• The Show On The Road with Z. Lupetin

  • 著者： Z. Lupetin
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The Show On The Road with Z. Lupetin

著者： Z. Lupetin
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  • The Show On The Road features interviews and exclusive acoustic performances with songwriters, bandleaders and musicians from around the world. Hosted by Dustbowl Revival's Z. Lupetin, each episode features an in-depth and playfully creative conversation about the real day to day lives of artists and their inspirations.
    © 2021 Zach Lupetin
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The Show On The Road features interviews and exclusive acoustic performances with songwriters, bandleaders and musicians from around the world. Hosted by Dustbowl Revival's Z. Lupetin, each episode features an in-depth and playfully creative conversation about the real day to day lives of artists and their inspirations.
© 2021 Zach Lupetin
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  • Madeleine Peyroux: Where Jazz and Protest Meet

    Madeleine Peyroux: Where Jazz and Protest Meet
    2024/08/02
    Many artists have those sliding door moments - being at the right place at the right time with just the right amount of talent, style and looks to make it out of having to work a “real job." Growing up in New York and then Paris where a young Madeleine began singing on the street, harnessing her deeply warm and eerily timeless voice (close your eyes and you might hear Billie Holiday) she went from being let go selling newspapers and toiling as a Applebees hostess in Nashville to creating beloved major-label jazz pop albums like Dreamland and Careless Love (one of my all time favorite albums) where she expertly sang out-of-box covers in English from singing poets and kindred spirits like Leonard Cohen and also jazzy French favorites that got her in front of millions of listeners around the world. Slowly Peyroux began inserting personal and often politically powerful originals as her profile grew - leading to her new protest-forward all-original LP Let’s Walk. While she was a staple of the early 2000s jazz pop best-sellers alongside Nora Jones and Diana Krall, the new record finally unleashes Peyroux’s full creative potential: there’s playful bluesy bops like “Showman Dan” which feels like a cheeky Jim Croce hit - and darkly prophetic songs like “Nothing Personal” which takes a clear-eyed view of sexual assault as a weapon of war. She’s not holding back and her intuitive band, always a highlight, matches her intensity at every point. Much like her genre-defying albums, a conversation with Madeleine goes in many directions - she’s got a lot on her mind, she has a lot of ideas and having lived much of her creative life in both America and France, she has a unique double perspective about what music and culture can do for our well-being and how governments and its citizens can support music more.
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    1 時間 1 分
  • John Moreland: The Soundtrack To Your Hidden Grief

    John Moreland: The Soundtrack To Your Hidden Grief
    2024/06/14
    It’s not fair to say every song that roots songwriting master John Moreland puts into the world is tinged with sadness and a palpable gravity. And yet, whether or not you’re seeing his big presence in person or hearing his deep and tender voice that can somehow cut through any loud bar like a laser to the heart - fans have been coming back to join Moreland in processing whatever grief they may be going through for a decade. His newest Visitor captures our unique American windswept loneliness in a way that only he can. A song like “Gentle Violence” off the new LP is everything John does best - kernels of Prine-approved lyrics that seem to stick to your ears like tiny knives, reminding us that he always prefers to tour and write alone, processing pain with silence as his forever companion. And while he’s happily married now (his wife joins him on the road as his tour manager), in 2022 Moreland almost checked out and didn’t come back - stepping away from playing and displaying himself hundreds of days a year for people to sing along to cathartic heartbreakers like “You Don’t Care Enough For Me To Cry” that have become Americana hits - for a chance to recharge and clear his brain from the internet’s growing shadows. The time away was tough but worth it - Visitor has a renewed clear-eyed power that shines in songs like the opener “The Future Is Coming Fast” - maybe it shows remnants of his punk-rock origins too. Most country-roots artists don’t have the cajones to talk about climate change or addiction or grief but for Moreland who grew up idolizing Steve Earle - there is freedom and joy in mining the darkness. People come to Moreland’s hushed concerts to feel something - and listening to Visitor makes me grateful that Moreland is here to help us cope with whatever we happen to be feeling right about now.
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    56 分
  • Daymé Arocena: A New Afro-Cuban Sound In Exile

    Daymé Arocena: A New Afro-Cuban Sound In Exile
    2024/05/31
    This week we bring you an intimate talk with rising Cuban roots-pop singer-songwriter Daymé Arocena. Known for her honey-voiced records that honor Cuba’s joyous folk and jazz traditions, her newest Alkemi’ takes a sonic leap into the powerful pop and suave R&B music that she admired as a girl - Sade, Whitney Houston and even Beyoncé - while also paying homage to her grandmother’s lifelong practice of Santeria. Born to a musical family in Havana where she shared a two bedroom house with twenty-one extended family members (her mother and grandmother sang locally and dad owned a night club), she was accepted into a prestigious music conservatory at age ten and has been off to the races since, co-founding and the all-female Cuban-Canadian jazz collective Maqueque in 2014, which toured internationally and earned a GRAMMY nomination and releasing four solo albums. Cubaphonia from 2017 is a favorite of this listener. Like many artists caught in Cuba’s long history of repression and poverty - she was forced to leave the island to protect the safety of her husband, a photojournalist whose coworkers had been imprisoned. Canada was their only option at the time due to travel restrictions, but after three years living there, the pandemic pushed her to look for a new home again. She was advised to contact Grammy-winning producer Eduardo Cabra, better known as Visitante Calle 13, he invited her to come to Puerto Rico to spend a few days in his house - and a new album and a new home base was found. Sometimes you just need that island energy to make you feel whole again. Listen to the deeply spiritual (yet still catchy as hell) “American Boy” - about her finding her happiness and power even without the love of her life being by her side. For someone who grew up as a dark-skinned girl feeling invisible, what’s clear is Daymé wants to be seen and understood more than ever before.
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    57 分

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