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To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

Anne Elliot has grieved for seven years over the loss of her first love, Captain Frederick Wentworth. But events conspire to unravel the knots of deceit and misunderstanding in this beguiling and gently comic story of love and fidelity.

A weekly dinner party. Ten amateur sleuths. The Tuesday Night Club murders. On a quiet Tuesday in St Mary Mead, a group of friends gather for dinner. A policeman, a clergyman, a solicitor, an author, an artist, and an unassuming lady with a shrewd gaze – Miss Jane Marple. Conversation naturally turns to crime. Each recounts a seemingly unsolvable mystery. Each thinks they know the answer. But it’s the one they least expect who understands the true nature of each wicked act.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Thérèse is a half Algerian orphan, brought up in provincial France by her aunt and married off to her sickly cousin Camille. His ambition takes the three of them to Paris, where they set up home in the dank and dingy backstreets that run down to the Seine. The relentless tedium of life for Thérèse is eventually broken by the presence of Camille’s unscrupulous friend Laurent, sparking a series of increasingly desperate acts.

Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.

Following the death of her beloved mother Jennifer Worth in 2011, Suzannah Worth discovered amongst her manuscripts a folder simply labelled 'Fifth Book'. Imagine her excitement when she sat down to read and her mother's distinctive voice came flooding back. She found herself once again immersed in the world of the 1950s East End of London. The voices of much loved, familiar characters spoke loud and clear, particularly that of Fred the boiler man, who features extensively in this joyful collection.

Meet the Hanrahan family, gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art—the first in many decades—and one he is sure will burnish his reputation for good. His three children will be there: beautiful Leah, always her father’s biggest champion; sensitive Patrick, who has finally decided to strike out on his own; and insecure Jess, the youngest, who has her own momentous decision to make.

Published in 1897, The Spoils of Poynton is one of the quintessential works of James's middle period. The "spoils" of the book's title refer to furniture and other objets d'art that the widow Adela Gereth moves to her cottage so that they are kept away from the clutches of her coarse future daughter-in-law, Mona Brigstock. However, events take an unexpected turn when her married son Owen is attracted to her friend, Fleda Vetch.

Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.

Flappy Scott-Booth is the self-appointed queen bee of Badley Compton, a picturesque Devon village. While her husband Kenneth spends his days on the golf course, she is busy overseeing her beautiful house and gardens and organising unforgettable events, surrounded by friends who hang on to her every word. Her life is a reflection of herself—impossibly perfect. Until the day that Hedda Harvey-Smith and her husband Charles move into the village. Into an even grander home than hers. Taking the front seat on the social scene, quite literally.

Bright, attractive, and well-connected, in any other family the Churchill girls - Diana, Sarah, Marigold, and Mary - would have shone. But they were not in another family, they were Churchills and neither they nor anyone else could ever forget it. From their father - "the greatest Englishman" - to their brother, golden boy Randolph, to their eccentric and exciting cousins, the Mitford Girls, they were surrounded by a clan of larger-than-life characters which often saw them overlooked.

Winter, with its unsettling blend of the cosy and the sinister, has long been a popular time for gathering by the bright flame of a candle, or the warm crackling of a fire, and swapping stories of ghosts and strange happenings. Now eight best-selling, award-winning authors, master storytellers of the sinister and the macabre bring this time-honoured tradition to vivid life in a spellbinding collection of new and original haunted tales.

In this exuberant collection, acclaimed historian Simon Sebag Montefiore takes us on a journey from ancient times to the 21st century. Some speeches are heroic and inspiring; some diabolical and atrocious. Some are exquisite and poignant; others cruel and chilling. The speakers themselves vary from empresses and conquerors to rock stars, novelists and sportsmen, dreamers and killers, from Churchill and Elizabeth I to Stalin and Genghis Khan, and from Michelle Obama and Cleopatra to Ronald Reagan, Nehru, and Muhammad Ali.

Written in History: Letters that Changed the World celebrates the great letters of world history, and cultural and personal life. Bestselling, prizewinning historian Simon Sebag Montefiore selects letters that have changed the course of global events or touched a timeless emotion—whether passion, rage, humor—from ancient times to the twenty-first century. Some are noble and inspiring, some despicable and unsettling, some are exquisite works of literature, others brutal, coarse, and frankly outrageous, many are erotic, others heartbreaking.

'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party....' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they first appear....

There's a whole world of Dahl still to discover in a newly collected audiobook of his deliciously dark tales for adults. In war, are we at our heroic best or our cowardly worst? Featuring the autobiographical stories from Roald Dahl's time as a fighter pilot in the Second World War as well as seven other tales of conflict and strife, Dahl reveals the human side of our most inhumane activity.

The story is told by Coriander, daughter of a silk merchant in 1650s London. Her idyllic childhood ends when her mother dies and her father goes away, leaving Coriander with her stepmother, a widow who is in cahoots with a fundamentalist Puritan preacher. She is shut away in a chest and left to die, but emerges into the fairy world from which her mother came, and where time has no meaning. When she returns, charged with a task that will transform her life, she is seventeen.

Coriander Hobie, born in 1643, has a remarkable tale to tell, the tale of a childhood touched by unexplained bits of wonder, but too soon marked by tragedy. After her beloved mother dies and her father is forced to flee London, Coriander is left at the mercy of a stepmother full of cruelty.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.