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  • Survivor Series War Games Reaked of Warmed Over Thanksgiving Leftovers
    2025/11/30
    WWEs Survivor Series, featuring the hallmark WarGames matches left many fans questioning the creative decisions behind the outcomes and match presentation.

    Women's WarGames Match with Charlotte Flair, which also included IYO SKY, Alexa Bliss, AJ Lee, and Rhea Ripley, secured a victory over the opposing team, led by Becky Lynch and featuring the WWE Women's Tag Team Champions Asuka and Kairi Sane, along with Nia Jax and Lash Legend, by submission.

    Despite the monumental effort, the match was criticized for being nearly an hour long with little significant development.

    The booking seemed overly focused on attempting to push IYO SKY to broader fandom, while the introduction of a masked Rhea Ripley was noted as making her nearly unrecognizable.

    WWE Women’s World Championship saw “La Primera” Stephanie Vaquer (c) retain her title against Nikki Bella. The match was described as largely uneventful, culminating with Vaquer executing the Demon's Kiss on Bella both in the ring and on the announce table.
    Intercontinental Title Shocker and Men's WarGames Finale:

    “Dirty” Dominik Mysterio defeated the champion John Cena (c) to capture the WWE Intercontinental Championship.

    The chaotic finish involved interference from multiple members of Judgment Day, including Raquel Rodriguez and Roxanne Perez. The highly anticipated return of Liv Morgan received a massive pop, but she was utilized poorly by first teasing a turn on Mysterio only to ultimately betray Cena, helping Mysterio secure the win.

    Men's WarGames Match had The Vision (comprised of Bron Breakker and “Big” Bronson Reed), alongside Logan Paul, Drew McIntyre, and Brock Lesnar, defeat the formidable team of World Heavyweight Champion CM Punk, Undisputed WWE Champion “The American Nightmare” Cody Rhodes, The Usos (Jimmy and Jey Uso), and Roman Reigns.

    The match's conclusion was widely panned, ending with Bron Breakker making a theatrical adjustment of his straps, followed by an "accelerated spear" to secure the victory.


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    33 分
  • Triple H War Games Booking Boast or Russo Reality Check
    2025/11/27
    Triple H is trying to sell us a bill of goods. In recent interviews, he’s boasting about a "deep field" and a "wide open" future, conveniently glazing over the fact that WWE’s main event scene is essentially a retirement community.

    He points to the "thickness" of the roster underneath, citing names like Bron Breakker and Bronson Reed, yet the marquee remains choked by part-timers and veterans pushing 40 or 50—Lesnar, Punk, Reigns, and Cody. If the future is so bright, why is the present so reliant on the past?

    The ugly truth is that WWE is currently suffering from the exact same "creative staleness" that fans used to skewer Vince McMahon for. The alarming rise in "no-decision" finishes isn't storytelling; it's procrastination. It is the hallmark of a booker afraid to make a choice.

    But the most damning indictment comes from an unlikely source: Vince Russo. While wrestling purists hate to admit it, Russo nailed the current problem with both Triple H and Tony Khan. They are booking wrestling shows for themselves and the internet bubble, offering "90% wrestling" and turning the product into a niche echo chamber.

    They’ve forgotten the casual millions who don't care about "work rate" or "star ratings" but crave the variety, soap opera, and larger-than-life chaos of the Attitude Era.

    Paul Heyman can hype WarGames as the "greatest of all time," but if it’s just another collection of "good matches" with no real narrative stakes or variety, it’s meaningless.

    Triple H has turned WWE into a polished, high-budget indie show. He’s satisfying the hardcores, but by ignoring the need for "a little bit of everything," he is capping the company's cultural relevance. The "depth" is there, Hunter, but your courage to use it—and entertain the masses rather than just the marks—is missing.


