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One strumming hand. Five fingers. So many possibilities for rasgueos, right? Here, in this tutorial, I will present to you 12 rasgueos that I think you should be familiar with. In fact, if these were the only rasgueos you ever learned, you would be more than well-equipped to tackle any palo, and any compás, like a pro!

Now a quick note: you might notice that the three-fingered rasgueo (a, m, i) is not included in this index, well…don’t worry, nor fret (pun intended); I cover that very common rasgueo briefly while reviewing rasgueado #1 😉.

You may also notice that I use the palo of Verdiales quite a bit to demonstrate the rasgueado patterns; this is because Verdiales tends to be a good for demonstrating the uniqueness of each rasgueado pattern. Enjoy!
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This is the first video tutorial in a series titled, "Fretboard Familiarity." In this tutorial, I will show you the chromatic scale; it's called that because fretting finger follows a chromatic path (i.e., C, C#, D, D#, E, F,F#,etc.). After completing this exercise, your fingers become more accustomed to the distance of the frets on the guitar--particularly when you adjust that distance by putting on a cejilla (capo). ...This exercise will also help your left hand endurance, left-hand finger agility, and right hand coordination between your index (i) and middle (m) fingers while alternating.

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Although most flamenco palos originated from the Southern portion of Spain in Andalusia, there are some exceptions. The palo (flamenco style) of Farruca is from in the northern region of Spain in Asturias, and was adapted into the flamenco repertoire by flamenco artists. 

The Farruca can be a solo piece for the guitar, and can also be played for cante (singing) and baile (dancing).
In this progressive study for the flamenco guitar, you will learn how to play the basic rhythm of the Farruca, along with some beautiful falsetas (riffs/licks). 

I don't think I need to say that I hope you will enjoy this piece, because I know you'll love it.

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