In the latest episode of The High Note, I had the pleasure of sitting down with Atlantic City-based DJ and producer Captain Cork. My good friend Cory Kaisand and I talk about his creative process, the art of crafting engaging DJ sets, and his experiences performing across the country.

For fans eager to catch Captain Cork live, he has several performances scheduled in Atlantic City, including Dec. 28 at The Pool at Harrah's and Jan. 9 at Anchor Rock Club. Keep an eye on his Instagram @captain__cork for the latest updates and event details.

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Paul “Dawg” Dixon wrote, composed and recorded the intro and outro music. The voices you hear at the end are Graeme Armstrong, Steve Poltz and Keller Williams.

In this episode of The High Note podcast, I sit down with Brian Walker of A Day Without Love at the 61st annual Philadelphia Folk Festival. We discuss his songwriting process, the significance of playing at the folk festival and in Philadelphia, his experiences moving from Philly to Boston, and his latest album. Brian shares insights on overcoming challenges, the role of music in healing, and his mission to inspire others to be the best version of themselves.

Key Topics:

• A Day Without Love’s journey from Philly to Boston
• Brian’s songwriting process and inspiration
• The importance of community and connection in music
• His reflections on performing at the Philadelphia Folk Festival
• Insights into his new album and upcoming projects

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Follow @HighNoteBlog anywhere you go on social media including TikTok, X, Instagram, Pinterest and Facebook. Subscribe to The High Note E-Zine.

Paul “Dawg” Dixon wrote, composed and recorded the intro and outro music. The voices you hear at the end are Graeme Armstrong, Steve Poltz and Keller Williams.

In this episode of The High Note, I sit down with Shanna in a Dress, a delightful singer-songwriter whose humor and heartwarming stories captivated audiences at the 61st annual Philadelphia Folk Festival.

We dive into her creative process, stories behind her songs, and the inspiration she draws from her cross-country bike tour that shaped her music career.

Shanna shares her thoughts on what it's like to perform at such a historic festival for the first time, creating spontaneous moments with fellow performers like Miss Emily and Adam Ezra, and how she balances heartfelt, emotional songs with her light-hearted and comedic approach. Plus, she opens up about the personal story behind her song “Shelly” and what it means to her as an artist.

Whether you're a fan of folk music, singer-songwriters, or just love good stories, Shanna in a Dress will inspire and entertain you. Listen in to hear more about her upcoming album "Sweet Spot," her musical adventures, and her philosophy of embracing imperfection.

Subscribe to The High Note podcast anywhere you subscribe to podcasts including Apple Podcasts, Spotify, Amazon Music, Stitcher, TuneIn and Google Podcasts.

Follow @HighNoteBlog anywhere you go on social media including TikTok, X, Instagram, Pinterest and Facebook. Subscribe to The High Note E-Zine.

Paul “Dawg” Dixon wrote, composed and recorded the intro and outro music. The voices you hear at the end are Graeme Armstrong, Steve Poltz and Keller Williams.

I sit down with the incredibly talented Philadelphia-based singer-songwriter and ukulele player, Sug Daniels. Originally from Smyrna, Delaware, Sug has carved out a unique space in the music world with her soulful blend of folk, rock, and alternative influences. We delve into her journey from growing up in a rural town, finding her identity as a queer artist, and making the move to Philadelphia, where she has continued to develop her sound and message.

Sug shares her experiences leading the bands Hoochi Coochi and FlowCity, and what inspired her to step out as a solo artist. We also discuss her upcoming performances, including her highly anticipated set at the Philadelphia Folk Festival 1 p.m. Saturday, Aug. 17 on the Tank Stage, and the creation of her latest EP. Sug's music has been featured on NPR, WXPN, and even Good Morning America, and she continues to be a powerful voice for truth and positive change.

Whether you’re a longtime fan or just discovering Sug Daniels, this episode offers a deep and personal look at the artist behind the music.

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Follow @HighNoteBlog anywhere you go on social media including TikTok, X, Instagram, Pinterest and Facebook. Subscribe to The High Note E-Zine.

Paul “Dawg” Dixon wrote and recorded intro and outro music. The voices you hear at the end are Graeme Armstrong, Steve Poltz and Keller Williams.

In this episode of The High Note podcast, I chat with banjo legend Tony Trischka about his latest project, "Earl Jam," which he will be performing at the 61st Philadelphia Folk Festival.

Tony discusses his tribute to banjo pioneer Earl Scruggs which led to him collaborating with musicians Billy Strings and Del McCoury and many more for his most recent album, "Earl Jam."

He also shares insights into his deep connection with the festival, dating back to his first visit in the 1960s and some pretty great stories about the 60s folk music scene.

We discuss Tony's illustrious career how he has taught people like Molly Tuttle and Béla Fleck and continues to teach through Artist Works. Tony also gives a preview of what to expect from his set on the Martin Guitar Main Stage Aug. 18 at the Philadelphia Folk Festival and his future projects.

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Follow @HighNoteBlog anywhere you go on social media including TikTok, X, Instagram, Pinterest and Facebook. Subscribe to The High Note E-Zine.

The intro and outro music was written, composed and recorded by Paul “Dawg” Dixon. The voices you hear at the end are Graeme Armstrong, Steve Poltz and Keller Williams.

Join me on this week's podcast as I interview Philadelphia Folk Festival Artistic and Marketing Director Kimberly Sinclair.

We explore the exciting plans for the 61st annual Philadelphia Folk Festival, which will take place from August 16-18, 2024 at the historic Old Pool Farm in Upper Salford Township, Pennsylvania.

Kimberly shares insights into what attendees can expect, the festival's rich history, and the vibrant community that makes it all possible.

Whether you're a longtime festival-goer or a newcomer, this episode is packed with everything you need to know about this event, which is the highlight of my yearly musical calendar.

Tune in and prepare for an unforgettable music, community, and celebration weekend!

Subscribe to The High Note podcast anywhere you subscribe to podcasts including Apple Podcasts, Spotify, Amazon Music, Stitcher, TuneIn and Google Podcasts.

Follow @HighNoteBlog anywhere you go on social media including TikTok, X, Instagram, Pinterest and Facebook. Subscribe to The High Note E-Zine.

The intro and outro music was written, composed and recorded by Paul “Dawg” Dixon.

Kimberly Sinclair at the Philadelphia Folk Festival in 2019. Photo by Alex Lowy.

Mike Savino, the brainchild and founder of Tall Tall Trees, is my guest on The High Note to chat about his most recent album "Stick To The Mystical, I" which was released Friday, Sept. 8, 2023 via Joyful Noise Recordings.

We talk about his journey in music from being a metalhead to a deadhead to being classically trained in acoustic bass to creating his own instrument, the Banjotron 5000. In addition to the songwriting process on his most recent album with Josiah Wolf, also get into his musical influences and the album he recorded earlier this year with JD Pinkus, "Ponder Machine." Read my review of his most recent release on The High Note.

See Tall Tall Trees on tour throughout October 2023 and get "Stick To The Mysical, I" at talltalltrees.com.

Apologies for the slight audio interference and the delay in getting this episode out - hopefully, we exterminated all the technical bugs.

Subscribe to The High Note podcast anywhere you subscribe to podcasts including Apple Podcasts, Spotify, Amazon Music,  Stitcher, TuneIn and Google Podcasts.

Follow @HighNoteBlog anywhere you go on social media including Twitter, Instagram, Pinterest and Facebook. Subscribe to The High Note E-Zine.

The intro and outro music was written, composed and recorded by Paul “Dawg” Dixon.