On this special episode, we crunch data related to the most-streamed songs of the year, and discuss the genres, artists and languages that defined 2024 on the charts. Among the things we talk about are whether the I-Pop hype is real, how catalogue tracks are contributing to plays for film music, and the main differences between the year-end India top 50s on Spotify and Apple Music.

Links mentioned in the episode:

ttps://www.hollywoodreporterindia.com/features/columns/bollywood-music-in-2024-the-hits-that-ruled-playlists

https://www.linkedin.com/pulse/i-pop-why-indias-music-industry-hoping-becomes-next-big-bpdwc/

https://www.youtube.com/watch?v=sgZl8OcSRhM

In any given week, hits by K-Pop acts are among the handful of international tracks on the chart. With “APT.” by Rosie and Bruno Mars rising to the top 20, and consequently becoming the highest-ranked non-Indian single on the survey so far this year, we got K-Pop journalist and founder of media agency Bridge Asia, Riddhi Chakraborty, to plot the rise of the genre in our country and discuss why chart rankings are so important to its artists’ fandoms. As always, we look at key movements on the Spotify Weekly Top Songs India chart, this time for the survey published on November 29, 2024.

Three new entries as well as the biggest climber on this week's chart are remakes. Why are they so popular when they rarely improve on the original versions? On this week's episode, we discuss why labels love recreating older hits, whether they're mostly a Hindi film and pop music phenomenon, and how interpolations are a better option than remixes. As always, we look at key movements on the Spotify Weekly Top Songs India chart, this time for the survey published on November 15, 2024.