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    1 時間 15 分
  • AEW Full Gear Full of Blood and a Boatload of Belt Changes
    2025/11/23
    AEW's Full Gear 2025 was a spectacle that swung wildly between brilliance and overkill, proving once again that the company thrives on high-stakes drama—but sometimes piles on the extremes like it's allergic to subtlety. Four title changes lit up the ledger (FTR's tag team triumph, Ricochet's gauntlet glory for the new National belt, Mark Briscoe's gritty TNT grab, and Samoa Joe's cage-clinching World Championship heist), but let's pump the brakes: that's not evolution; it's title turnover roulette. In one night? It risks diluting the prestige of every strap, turning reigns into revolving doors. AEW's booking is ambitious, sure, but this many flips feels less like smart storytelling and more like a frantic bid to keep viewers hooked—consequences be damned. One or two shifts would've sufficed to build heat; four just screams "change for change's sake."
    The action? Electric in spots, exhausting in others. That Blood & Guts Lite aesthetic—O'Reilly's No Holds Barred brawl with Moxley, Briscoe's No DQ demolition derby, and the main-event steel cage slaughter between Page and Joe—delivered visceral thrills, no doubt. Page's crimson cascade and Joe's unyielding choke? The kind of raw intensity that etches memories. But excess crept in hard: thumbtacks, kendo sticks, and enough hardware to stock a Home Depot aisle. It's brutal artistry... until it borders on gratuitous, leaving fans numb to the "soul" amid the splatter. Wrestling's grit is gold, but when every midcard grudge devolves into a blood ritual, it cheapens the violence. Dial it back, AEW—let the psychology breathe without the constant red tide.
    Still, seeds for 2026? Planted deep, if a bit predictably. Timeless Love Bombs (Storm & Shirakawa) earning stipulation rights in their tag tournament opener teases delicious mayhem, FTR's resurgence hints at a redemption saga worth rooting for, and Don Callis slinking away with wounds sets up inevitable revenge. The Young Bucks' $1M trios payday? Hilarious cash-grab fodder—rumors of them eyeing a TNA buyout already swirling like bad cologne. High stakes? Undeniable. But with so much flipping and flopping, will any of it stick?
    MVP Watch: Samoa Joe emerges as the undisputed king, his methodical menace a welcome anchor in the storm. Ricochet, though? He owned that 22-minute Casino Gauntlet with flips that defied physics—midcard magic we needed more of, less gore. Props to Darby Allin and Hangman Page for selling the heartbreak (and headshots) like pros, but damn, give these cowboys a break from the perpetual punishment.
    Full Gear 2025? A statement, yeah—AEW's all-in on global collabs (CMLL's Sky Team nod was a highlight), tournament twists, and real risks. But if the future's this formulaic in its frenzy—endless extremes and belt swaps—I'm wary.

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    16 分
  • WWE Desperate One Night Booking for Divided Delusional Fanatics
    2025/11/20
    In a televised attempt to justify its massive Netflix contract and squeeze every last drop of nostalgia out of its most famous living star, WWE rolled into Madison Square Garden for a Monday Night Raw that reeked of desperate "All Hands On Deck" pandering.

    The evening began with a bloated, 50-minute tribute to John Cena's "Final Raw," a farewell so comprehensive it felt like an overlong eulogy for a man who will surely be back for WrestleMania.

    After cutting a heartfelt promo about his 23-year career, Cena was interrupted (as is tradition) by "Dirty" Dominik Mysterio. This quickly devolved into an impromptu 6-Man Tag Team Match as Sheamus and WWE Hall of Famer Rey Mysterio ran in for the save—a clear case of WWE stuffing the first hour with recognizable stars to pop the crowd.

    Cena pinned the jobber of the trio, JD McDonagh, to ensure his final televised match was a victory, but the spectacle of three veterans hitting the 5 Knuckle Shuffle simultaneously highlighted the forced nature of the "fan service."

