検索キーワード： アジア系アメリカ人・太平洋諸島系

An ex-boxer turned nail salon worker falls for a pair of immaculate hands, a mother and daughter harvest earthworms in the middle of the night, a country-music-obsessed housewife abandons her family for fantasy and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city, illuminating hopes, disappointments, love affairs and above all, the pursuit of a place to belong.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

Jasmine Sinclair, is a strong-willed journalist who is engaged to a Hollywood actor. Her fiancé's indiscretions create a scandal, leaving Jasmine washing her hands of all men. At the insistence of her mother, she accompanies her father, Senator Sinclair, to Seoul on a business trip and is joined by her two best girlfriends, Candace and Rita, the catalysts that will push Jasmine to give love and romance another chance with the protagonist, Wen Howan.

Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate.

“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.

Four cardinal directions point the way through this inner wilderness, through trials and initiations, suffering and discovery, on a restless quest for deeper connection and wholeness. What emerges is a richly textured map of love and loss, a tapestry of hard-won truths both personal and universal. At turns mysterious, dreamlike, intimate, and illuminating, these poems explore what is wild and timeless in the human soul.

It’s 1999 during the first dot-com boom. America is awash in new companies powered by young founders riding the Hokusai-rendered wave that was the dawn of the world wide web. Valuations are as fat as the revenues thin. But the Early True Believers believe. This is Silicon Valley. Back east, Sloane Richmond, a corporate lawyer, quits New York for the Valley to follow her old flame Tae Kim, now the visionary founder of a start-up revolutionizing NLP. Driven to see “if the future has a future”, she ascends to become the general counsel of the hottest tech company in America.

Obsession is a story about emotional growth and the pains that accompany it. Written in an experimental voice that employs an omniscient second-person perspective, it chronicles the life of a young Chinese woman who comes to the US in order to fall in love in a foreign land. Throughout her bizarre relationship with a Jewish-American scholar, who is both brilliant and selfish, we see how cultural difference leads to different interpretations of trust, personal boundary, respect, or even rape.

Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Em is not a romance in any usual sense of the word, but it is a word whose homonym—aimer, to love—resonates in every minute, a book powered by love in the larger sense. A portrait of Vietnamese identity emerges that is wholly remarkable, honed in wartime violence that borders on genocide, and then by the ingenuity, sheer grit, and intelligence of Vietnamese people.

Radiant and tender, My Baby First Birthday is a collection that examines innocence, asking us who gets to be loved and who has to deplete themselves just to survive. It's about existence and nonexistence, about being born - without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts.

For decades, a quartet of Chinese women who have emigrated to San Francisco gather to eat dim sum, play mahjong, and talk — they call themselves the Joy Luck Club. Over the years, their stories have informed the lives of four daughters who feel the weight of family and world history on their shoulders.

For decades — in China and in San Francisco — Winnie Louie and Helen Kwong have kept each other's confidences, but those secrets are about to be revealed. Convinced that she is dying, Helen decides to celebrate the Chinese New Year by unburdening herself of hidden truths — not only hers, but those of Winnie and of Winnie's daughter, Pearl.

In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family — the strained relationship between a mother and son, the cost of necessary goodbyes — all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one's own path in identity, life, and love.

Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors.

A woman driven to marry out of desperation. A billionaire who cannot stand gold diggers. The heat between them will lead to one or both of them getting burned. For richer, for poorer...in bondage and submission.

Marissa Kline-Gonzales published the first of her 10-volume Collection of Poems in 2016. Now, approaching 1,000 poems, she continues to write diverse collections, pulling from her vast experience at work, family and relationships, personal fears, joy, and death. Born in 1979 in Manila, Philippines, she was adopted at age nine and raised in the Pennsylvania countryside.

Amy Hsuan Chiu wrote Reborn: To Heal. To Believe. To Love. - an invitation to accompany her on her healing journey as she reminds listeners that they are not alone. This collection of poems is in everyday language and is designed to help a person understand one's inner soul for the first time. By dividing the book into parts with specific themes, Chiu deals with complex emotions, unresolved relationships, and overlooked human matters that she brings to the forefront.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

The poems in Yanyi’s latest book suggest that we enter and exit our old selves like homes. We look through the windows and recognize some former aspect of our lives that is both ours and not ours. We long for what we had even as we recognize that we can no longer live there. Yanyi conjures the beloved both within and without us: the beloved we believe we know, the beloved who is never the person we imagine, and the beloved who threatens to erase us even as we stand before them.

A reimagining of Romeo and Juliet, Angel & Hannah is the sweeping, unforgettable story of an interracial couple in 1990s New York City who are determined to protect their love against all odds. Told across the changing seasons, Angel & Hannah holds all of the tension and cadence of blank verse while adding dynamic and expressive language rooted in a long tradition of hip-hop and spoken word, creating new and magnetic forms.