“When I photograph, what I’m really doing is seeking answers to things.” -- Wynn Bullock

“If you want to be a better photographer, stand in front of more interesting stuff.” -- Jim Richardson

In this episode, Antonio and Ward reflect on photography’s unique role in preserving memories and stories. They discuss the importance of visual media literacy, highlighting how critical it is to go beyond just taking photos—to truly “read” images and understand the narratives they capture. Antonio shares his interest in teaching these skills, noting an upcoming workshop designed to deepen understanding in this area.

They also touch on how photography serves as a bridge to the past, preserving moments that can evoke powerful emotions or insights upon rediscovery. Through examples and personal reflections, Antonio and Ward examine how images can be more than visual records—they’re a way to keep memories alive, capture personal history, and connect us to our own stories and those of others.

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Show Links:

Photoville Educator Lab - Catalyst Of Change: Visual Storytelling for 2024 & Beyond

Lost Rolls America

Antonio M. Rosario's Website, Vero, Instagram and Facebook page

Ward Rosin’s Website, Vero, Instagram and Facebook page.

Ornis Photo Website

The Unusual Collective

Street Shots Facebook Page

Street Shots Instagram

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"What I'm always trying to do is to make a picture that goes beyond a story."

"If you can shoot on the street, you can shoot anything."

-- Mary Ellen Mark

In this episode, Antonio and Ward begin with some "light" conversation about the aurora making a rare appearance in New York. Antonio reflects on the quiet satisfaction of finally catching a glimpse, even though his neighbors’ iPhones seemed to perform better than his carefully chosen Fujifilm setup. It wasn’t just about getting the perfect shot—it was about being part of the moment and feeling connected to something beyond the ordinary.

But the episode really finds its rhythm when the conversation turns to Mary Ellen Mark. Both Antonio and Ward admire her ability to disappear into the scenes she captured, especially during her time as the set photographer on Apocalypse Now. They talk about how her photographs of Brando feel less like production stills and more like windows into the very essence of his character, Colonel Kurtz. There’s a shared sense of respect between Antonio and Ward as they reflect on how Mark’s work goes beyond mere documentation—her images feel lived in, revealing moments that carry an emotional weight. It’s clear that discussing Mark taps into something personal for both of them: an appreciation for the kind of photography that isn’t just seen but felt.

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Help out the show by buying us a coffee!

Support the show by purchasing Antonio’s Zines.

Send us a voice message, comment or question.

Show Links:

The PhotograpHER addiction diaries – Mary Ellen Mark

The Essence Of Mary Ellen Mark, The Invisible Made Visible

The Conet Project

Antonio M. Rosario's Website, Vero, Instagram and Facebook page

Ward Rosin’s Website, Vero, Instagram and Facebook page.

Ornis Photo Website

The Unusual Collective

Street Shots Facebook Page

Street Shots Instagram

Subscribe to us on:

Apple Podcasts

Google Podcasts

Spotify

Amazon Music

iHeart Radio

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Ward's Images:

Mary Ellen Mark:

Antonio's Images: