With social media filled with AI-generated fake war videos and a war-hawk press eager for regime change and empire building, where does one turn? Jessa and Nico talk about how the death of journalism was not natural causes, it was murder. From venture capital "investment" to Bezos putting the Washington Post through the woodchipper as a gift to Trump to Bari Weiss running CBS news into a wall at high speed, it is beneficial to the select few so they can avoid accountability and oversight. Also: Paramount eats WB and the Fox Empire crackup.

Shownotes and references:

http://culturewedeserve.substack.com

Why are we so bad at criticizing or satirizing the wealthy? Is it because we think if we're nice to them we think they'll be less likely to kill us? From Succession discourse to bloodthirsty Taylor Swift fans to Jeffrey Epstein defenders, sycophants and fanboys protect, distract, and play down the egregious acts of the rich. Jessa and Nico discuss how the media protects rather than interrogates the ultra-wealthy and why the self-made man myth needs to die.

Shownotes and resources:

http://theculturewedeserve.substack.com

A new book about Tucker Carlson's life tracks how the conservative movement has cracked up over the past several decades, while also showing how one man was able to navigate (and monetize) the changes. But does Jason Zengerle's Hated By All the Right People understand where we are today? Jessa and Nico discuss how conservative media -- from print to cable television to Reddit -- has been evolved from respectable intelligentsia to Holocaust jokes, and whether Jessa can fix Tucker.

Shownotes and references:

http://theculturewedeserve.substack.com

Our major arts institutions are broke. The Met Opera has been reduced to begging for money from the Saudis, and meanwhile they can't sell out their theater even for premieres. Colleges are dipping into endowments, theater companies are shutting down, and the MFA Boston is laying people off. The cosmopolitan globalized art model is falling apart, and (now that Epstein is dead) no one has any new ideas except to head out to the petrostates hat in hand. Jessa and Nico look into the state of affairs, and wonder why we're here in the 21st century using 20th century ideas about what art is for and how to fund it.

Shownotes and references:

http://theculturewedeserve.substack.com

The American century is over, or so say the speakers at Davos. The United States has had hegemonic control over the rest of the world, its markets, its sovereignty, its culture. But now that might be coming to an end. Jessa and Nico discuss what that means for international culture industries, which have also been playing by America's rules for decades.

Shownotes and references:

http://theculturewedeserve.substack.com

It's France in the mid-19th century, and here we have a group of young men who can't decide how to get along. They waste time and money, they go to nightclubs and restaurants, they have affairs and declare themselves and each other artistic geniuses. Meanwhile, the political situation is crumbling and people are putting up barricades in the street. It's time for Flaubert's Sentimental Education, which examines the listlessness and indecisiveness of a generation coming of age in turmoil. Jessa and Joseph discuss how this in no way resembles the contemporary impulse to podcast through a breakdown.

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Rightwing men have been accusing liberal women of having "suicidal empathy" for the immigrants they claim are trying to murder them. But the only people who truly seem to have suicidal empathy are those who identify and sympathize with the ICE agents and the politicians who are likely to turn on them next. Jessa and Nico discuss the popularity of this idea for figures like Elon Musk.

Also, over at the Nation, Anna Krauthamer attempted to reconcile her belief in prison abolition with a horrendous experience of sexual violence, and the whole thing became an illustration of the failures of the sloganeering political left to generate ideas on better ways to do things. Maybe it wasn't a great idea to try to solve complicated social issues with personal essays.

Shownotes and references:

http://theculturewedeserve.substack.com

Much like the girlboss, no matter how many times the culture tries to eulogize DEI we find it once again, walking around, making a nuisance of itself. Recent pieces in the NYTimes, Wired, and Compact try to reckon with the legacy of DEI, and then there is of course the walking mascot of DEI culture, Bari Weiss, making a mess of CBS News.

Jessa and Nico talk about the enormous lengths all these people will go to avoid talking about class, why identity politics was a good idea (for a while), and why the most obvious DEI hires were Ross Douthat and Bari Weiss.

Shownotes and references:

http://theculturewedeserve.substack.com