『The Presentations Japan Series』のカバーアート

The Presentations Japan Series

The Presentations Japan Series

著者: Dale Carnegie Training
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今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

Persuasion power is one of the kingpins of business success. We recognise immediately those who have the facility and those who don't. We certainly trust, gravitate toward and follow those with persuasion power. Those who don't have it lack presence and fundamentally disappear from view and become invisible. We have to face the reality, persuasion power is critical for building our careers and businesses. The good thing is we can all master this ability. We can learn how to become persuasive and all we need is the right information, insight and access to the rich experiences of others. If you want to lead or sell then you must have this capability. This is a fact from which there is no escape and there are no excuses.Copyright 2022 マネジメント マネジメント・リーダーシップ 経済学
エピソード
  • Don't Be Predictable And Boring When Presenting
    2026/04/06
    Good presentations are not built on politeness first. They are built on attention first. Whether it is a university graduation speech, a chamber of commerce address, a sales presentation in Tokyo, or a boardroom briefing in Otemachi, the opening has to grab people before they drift to their phones, their inbox, or their own internal monologue. Too many speakers confuse formal with effective. They open with clichés, acknowledgements, and safe pleasantries that are completely predictable. That is exactly the problem. Audiences remember stories, vivid scenes, and human moments far more than ceremonial throat-clearing. If you want to be memorable in business, leadership, or public speaking, stop opening like everyone else and start presenting like a real person with something worth saying. Why do so many presentations start badly? Most presentations start badly because the speaker chooses politeness over impact. The audience gets a predictable formula instead of a compelling reason to listen. You see it everywhere: graduation speeches, conference talks, association events, internal company meetings, and even sales kick-offs. The speaker begins by thanking the university, the dean, the chamber of commerce, the organisers, or the worthy guests. It sounds proper, but it is also stale. In Australia, Japan, the US, and Europe, the pattern is the same: formal openings often kill energy before the message even begins. In a post-pandemic world, attention spans are shorter and distraction is constant. Executives at firms like Toyota, Rakuten, or PwC are not judging you only on content; they are judging whether you can command a room. Do now: Audit your first 30 seconds. If your opening sounds interchangeable with a hundred other speeches, replace it. What is a better way to open a speech or business presentation? A better opening is a short, relevant story that creates curiosity immediately. It gives the audience a reason to lean in before you move into thanks, data, or formalities. The best opening story is brief, relatable, and emotionally positive. For a graduation speech, that may be a defining moment from university life. For a business presentation, it may be a meeting, customer moment, leadership lesson, or turning point from your industry. The key is relevance. A room full of graduates, salespeople, or senior leaders does not want abstract theory; they want something real. This is where many speakers go wrong. They front-load acknowledgements and leave the human material until later, if they use it at all. A smart presenter flips that order. First, win attention. Then, handle appreciation and context. That approach works better in SMEs, multinationals, start-ups, and professional associations alike. Do now: Open with one brief story before the formal thank-yous. Make it topical, uplifting, and tied to the audience's shared experience. Why are stories more memorable than facts alone? Stories make information stick because they turn abstract ideas into human experience. People remember scenes, not just statements. Data matters, especially in B2B presentations, board reports, and strategy sessions. But raw information by itself is hard to retain. A story wraps facts inside context, tension, and emotion, which makes the message easier to remember. This is true whether you are presenting quarterly results, leadership lessons, or customer insights. Research in communication and learning has long shown that narrative improves recall because the brain processes connected events more easily than disconnected numbers. In practical terms, if you want people to remember a KPI, a market shift, or a lesson from failure, embed it in a story. In Japan, where relationship context and credibility carry enormous weight, that narrative framing can be particularly powerful in executive communication. Do now: For every important fact in your talk, ask: what story helps this point land and stay remembered? What makes a presentation story vivid and effective? A strong story becomes vivid when the audience can see it. Specific people, place, season, and timing help listeners step into the scene with you. Vagueness weakens impact. Precision builds mental pictures. Instead of saying, "I met a client once," say, "Two years before Covid, on a muggy Tokyo summer day, I walked into a wood-panelled boardroom in Otemachi to meet the new president." That one line carries atmosphere, geography, business context, and emotion. It gives the audience breadcrumbs they can follow. Recognisable people also help. If listeners know the person, company, district, or era, they visualise it faster. This technique works across cultures, but it is especially useful in high-context business environments such as Japan and much of Asia-Pacific, where setting and relationship clues matter. Great presenters do not dump details everywhere; they select details that create a picture. Do now: Add concrete story markers: who was there, where it happened, what ...
