Chapter 19: 0:00—A state of widowhood. 4:33—The species grisette. 12:52—Grisettes, lorettes & courtesans 16:05—Luxury & liberty. 18:52—Musette & Marcel. 24:52—Interlude.

Chapters 20-23: 25:50—Rodolphe & Mimi & Murger & Lucile. 31:00—Women undressed. 40:28—Rodolphe verses Mimi. 49:57—Murger’s poverty. 52:38—The past arrives. 56:46—La Boheme vs. The Bohemians. 57:53—A handy man. 1:05:15—Puccini’s Mimi. 1:06:38—Number 8. 1:09:28—Romanticism vs. realism. 1:10:59—Losing Lucile. 1:16:43—Epilogue.

Text: Henry Murger, The Bohemains of the Latin Quarter. Translated by Maurice Samuels. 1901. Univ. of Pennsylvania Press, 2004.

Interlude: Giacomo Puccini, La Boheme, “Ohè là! Le Gardie,” NBC Radio Orchestra, conducted by Arturo Toscanini, 1946.

Additional music: Giacomo Puccini, La Boheme, "Che ha detto il medico?" sung by Jan Peerce, NBC Radio Orchestra, conducted by Arturo Toscannini, 1946.

Image: Henry Murger, caricature by Étienne Carjat in Diogène no.18, vol. 7, December 1856 (Wikipedia).

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Contact me: jimjneilson@gmail.com

Chapters 11: 0:00-Bohemians behaving badly. 4:16—Murger’s purpura. 5:56—The real Bohemians. 8:54—Murger’s models. 15:22—Christmas at Café Momus. 16:54—Interlude.

Chapters 12-14: 17:48—Becoming bohemian. 21:51—Celebration at the Viscount Paul’s. 24:16—Rodolphe & Mimi unite. 27:19—Demolishing Nisard. 29:02—Perfect harmony. 29:54—Shattered harmony. 34:47—Mimi mutilates. 36:58—Routine, recrimination & reanimation. 38:32—Rodolphe & Mimi separate. 39:45—A wild ballet. 42:15—An instrument of pleasure. 44:00—Lucile! Lucile! 44:57—The chill of solitude. 46:33—Raging Rodolphe. 48:13—Rodolphe & Mimi reunite. 48:55—Murger & Lucile. 50:50—Interlude.

Chapters 15-17: 51:43—Breaking up. 53:46—Upper-class Musette. 55:30—A love ode. 56:08—The passage of the Red Sea. 59:03—Médecis the Jew. 1:00:59—The Damascus Affair. 1:03:07—Anti-Semitism. 1:04:05—Médecis’s inventory. 1:05:49—Hanging Marcel’s painting. 1:06:34—A hub of luxury. 1:07:53—Bodies in the Louvre. 1:09:20—A Britisher. 1:12:09—Coco the parrot. 1:13:40—Dolores the actress. 1:14:05—The June Days Uprising & the February Revolution. 1:17:19—The Parisian poor. 1:19:06—Dolores & the Englishman. 1:21:47—Coco’s cacophony. 1:23:41—Interlude.

Chapter 18: 1:24:33—A man named Jacques D. 1:27:42—What about Francine’s muff? 1:28:11: Jacques & Francine. 1:31:29—Digressions. 1:33:58—Francine’s condition. 1:36:22—Francine’s last word. 1:40:46—Kissing her on another’s lips. 1:43:04—No special grave. 1:44:26—Missing person. 1:51:27—Closing.

Text: Henry Murger, The Bohemains of the Latin Quarter. Translated by Maurice Samuels. 1901. Univ. of Pennsylvania Press, 2004.

Interludes: Giacomo Puccini, La Boheme, “Ohè là! Le Gardie,” NBC Radio Orchestra, conducted by Arturo Toscanini, 1946.

Image: Henry Murger, by Nadar, between 1854 -1860 (Musee d'Orsay).

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Contact me: jimjneilson@gmail.com

Chapter 1: 0:00-Bohemain rhapsodies. 5:27—Bohemian brothers. 6:26—The musician Schaunard. 8:28—Lovers’ locks. 11:51—Duo lepus. 15:04—The bibliophile Colline. 18:15—The writer Rodolphe. 19:57—The brotherhood. 21:59—The word “Bohemian.” 23:52—The Bourgeoisie. 28:06—Bohemianism. 29:28—Interlude.

Chapters 2-5: 29:49—Sugar coating. 35:00—Straight romance. 36:21—Loving and losing Louise. 43:53—Conducted to the “jug?” 46:20—Manual labor. 48:57—Turkish delights. 51:47—Talking heads. 53:53—Talk of the Quarter. 58:13—Interlude.

Chapters 6-10: 58:33—Meeting Musette. 1:02:13—La grisette. 1:04:26—Grisette Musette. 1:06:19—Musette & Marcel. 1:07:41—Unfashionable Bohemians. 1:10:32—Boho chic. 1:13:16—Home economics. 1:14:28—Grammar school. 1:18:42—Money, love, and editing. 1:21:54—Dreams of abundance. 1:23:57—Meeting Mimi. 1:24:51—Closing.

Text: Henry Murger, The Bohemains of the Latin Quarter. Translated by Maurice Samuels. 1901. Univ. of Pennsylvania Press, 2004.

Interludes: Giacomo Puccini, La Boheme, “Aranci, ninnoli,” NBC Radio Orchestra, conducted by Arturo Toscanini, 1946.

Additional music: Giacomo Puccini, “Che gelida manina,” sung by Jan Peerce, La Boheme, NBC Radio Orchestra, conducted by Arturo Toscannini, 1946.

Additional music: Jonathan Lawson, “La Vie Boheme,” Rent, New York Theatre Workshop Recording, 1994 (Internet Archive).

Illustration: Henry Murger, 1857 (Wikisource).

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Contact: jimjneilson@gmail.com

Vol. 3, Chapters 1-8: 0:00-Recap. 1:52—A dead man. 4:43—The crime scene. 5:56—Lytton & Poe. 7:20—The initial investigation. .9:35—Pale Pelham. 11:50—Fireworks. 15:16—Lytton makes the rounds. 18:37—The Homes of England. 22:44—Melancholy mania. 24:46—A new wrinkle. 26:42—Job Jonson. 30:05—Pelham’s mother. 32:43—Lytton’s mother. 33:16—Literary Lytton. 34:25—Pelham & Roseville. 36:24—Pelham’s politics. 37:25—Interlude.

Vol. 3, Chapters 9-14: 38:07—Glanville explains all. 40:05—Glanville & Gertrude. 43:34—Gertrude’s gone. 45:00—To the madhouse. 50:04—Gertrude’s condition. 55:35—RIP G.D. 56:04—Mystery revealed. 59:44—Glanville & Thornton. 1:01:19—A terrible & tumultuous action. 1:06:12—Pelham & Ellen. 1:07:13—Pelham rehabilitated. 1:08:13—Thornton’s demands. 1:10:39—Trying times. 1:15:44—Interlude.

Vol. 3, Chapters 15-22: 1:16:25—Dawson’s remorse. 1:18:46—Parson Pelham. 1:20:06—St. Giles Greek. 1:21:34—Bloomsbury elegance. 1:25:31—Chilling apprehensions. 1:28:09—Brimstone Bess & gang. 1:30:12—The murder recounted. 1:34:40—True crime. 1:38:25—Murder ballad. 1:40:18—Names. 1:41:27—Bloody water. 1:44:19—Simple-minded moralizing. 1:46:17—Run for your lives! 1:48:28—The day after. 1:49:41—Thornton arraigned, Glanville released. 1:50:54—Lady Roseville’s behavior. 1:53:44—Mother writes. 1:54:29—No reception. 1:55:34—Several months later. 1:57:59—Reception. 2:00:11—Lytton/Pelham conflation. 2:05:28—Lytton’s character. 2:06:02—Class conflict. 2:09:11—Defending Pelham, attacking Byron.

Text: Edward Bulwer Lytton, Pelham, or the Adventures of a Gentleman. 1828. Univ. of Nebraska Press, 1972.

Interludes: Hector Berlioz, “The Corsair Overture” (1844), performed by Orchestre De L’Association Des Concerts Lamoureux, conducted by Jean Martinon, 1952.

Additional music: Noel Coward, “The Stately Homes of England” (1938), performed by Roderick Cook and Jamie Ross, Oh Coward! original cast recording, Bell Records, 1972 (Internet Archive).

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Vol. 2, Chapters 1-10: 0:00-In Cheltenham. 3:29—“Cherry Ripe.” 4:40—Lady Babbleton & Sir John Tyrell. 9:01—Oh, you satirist! 11:51—A sunbeam caught. 14:09—A bold, bad man. 18:28—In London. 20:40—Wildean maxims. 22:50—Pelham’s ego. 22:43—Visiting Glanville, seeing Thornton. 26:38—Motherly advice. 28:01—At Lady Roseville’s. 29:38—Pelham’s seat. 31:02—Interlude.

Vol. 2, Chapter 11: 32:07—Single-sticking. 38:07—A night on the town. 43:28—Harriss’s List of Covent Garden Ladies. 52:52—Birch discipline. 57:37—Ornaments to the female world. 1:00:01—Covent Garden women. 1:08:33—Reading the List. 1:11:32—Interlude.

Vol. 2, Chapters 12-14: 1:12:40—Mock-epic. 1:15:22—Dipping into St. Giles. 1:20:05—Blue ruin. 1:24:12—The Irish Rookery. 1:25:58—Economic distress. 1:27:31—Introducing Job Jonson. 1:29:30—Remembering Jemmy Gordon. 1:31:37—Urban leisure activities. 1:32:52—Deceased duchess. 1:24:28—Interlude.

Vol. 2 Chapters 15-28: 1:35:36—Moral literature. 1:41:33—Tories & Whigs. 1:42:24—Glanville/Byron. 1:47:30—Frame story. 1:54:34—In walks Thornton. 1:58:18—Cultural collision 2:00:50—Boatswain’s mate. 2:09:19—Clarke’s doggerel. 2:11:41—Bad Byron. 2:13:14—Cherry buried. 2:14:57—Animal spirits. 2:22:05—Farce to foreboding. 2:26:54—One long school day. 2:29:29—Oh, the humanities! 2:32: 37—A dark pursuer. 2:38:01—Closing.

Text: Edward Bulwer Lytton, “Pelham, or the Adventures of a Gentleman.” 1828. Univ. of Nebraska Press, 1972.

Interludes: Charles Horn, “Cherry Ripe” (c. 1826), arranged and performed by Jim Paterson (https://www.mfiles.co.uk/scores/cherry-ripe-piano-solo.htm).

Additional music: “Cherry Ripe,” Robert Herrick (lyrics) and Charles Horn (music), performed by Village Voices, Buckinghamshire, UK (http://www.villagevoiceschoir.net).

Sound effects: Pixabay.

“USA”: myinstants.com.

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Vol. 1, Chapters 1-9: 0:00-The madness of King George. 3:26—The Regency. 5:48—Pelham’s parents. 10:49—Lytton’s satire. 12:28—School days. 14:00—Sir names. 14:50—Lytton the student. 19:38—A man of ton. 22:05—What’s for dinner. 27:45—Lady Roseville. 29:07—Following mother’s advice. 31:15—A grave encounter. 34:26—Gallomania. 35:58—Interlude.

