検索キーワード： "Anthony Burgess" 文学・フィクション

The International Anthony Burgess Foundation Podcast Channel hosts two podcasts:The International Anthony Burgess Foundation Podcast is dedicated to exploring the life and work of Anthony Burgess and his contemporaries, and the cultural environment in which Burgess was working. A combination of scripted episodes, interviews and lectures, this series is a resource for students, readers and anyone else interested in twentieth century literature, film and music. The International Anthony Burgess Foundation Podcast includes episodes on A Clockwork Orange and other novels written by Burgess, the...

Der Jugendliche Alex zieht mit drei anderen Rowdys durch die Straßen. Zum Spaß verprügeln sie hilflose Passanten, rauben Geschäfte aus...

Nick Johnson has always been an underachieving, borderline alcoholic...but he soon finds himself in over his head when his affair with Vickie, an unhappily married homemaker, results in an accidental pregnancy. Vickie abandons Nick, leaving him to raise their biracial daughter, Lynn, alone. Overwhelmed by the difficulties of single fatherhood and seeking comfort and help for himself in that stressful journey, Nick dates numerous women who will change his life forever.

Mechanický pomeranč je kultovním, značně neobvyklým dílem. Týnština, jazyk, který autor používá, je naprosto unikátní a dává knize nový rozměr. Dílo je zpovědí násilnického Alexe o jeho brutálních činech a jeho „napravení“ v obludném experimentu. Kritika společnosti na příkladu antiutopie zasazené do Londýna roku 1982. Neveselá budoucnost s duchovně vyprázdněnou společností, kde na jedné straně řádí násilnické gangy a na druhé se formuje mocichtivá vláda s politiky. Kniha byla časopisem Time vybrána mezi sto nejlepších anglicky psaných románů a stala se předlouhou dvěma filmům. Vinyl v režii Andy Warhola a Mechanický pomeranč od Stanley Kubricka.

Dans un monde dystopique furieusement proche du nôtre, le jeune Alex s'ingénie à commettre le mal sans le moindre remords : en compagnie de ses drougs, il se livre à la bastonnade, au viol et à la torture sur fond de musique classique. Bientôt incarcéré, il subit un traitement chimique qui le rend allergique à toute forme de violence.

'The situation as far as I'm concerned', says the young narrator-hero of MF, 'is an interesting one. In two days in a strange country I've acquired a mother in the form of a Welsh-speaking Bird Queen who scares me. I've spent some hours in prison, I've discovered the works of an unknown superlative artist in a garden shed and I've been shot at by a riddling lion-faced expert on Bishop Berkeley. Most interesting of all I'm due tonight to be married by a circus clown to my own sister.'

Nothing Like the Sun is a magnificent, bawdy telling of Shakespeare's love life. Starting with the young Will, the novel is a romp that follows Will's maturation into sex and writing. It is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with extraordinariness of genius.

A novel in verse form, Byrne echoes and takes further many of the preoccupations of Burgess's earlier fiction. It tells the story of a rampant Irish artist who, in the early days of the century, goes rapidly to the bad and ends up within Hitler's Third Reich.

A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover, and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen, and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.

F.X. Enderby travels to Indiana in order to impress the Hoosiers with his musical script on the career of Shakespeare and falls in love with a nightclub singer.

Returning in Enderby Outside, Enderby must deal with incongruous plagiarism from the pop star Yod Crewsley and a visit from an apparent personification of his Muse.

Inside Mr. Enderby introduced to a captivated audience Burgess's dyspeptic poet, whose uniquely idiosyncratic, scatological brand of verse even won the genuine approval of T. S. Eliot. In his first clash with the outside world, Enderby is extracted from his lavatorial sanctuary by the professional widow Vesta Bainbridge in a most peculiar romance.

Cyrano is a brash, strong-willed man of many talents whose whimsical aptitude for the spoken word is overshadowed by an attribute that is iconic, outrageous, and gigantic - his nose. How can the curiously snouted Cyrano ever hope to win the affections of the beautiful Roxane?