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    11 分
  • What If I Am Not Fluent In English As A Presenter?
    2026/03/30
    Japan loves kata (the right way) and kanpekishugi (perfectionism). It's why trains run on time, factories hit tolerance, and meeting etiquette is orderly. It's also why many Japanese professionals feel shame if their English isn't perfect — especially on stage, in a boardroom, or on a Zoom call with global HQ. I used to argue with my wife: "Why does it have to be done this way?" Her answer was always the same: "Because that's how it's done." Fair enough… until perfectionism starts strangling your communication. Do I need perfect English to give a good business presentation in Japan? No — you need understandable English and confident presence, not linguistic purity. Even native speakers in the US, UK, and Australia butcher grammar, tense, and pronunciation in daily life, and nobody calls the speech police. In Japan, the pressure feels heavier because mistakes trigger that hot flush of embarrassment, but global audiences in 2026 are used to "World English" from colleagues in Germany, India, Singapore, and Korea. Executives at multinationals like Toyota, Rakuten, Unilever, and Google don't expect perfection; they expect clarity, credibility, and a logical structure. Perfectionism often creates stiffness, not trust. Your goal is to be natural, imperfect, and effective—the kind of speaker people can follow and respect. Mini-summary / Do now: Stop aiming for perfect English. Aim for clear meaning + confident delivery. Why does reading a script word-for-word actually make you look less senior? Because scripted perfection often reads as fear, not leadership. I've seen very senior Japanese executives "over-engineer" English presentations: reading notes word-for-word to keep grammar flawless, and even planting "sakura" audience members to ask pre-arranged questions. The language may be perfect, but the leadership signal is terrible. Global bosses grooming someone for a bigger role want a leader who can handle uncertainty, not someone who must control every syllable. In Japan, formality is fine; robotic delivery is not. In the US and Europe, reading sounds unprepared. In Asia-Pacific, it sounds cautious. The irony is brutal: chasing perfect English can damage the very credibility you're trying to protect. Mini-summary / Do now: Use notes as a safety net, not a crutch. Speak to ideas, not to sentences. What if I freeze during Q&A because my English isn't fast enough? If you wait for a perfect sentence, you'll never speak—so answer simply, then rephrase until they get it. I learned this studying Japanese back in 1979: by the time you manufacture the "perfect" line, the conversation has moved on. Q&A rewards clarity, not elegance. Use survival tools: buy time ("Great question—let me check I understood"), chunk your answer into 2–3 points, and confirm meaning ("Did that address what you meant?"). In Japan, it's acceptable to be careful; in US-style Q&A, it's normal to be direct; in Europe, it's normal to clarify the question first. If people can't understand, they'll ask you to repeat—no scandal. Mini-summary / Do now: Prepare 10 likely questions and practise short answers + a rephrase. Should I rely on perfect text on slides if my spoken English is imperfect? Yes—clean slides can carry precision while your spoken English adds meaning, energy, and context. This is a smart division of labour: your screen can show accurate definitions, metrics, timelines, and KPIs (ROI, churn, NPS, cost per unit), while your voice explains the "so what." Post-pandemic, hybrid audiences on Microsoft Teams or Zoom skim faster, so visible structure helps everyone—native and non-native. The trap is reading the slide verbatim; that kills engagement and makes you sound like a translation app. Use slides for anchors: key terms, numbers, decision options. Use your voice for the human bits: implications, examples, and the recommendation. If your English is imperfect but you're energetic and clear, people forgive the mistakes. Mini-summary / Do now: Make slides precise and simple; make your speaking clear and alive, not scripted. Will my accent and pronunciation ruin my credibility with foreign audiences? No—unintelligibility is the risk, not an accent, and most global listeners are trained by years of non-native English."Perfect" pronunciation is a myth even among native speakers (think regional US accents, Scottish English, or Australian slang). What matters is: can the audience reliably catch your key nouns, numbers, and decisions? If you mumble, speak too fast, or swallow endings, you lose them. If you slow down slightly, separate your words, and emphasise the important terms, you win. In Japan, people fear being judged; in reality, foreigners usually judge confidence and clarity more than vowels. If a word is hard, swap it for a simpler synonym. If they look confused, repeat it differently. That's professionalism. Mini-summary / Do now: Prioritise clarity over accent: slower pace, crisp ...