Vol. 1, Chapters 10-23: 36:46—An egregious coxcomb. 39:10—Consider the dandy. 41:18—Watching Pelham. 47:21—The streets of Paris. 49:47—Unabashed effrontery. 52:07—Advice from Mom. 54:42—The Palais Royal. 57:39—Parisian restaurants. 59:17—Les Anglais à Paris. 1:01:38—Dueling Pelham. 1:02:38—The Bois de Boulogne. 1:06 :22—Au revoir, Madame D’Anville; bonjour, Duchess. 1:09:16—The demonical observer. 1:13:24—The unhappy monkey. 1:15:39—A consummate puppy. 1:18:02—Gambling. 1:20:33—Secrets of the boudoir. 1:22:09—A most unmitigated rascal. 1:26:10—Interlude.

Vol. 1, Chapters 24-37: 1:26:59—Lord Byron. 1:34:03—Tyrell & Thornton & Warburton. 1:36:57—Rounds of reciprocal regrets. 1:41:01—Warburton revealed. 1:44:33—Last evening in Paris. 1:47:03—Beau Brummel. 1:57:03—The silver fork novel. 2:01:54—Election fraud. 2:03:07—Middle-class life. 2:12:03—Closing.

Text: Edward Bulwer Lytton, Pelham, or the Adventures of a Gentleman. 1828. Univ. of Nebraska Press, 1972.

Image: Edward George Earle Lytton Bulwer Lytton, 1st Baron Lytton (detail), painting by Henry William Pickersgill, 1831 (Wikipedia).

Interludes: Franz Schubert, Symphony No. 9 (1825), performed by the Vienna Philharmonic, 1957.

Sound effects: Pixabay.

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Contact: jimjneilson@gmail.com

Pages 269-82: 0:00—Midori & Nobu. 5:02—Love’s fools. 8:03—What eels Nobu. 10:45—Ichiyo’s realism. 13:38—Language of the implied. 15:01—Ihara Saikaku & other influences. 17:53—Nobu’s perspective. 20:06—Young Murasaki. 22:41—Clogged emotions. 28:20—Maple & mud. 30:24—Interlude.

Pages 282-87: 31:11—Pretty things. 34:04—A lyrical passage. 35:47—A Kyoto doll. 38:44—Vague things. 40:10—A period of debate. 43:02—Stepping into the debate. 49:18—The paper narcissus. 50:20—Midori & Nobu. 51:31—Paper narcissus & dark robe. 52:23—Acclaim & ambush. 58:01—Closing.

Text: Higuchi Ichiyō. "Child's Play." Translated by Robert Danly. In the Shade of Spring Leaves: The Life and Writings of Higuchi Ichiyo. A Woman of Letters in Meiji Japan, Yale Univ. Press, 1981.

Interlude: Kimio Eto, "Yorokobi," The Japanese Koto Music of Kimio Eto, World Pacific Records (1424 / ST-1424), 1960 (Internet Archive).

Image: Higuchi Ichiyō, 1896, National Diet Library.

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Pages 254-63: 0:00—The Yoshiwara. 7:12—The Daionjimae. 10:14—Raking in prosperity. 11:59—Back street boys. 15:34—Meeting Midori. 19:04—Senzoku Shrine Festival. 25:23—Affable Sangoro. 30:03—Class consciousness. 31:21—Inspecting her daughter. 32:37—Nothing but a whore. 35:36—Class struggle. 37:25—Interlude.

Pages 263-67: 38:09—About Ichiyo. 46:28—Shota & Midori. 53:15—A suspect endeavor. 57:36—Closing.

Text: Higuchi Ichiyō. "Child's Play." Translated by Robert Danly. In the Shade of Spring Leaves: The Life and Writings of Higuchi Ichiyo. A Woman of Letters in Meiji Japan, Yale Univ. Press, 1981.

Interlude: Kimio Eto, "Yorokobi," The Japanese Koto Music of Kimio Eto, World Pacific Records (1424 / ST-1424), 1960 (Internet Archive).

Image: Higuchi Ichiyō, 1896, National Diet Library.

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Contact: jimjneilson@gmail.com