Jedi! Lightsabers! Taxes? This week, Chris tests Lizzie’s midi-chlorians (and patience) with George Lucas’ polarizing return to Star Wars. Was Lucas a victim of his own success, or were we all victims of his divorce? Plus, how Michael Jackson and Denzel Washington were nearly canon, and more!

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How did the 4th (or maybe 5th) version of ‘A Star is Born’ take almost 20 years to make… and why did it almost star Russell Crowe and Beyoncé?! This week Lizzie and Chris break down Bradley Cooper’s 2018 directorial debut, and discover why Lady Gaga was initially a tough sell. Find out how everyone from Jamie Foxx to Metallica had a hand in this Oscar nominated film’s journey to the screen.

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The only thing worse than being a character in a Sam Raimi movie? Acting in one. This week, Chris and Lizzie unearth the grueling, injury-laden production of The Evil Dead. Discover the importance of such amenities as running water, toilets, and electricity; and the pain of removing fake blood with hot coffee. Plus, how Raimi couldn’t have done it without a veritable village, including a couple of Coens, a King of horror, and a septuagenarian sales agent.

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Paul Rudd was almost murdered, The Mighty Mighty Bosstones were wasted, and El Niño threatened to rain out production - that’s just the beginning of what went wrong on Clueless (1995). Find out how Alicia Silverstone and Brittany Murphy got cast, and why one studio almost changed it to be more about… the guys? As if! It took writer/director Amy Heckerling years to get her vision to the screen, but it was like, totally worth it.

CORRECTIONS: Chris mistakenly refers to having watched the Criterion Blu-Ray release of "Clueless" - there is no Criterion release! He actually watched the 25th Anniversary Blu-Ray which had been gifted to his wife in a flawlessly photoshopped Criterion package. He apologizes for the confusion but can confirm the transfer looks great.

This episode is sponsored by/brought to you by BetterHelp. Give online therapy a try at betterhelp.com/CINEPHILE and get on your way to being your best self.

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Tombstone' shot first and 'Wyatt Earp' died. In Part 2 of our coverage, Chris & Lizzie endure the explosive arrival of replacement director George P. Cosmatos, revisit Kurt Russell's last-minute rewrites, and try to answer the impossible question: does a better version of this movie exist?

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Saddle up and skin that smokewagon, because Kevin Costner's about to shut your movie down. In Part 1 of our coverage on 'Tombstone', Chris & Lizzie dissect the film's Hollywood duel with rival 'Wyatt Earp', Kurt Russell's hardball, and how writer/director Kevin Jarre assembled one of the greatest cast and crews of all time, only to listen to none of them.

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*CORRECTIONS: George P. Cosmatos's last name is pronounced Cos-MAH-tos, Chris botched that pretty badly.

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How did Shakespeare in Love beat one of the greatest war movies of all time for Best Picture at the 1999 Oscars? It’s simple: Harvey Weinstein. But Saving Private Ryan was just one of many massive snubs in this comedy of errors. Learn how producer and original director Ed Zwick's dreams were dashed, why Julia Roberts dropped out last minute, and why Gwyneth Paltrow didn't want to star across(ed) her lover.

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Lydia dies in a fire at the hands of a winged homicidal maniac?! ‘Beetlejuice’ (1988) started off as a gruesome, offbeat horror film, but it became the quirky classic we know and love thanks to Tim Burton, script doctor Warren Skaaren, an incredible production team, and the Beetle-Guy himself: Michael Keaton. Find out why missing her audition got Catherine O’Hara her part, how Harry Belafonte’s music made it into the final cut, why Michael Keaton almost didn’t take the job and so much more.

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