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    13 分
  • What If I Am A Low Energy Speaker
    2026/03/23
    Being persuasive is a commercial superpower. Whether you're pitching a proposal in a Toyota-style boardroom in Tokyo, selling a SaaS renewal in Silicon Valley, or leading a change programme in Sydney, you still need people to say "yes" to your idea. High-energy speakers often get impact "for free" because their natural pace and passion carries the room. Quiet, calm, low-energy presenters don't get that free lift — and being "authentic" isn't enough if the audience can't feel you. The goal isn't to become a different person. It's to build range: like classical music, you need crescendos and near-silence, intensity and restraint. Is being authentic as a low-energy speaker enough to be persuasive? No — authenticity without impact can be "authentically boring," and boring never closed a deal, won a budget, or inspired a team. In business, your content and structure can be excellent (clear problem, strong solution, good logic), yet the delivery can still sink the outcome if the audience can't hear you, can't feel you, or mentally checks out. This is true across markets: Japan tends to reward calm professionalism, but "calm" is not the same as "flat." The US often rewards visible conviction, but conviction isn't the same as yelling. Australia likes directness, but directness still needs vocal colour. The professional standard is: keep your personality, upgrade your delivery. Think "credible and engaging," not "performer." Mini-summary / Do now: Keep your authenticity, but add range. Decide: where do you need more energy, and where do you need less? How do I fix low energy without feeling like I'm screaming at people? Low-energy speakers usually stop too early because the increase feels huge internally, even when it barely registers to the audience. This is a calibration problem. Your brain hears "double the energy" and thinks "I'm shouting like a football coach," but the room hears "finally, I can follow this." In practical terms, your voice has three dials: volume, pace, and emphasis. You don't need to crank all three at once. Start with emphasis (stress key words) and pace (slightly quicker on the easy bits, slower on the important bits). In Japan or Europe, you can still be restrained — just don't be invisible. In a US sales pitch, you can be warmer and more animated — without going full hype. Mini-summary / Do now: Increase by 10–15% more than feels comfortable. Adjust emphasis first, volume last. Why is it sometimes harder to slow down high-energy speakers than to energise quiet ones? Because fast, high-energy speakers often get "on a roll" and accidentally create an audience of one: themselves.They love their natural speed, and slowing down feels fake, uncomfortable, and restrictive — like putting a sports car into first gear. Quiet speakers have the opposite issue: they feel they're being ridiculous when they lift energy, so they quit at a tiny 5% improvement. Both extremes are fixable, but for different reasons. High-energy speakers need to reconnect to listeners (pause, breathe, check faces, ask rhetorical questions). Low-energy speakers need permission to occupy space(stronger openings, clearer key-point emphasis, more deliberate transitions). In a multinational (Rakuten, Siemens, Unilever), the best presenters can flex style by audience and setting. Mini-summary / Do now: High-energy: slow and connect. Low-energy: lift and project. Both: build range, not a new personality. What's the "classical music" approach to energy and voice in presentations? Great presentations aren't a constant crescendo or a constant lull — they're dynamic, like classical music with intensity and near-silence. If you shout the whole time, you exhaust people. If you whisper the whole time, you lose them. Variety creates attention. Use louder, faster, more animated delivery for urgency (risks, deadlines, customer pain). Use slower, softer, more deliberate delivery for gravity (ethics, safety, major decisions). This works across sectors: finance (Morgan Stanley-level formality), manufacturing (Toyota-style precision), tech (startup speed), and professional services (Big Four clarity). The trick is intentional contrast: your energy becomes a tool, not a mood. Even a quiet speaker can be powerful by controlling pauses, slowing down before a key message, and landing it with crisp emphasis. Mini-summary / Do now: Plan your "peaks and valleys." Mark 3 moments to lift energy and 3 moments to go calm and deliberate. Which words should I emphasise, and do I have to raise my volume to do it? Not every word is equal — emphasise the few that carry meaning, and you can do it with a whisper as powerfully as with volume. This is where low-energy speakers can win big: "conspiratorial" delivery can feel like you're sharing a crucial truth. Emphasis can be done through pace (slow the key phrase), pitch (slightly higher or lower), or pause (silence before the point). High-energy speakers often struggle here ...
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    13 分
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