Lady Gaga, Marion Anderson, Beyoncé, Frank Sinatra, Pete Seeger, Maya Angelou — musicians and poets have been powerful headliners at inauguration ceremonies across the years signaling change, new beginnings and reflecting the mood of the country and a new administration.

In January 1973, following the Christmas bombing of Vietnam, conductor Leonard Bernstein gathered an impromptu orchestra to perform an "anti-inaugural concert" protesting Richard Nixon's official inaugural concert and his escalation of the war in Vietnam. One of the main performances of the official inaugural was the 1812 Overture with its booming drums replicating the sound of war cannons.

In 1973, the United States was reaching the concluding stages of our involvement in Vietnam. And while the war would soon come to an end, the weeks leading up to the second inauguration of Richard Nixon were met with some of the most intense and deadly bombing campaigns of the war.

The anti-war movement was unhinged. They had marched, they protested — to seemingly no avail when it came to changing Nixon’s foreign policies. So what to do next...

Leonard Bernstein performed an “anti-inaugural concert” — a concert for peace — following his belief that by creating beauty, and by sharing it with as many people as possible, artists have the power to tip the earthly balance in favor of brotherhood and peace.

This story was produced by Brandi Howell with special thanks to Michael Chikinda, Alicia Kopfstein, Matt Holsen, and Bernie Swain.

An introduction to the new podcast, A Breach Repairer's Song, produced by Nice Sound Company, hosted by Yara Allen and Rev. William Barber.

A Breach Repairer's Song is an immersive series soundtracking the marriage between music as an art form and music as a tool for activism. Through interview, retrospection, and the dissection of one song per episode, this show explores the deep roots music and the pursuit of justice and equity have in America's history—and how song can move us to action. Series guests include musicians, artists and activists: Joan Baez, Cornell West, and Dr Ibram X. Kendi.

In episode one, "The Power of Music in Social Movements," Reverend Barber and Yara Allen discuss how music intertwines with social movements, focusing on the contributions of theomusicology and Repairers of the Breach’s journey, alongside the Moral Mondays initiative. Their conversation highlights personal stories, regional influences, and the unifying power of protest music, showcasing music as a profound medium for addressing social injustices and personal struggles.

Edna Lewis was a legendary American chef, a pioneer of Southern cooking and the author of four books, including The Taste of Country Cooking, her memoir cookbook about growing up in Freetown, Virginia, a small farming community of formerly enslaved people and their descendants established in 1866.

Before she began writing books, Edna had been a celebrated chef at Cafe Nicholson in New York City in the 1950s where Eleanor Roosevelt, Paul Robeson, Marlon Brando, Tennessee Williams, Truman Capote and Marlene Dietrich all came for her Southern food and legendary chocolate soufflé.

The Taste of Country Cooking chronicled the traditions and recipes of the community where she grew up — a rural settlement that celebrated the events and traditions of daily life across each year with special suppers and ritual meals — Emancipation Day Dinner, Early Spring Dinner after Sheep Shearing, Morning After Hog Butchering Breakfast, Christmas Eve Supper and Christmas Dinner to name but a few of the dishes and stories that fill this book.

In 1983 The Kitchen Sisters went to talk to Ms. Lewis about her life and the Christmas traditions in the tight-knit Virginia farming community where she came of age.

For Christmas, The Kitchen Sisters Present... Edna Lewis: Christmas in Freetown