    The rest of the show continued the cynical trend of returns and distractions:
    * Nikki Bella (another Hall of Famer) ambushed Women's World Champion Stephanie Vaquer to demand a title match, signaling a classic "part-timer returns for a title shot" angle.
    * Solo Sikoa defeated the returning (and recently-fired) Dolph Ziggler/Nic Nemeth in a surprisingly long match, essentially using a familiar face to give Sikoa a strong, crowd-pleasing win before Ziggler vanished back into the ether.
    * The evening's biggest shock came in the Women's Intercontinental Championship match, where a returning AJ Lee—who hasn't wrestled in nearly a decade—distracted champion Becky Lynch, allowing Maxxine Dupri (an apparent nobody in comparison) to score a fluke pin and win the title. This massive, unexpected surprise felt manufactured purely for a viral clip and to launch a storyline built entirely on old rivalries, all while taking a championship off one of the company's biggest stars.

    Filled with celebrity ringside sightings (Lin-Manuel Miranda, Eric Andre) and more last-minute returns than a poorly planned high school reunion, this Raw perfectly encapsulated WWE's current strategy: use every nostalgic weapon in the arsenal to deliver a "Best Possible" show, consequences be damned.



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    1 時間 13 分
  • Ruthless Depression: WWE's Fanatic Fandom In Crisis Mode
    2025/11/13
    The recent "boom period" for WWE is reportedly "definitely cooling off," characterized by a noticeable decline in advance ticket sales, signaling an end to the company's peak momentum, according to Wrestling Observer's Dave Meltzer. This decline is mirrored by a growing discontent among the loyal fanbase, who have begun to label the current era—starting with the Raw debut on Netflix—the "Ruthless Depression" Era, a play on the company's past "Ruthless Aggression" period.
    This fan backlash, as voiced by groups like Wrestling Allilance, stems from several key grievances: persistently high ticket prices, disappointing booking and poor storylines, and the burden of having to subscribe to multiple streaming services just to watch the company’s full programming slate. Compounding these issues is a perceived creative vacuum following WrestleMania 40, which fans saw as the "season finale of the Roman Reigns era." The company failed to capitalize on the subsequent momentum, with some commentators arguing that an "extremely ill advised Cena heel turn killed all the work Cody did to keep the momentum going."
    Adding to the controversy, TKO President Mark Shapiro has endorsed a corporate strategy shift, stating that WWE must move "past" the events created by Vince McMahon's legacy. Shapiro praised the new leadership under Nick Khan and Triple H, citing the creation of the new "Wrestlepalooza" event as a "real winner" that succeeded in merchandise and securing its IP. This controversial call to move beyond the company's established core, coupled with the ongoing creative and financial frustrations, reinforces the notion that WWE is struggling to retain the support of its loyal fandom as it transitions into what fans have defined as the "Ruthless Depression."

