Wind, Reel, & Print

著者: Salad Brain Productions
  • サマリー

  • Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.
    Copyright 2024 All rights reserved.
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あらすじ・解説

Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.
Copyright 2024 All rights reserved.
エピソード
  • “Somethings Gotta Break!”
    2025/01/10

    PISODE 030: LETTERBOXD TOP 250 SHUFFLE

    Featuring: Do The Right Thing (1989), Z (1969), Rocco and His Brothers (1960), A Woman Under the Influence (1974)

    In one of the more devastating episodes of the Letterboxd Top 250 Shuffle, Ryan and Kevin explore a deeply traumatizing cinematic quartet ranging from blazing political thrillers to tense family dramas.

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    55 分
  • “All About Showgirls”
    2025/01/03

    EPISODE 029: DOUBLE FEATURES & TRILOGIES

    Featuring: All About Eve (1950), Showgirls (1995)

    On recommendation from MOViES4MANiACS’ Jesse Hawthorne Ficks, WR&P hosts Ryan and Kevin examine the narrative similarities of Joseph L. Mankiewicz’s classic Hollywood picture “All About Eve” and Paul Verhoeven’s raucous dark comedy “Showgirls.” They note how both these films leverage performance and cyclical narrative structure to comment on gender roles and the controlling nature of patriarchal systems.

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    21 分
  • “The Pursuit of The Last Black Man”
    2024/12/27

    EPISODE 028: BAY AREA FLICKS

    Featuring: The Last Black Man in San Francisco (2019), The Pursuit of Happyness (2006)

    In this special Bay Area double feature, Ryan and Kevin explore the differences between a locally-made San Francisco film and a Hollywood movie set in the same city. While Joe Talbot’s “The Last Black Man in San Francisco” boasts a heightened indie appeal with the support of Sundance and A24, the Will Smith-led “The Pursuit of Happyness” finds its roots in the studio system. How do these two perspectives affect and reflect in the story and visual design? Does production mode influence the authenticity of a film’s story or the credibility of its characters?

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    25 分

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