes, intercut with screeings of Harrison's film poems. These film poems hadn't been seen in public since they were originally screened on BBC and Channel 4 in the 80s and 90s.

The event was organised by the Scottish Poetry Library in partnership with Edinburgh Filmhouse, and curated by David McLachan. The discussion, including the extracts from the film poems was recorded and the audio has been digitised as part of the SPL's extensive archive. The recording quality wasn't great but thanks to the tech we have at out disposal we've managed to clean up the audio, get rid of most background noises. So here for the first time, in podcast format, is the full discussion between Tony Harrison and Peter Symes, with the film poem extracts left in. Enjoy.

2014 marked the bicentenary of the birth of the Russian novelist and poet Mikhail Lermontov. A book, After Lermontov, featured a number of the Russian’s poems translated into English. Many of the poets involved are Scottish because Lermontov traced his ancestry back to Scotland and was a great admirer of Ossian and Sir Walter Scott. This podcast from 2014 looks at After Lermontov in the company of its editor and contributors: Peter France, Robert Crawford, Sasha Dugdale and Alexander Hutchison. We also take a look at the short, turbulent life of the poet, a controversial figure in his day who may have been the victim of a fatal conspiracy at the age of 27.

Image: lino_Lermontov by Andrey under a Creative Commons licence