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    58 分
  • Triple H's Time in Creative Is Numbered
    2025/11/06
    Whispers in the corridors of power at TKO and WWE suggest that Paul "Triple H" Levesque's reign over the company's creative direction could be drawing to a dramatic close. The man once hailed as the architect of WWE's post-Vince McMahon era is now facing mounting pressure from plummeting ratings, fan backlash, and internal calls for a seismic shift—echoing the very "new landscape" he himself hinted at in recent interviews.Triple H, WWE's Chief Content Officer since July 2022, has long positioned himself as the visionary steering the promotion toward a more cinematic, interconnected storytelling model. In a candid sit-down earlier this week, he drew direct parallels between WWE's booking philosophy and the Marvel Cinematic Universe, emphasizing long-term arcs and character crossovers as the blueprint for success. "We're building a universe where every match, every promo, plants seeds for something bigger," Levesque told *Sports Illustrated*, likening Roman Reigns' Bloodline saga to the Infinity Gauntlet buildup. "It's not about isolated events; it's about a shared mythology that keeps fans invested for years."But even as he touted this approach, the numbers paint a grim picture of audience disengagement. Friday's episode of *SmackDown* on FOX cratered to its lowest viewership ever, scraping by with just 933,000 viewers—a 28% drop from the previous week and a stark reminder of the show's halcyon days under different leadership. Attendance fared no better, with only 4,226 fans trickling into the Amalie Arena in Tampa, marking the smallest crowd in four years. Over on Netflix, *Monday Night RAW* limped to a 2.3 million viewer tie for its all-time low, while the ill-fated *Saturday Night's Main Event* revival drew its weakest attendance yet and is projected to be the least-watched iteration in history. Even the hyped WrestlePalooza pay-per-view's final tallies remain under wraps, a silence that insiders say speaks volumes about underwhelming performance.These aren't isolated blips; they're symptoms of a creative malaise that's eroded WWE's once-unassailable grip on wrestling fandom. Recent reports from *Sports Illustrated* indicate that TKO Group Holdings, WWE's parent company, is actively exploring "creative changes" in response to the backlash. Sources close to the situation describe high-level meetings where executives dissected storylines that have veered into parody—think the interminable feuds involving midcard talent recycling the same tropes, or the forced antihero pivot that's left stars like Cody Rhodes feeling more like reluctant Thors than compelling icons.Triple H himself addressed the creative process in a revealing interview with *Wrestling Inc.*, outlining a collaborative war room where writers, producers, and talent hash out months-ahead plots. "It's iterative—ideas evolve based on what resonates," he explained, crediting the team's evolution for embracing "antiheroes who rule the ring," as detailed in his recent YouTube deep-dive, *Triple H: How WWE Evolved — and Why the Antihero Reigns Supreme*. There, the 56-year-old Cerebral Assassin argued that modern fans crave flawed protagonists over cookie-cutter babyfaces, pointing to the likes of Seth Rollins and Drew McIntyre as proof of concept.Yet, for all his eloquence, Levesque's words now ring hollow against the tide of discontent. "There's a new landscape starting in WWE," he acknowledged in the same video, a line that's taken on ominous undertones amid the ratings freefall. Fans on social media aren't mincing words, with hashtags like #FireTripleH trending alongside memes mocking the "MCU of Mudshows." Industry analysts speculate that TKO, fresh off its merger synergies with UFC, may tap external consultants or even poach from AEW's Tony Khan orbit to inject fresh blood into the writer's room.Neither WWE nor Triple H responded to requests for comment on potential personnel shifts. But as the company hurtles toward Survivor Series later this month, one thing seems clear: if Levesque's booking continues to alienate the very audience it's meant to captivate, he risks becoming the villain in his own epic tale. In a business built on reinvention, the Game's next move could very well be his last in the creative driver's seat.Become a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-is-real-wrestling-podcast--1559158/support.Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.comSupport KOP by subscribing to his YouTube channel and search for King Of PodcastsFollow KOP on X and TikTok @kingofpodcasts (F Meta!)Listen to KOP’s other programs, Podcasters Row… and the Wrestling is Real Wrestling Podcast and The Broadcasters Podcast.Buy KOP a Coffee https://buymeacoffee.com/kingofpodcastsDrop KOP a PayPal https://www.paypal.com/donate?hosted_button_id=3TAB983ZQPNVLDrop KOP a Venmo https://account.venmo.com/u/kingofpodcastsDrop KOP a CashApp https://cash.app...
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    59 分
  • New Champs but Stale Storylines at Saturday Night's Main Event
    2025/11/02
    Saturday Night's Main Event hit the Delta Center last night like a half-baked sequel—pyros fizzled, Post Malone danced ringside, and four title matches crammed a Peacock stream that felt more like filler than fireworks.

    Jade Cargill and CM Punk cut through the haze, claiming the WWE Women's and vacant World Heavyweight Titles in bursts of brilliance. Cargill's Jaded crush on Tiffany Stratton was raw power poetry: chokeslams booming, a torture rack toying with the champ like a ragdoll, blood on her brow as confetti fell at 14:22.

    Punk's double GTS on Jey Uso, post-barricade brawl and trainer tribute, sealed his comeback at 22:47—the Best in the World defying 47 years of exile. These highs? Must-see. But the card's core rot?

