Graham declares that Nick Cave is no god - as he assesses the opening night of the British leg of his 'Wild God' tour at Leeds Arena last night.

Charles reviews The Pretenders at York Barbican: why Chrissie Hynde remains the coolest woman in rock.

Alex Cox's Sid and Nancy - The 70s never stopped: Graham is reappraising Alex Cox's 1986 film Sid and Nancy nearly 40 years on.

Plus, linking in with Sid And Nancy, Gary Oldman is to direct himself in Samuel Beckett's play Krapp's Last Tape at York Theatre Royal next spring.

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Graham tells us what he learned by talking to Sean O'Hagan from the High Llamas when he saw the band at Hebden Bridge last weekend.

Graham has also been watching Fellini's Roma (1972) in Italian! And visiting the new William Morris arts and crafts exhibition in York, which of course Charles has seen too.

The duo comment on the recent announcement that Watermark Gallery in Harrogate is to close. They talk about why they'll be missed and how likely it is they can find new premises.

Graham is suitably impressed by the best sound system he's ever heard at a prog rock event (Pink Floyd against Genesis) he gave at a talk at earlier this week - at the magnificent All Saints Church in Kirkby Overblow in Harrogate.

How much money do famous Christmas songs make on Spotify?

The weird thing about Procol Harum's number 1 hit A Whiter Shade of Pale (1967).

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A massive thank you to all our guests and collaborators, we've made it to our 200th episode!

To mark such a special occasion Charles and Graham are absolutely delighted to welcome Peter Brewis, co-founder of Sunderland indie legends, Field Music.

Peter is here to talk about the new Field Music album, Limits of Language.

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