検索キーワード： 著者 "Jane Smiley" すべてのカテゴリー

Why don’t we know the name of John Atanasoff as well as we know those of Alan Turing and John von Neumann? Because he never patented his computing machine, and because the developers of the far-better-known ENIAC almost certainly stole critical ideas from him. Jane Smiley tells the quintessentially American story of John Atanasoff with technical clarity and narrative drive, making the race to develop digital computing as gripping as a real-life techno-thriller.

Paras, diminutivo di "Perestroika", è una vivace cavalla da corsa che vive alle porte di Parigi. Un pomeriggio, all'imbrunire, trova la porta della sua...

Monterey, 1851. Ever since her husband was killed in a bar fight, Eliza Ripple has been working in a brothel. It seems like a better life, at least at first. The madam, Mrs. Parks, is kind, the men are well behaved, and Eliza has attained what few women have: financial security. But when the dead bodies of young women start appearing outside of town, a darkness descends that she can't resist confronting. Side by side with her friend Jean, and inspired by her reading, especially by Edgar Allan Poe's detective Dupin, Eliza pieces together an array of clues to try to catch the killer.

Paras is a spirited young racehorse living in a stable in the French countryside. That is until one afternoon when she pushes open the gate of her stall and, travelling through the night, arrives quite by chance in the dazzling streets of Paris. She soon meets a German shorthaired pointer named Frida, two irrepressible ducks and an opinionated crow, and life amongst the animals in the city’s lush green spaces is enjoyable for a time.

In Ordinary Love, Smiley focuses on a woman's infidelity and the lasting, indelible effects it leaves on her children long after her departure. Good Will describes a father who realizes how his son has been affected by his decision to lead a counterculture life and move his family to a farm. As both stories unfold, Smiley gracefully raises the questions that confront all families with the characteristic style and insight that has marked all of her work.

In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In "Long Distance," a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned....

Pulitzer Prize-winner Jane Smiley details a beautiful erotic interlude in an otherwise sordid real estate deal; Mary Gaitskill celebrates the unexpected ardor of one middle-aged couple; Steve Almond reminisces about the best one-man/three-girl Ecstasy party ever; Nelson George recounts the erotic escapades that befall a young man who accompanies a celebrity athlete when he picks up a gaggle of girls; and Carol Queen explores the joys of making love with summer fruit.

Kate Karlson's only focus in life is her Midwestern horse farm. Ignoring her husband, she spends long days giving riding lessons and training horses. To showcase her teaching ability, she enters her three sons and daughter in all the equestrian shows. But when her family dares to thwart her interests, the results bring tragedy and devastation.

While her 77-year-old husband lies upstairs, dying, Anna Robison spends her depleting energy defending their home. Their three middle-aged daughters and 23-year-old granddaughter have invaded, radiating vigor and good intentions. But the younger women temper their help with squabbling, ill-considered advice, and an abundant supply of their own problems.

Jane Smiley has long been acclaimed as one of America’s preeminent novelists. Less known is her nonfiction, her steady and penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. Her approach is both enthusiastic and meticulous, always quick to dive beneath surface-level interpretations of authors and their work. This volume of nonfiction begins with a personal introduction that traces Smiley’s migration from Missouri to California a quarter-century ago.