    A damning exhibit of WWE's Netflix-era slop: titles tossed without build, heat, or heart, turning epics into empty athletics.

    The opener screamed symptom: Cody Rhodes holding the Undisputed WWE Championship over Drew McIntyre, DQ stipulation a lazy urgency patch. McIntyre goaded ref bumps and table wrecks, but the feud? Vapor.

    No Raw rants shredding Cody's "Nightmare" myth, no vignettes of Drew haunting Rhodes' homestead. Just spots—dodged Claymores, a Cross Rhodes pin—crowd chants mechanical, not manic. This is Netflix WWE's playbook: bingeable clips over brewing beefs, chasing global metrics while gutting emotional hooks. Why invest in arcs when highlight reels go viral sans context?

    Worse was the Intercontinental Triple Threat: Dominik Mysterio weaseling past Penta and Rusev with chairs and distractions, Frog Splash pinning the brute in spot-heavy chaos. Penta's masked enigma and Rusev's raw fury screamed for stakes—Dom torching Luchador pride, Rusev fueling Balkan vendettas. Delivered?

    A soulless spot parade, alliances dissolving into shrugs. No heat, no narrative glue. It's the post-Netflix plague: belts as set dressing, not saga fuel, optimized for overseas scrolls where lore's a luxury.

    Cargill and Punk's wins barely dodged the drought. Stratton's knee gimmick? Stale trope, absent prior hits to hype the flip. Jey's YEET blaze ignited the main, but the vacant clash skipped the spice—no Bloodline ghosts or Punk grudge deep-dives.

    Cena's retirement gauntlet (Raw kickoff Nov. 10, D.C. finale Dec. 13) and Vegas WrestleMania 42 teased tomorrows, but spotlighted today's famine: feuds rushed, buzz buried.




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    11 分
  • Same Shoes, Same Stars: WWE Numb to Anything New in Netflix Era
    2025/10/30
    After days of cryptic shoe-themed teasers across WWE’s social channels, fans finally got their payoff — the official WrestleMania 42 trailer.

    But while the marketing campaign generated buzz, it also underscored a growing frustration among fans: beneath the flashy production, WWE’s creative direction feels increasingly out of touch.

    The new trailer, filled with familiar faces like Roman Reigns, Cody Rhodes, and Seth Rollins, reflects WWE’s reliance on the same main-event lineup that has dominated the company for years.

    Despite the global spotlight of the upcoming Netflix era in 2025, there’s little sign of risk-taking or genuine evolution. Instead, WWE’s marketing feels more corporate and sanitized than ever, relying on gimmicky viral teasers rather than substantive creative renewal.

    This mirrors the late-1990s WCW post–Wolfpac era, when Eric Bischoff’s absence left the company directionless under Kevin Nash’s booking committee. Then, as now, a top-heavy roster and repetitive storytelling eroded fan enthusiasm.

    WCW’s overexposure of aging stars like Hogan and Nash at the expense of new talent paralleled WWE’s current overreliance on part-timers and nostalgia-driven angles. By the time Bischoff returned in 2000, the company’s creative stagnation was irreversible — a warning WWE seems not to have heeded.

    Meanwhile, competitors like AEW, ROH, MLW, and NWA are struggling to seize the opportunity. AEW’s internal turmoil and inconsistent storytelling have limited its mainstream growth, while MLW and NWA lack the infrastructure to capitalize. And WWE’s strategic alliances — folding NXT, NXT-A, and its recent TNA collaboration into a single corporate ecosystem — have effectively neutralized what used to be distinct “alternative” brands.

    What was once a thriving independent and international pipeline is now homogenized under WWE’s branding machine, further tightening the company’s monopoly over wrestling’s creative direction.

    WWE’s WrestleMania 42 hype campaign might shine on the surface, but underneath it lies a creative structure that feels eerily familiar — echoing the complacency that once brought down WCW. Unless WWE learns from that history, its shiny Netflix relaunch may end up repeating the same cycle: big ratings now, creative bankruptcy later.


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    55 分