検索キーワード： "David Foster" SF・ファンタジー

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

John Harmon has tried everything to cure his severe insomnia: an endless stream of doctors, treatments, and multi-colored pills. So when he's finally admitted into an experimental sleep study promising to cure his ailment and pay for his daughter's chemotherapy, it's convenient that he doesn't suspect a thing. But the Skyline Facility, nestled in the mountains and only accessible by helicopter, is anything but normal.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

Alistair knows the risks, but he must take the Ice Queen’s military and the gigante to Planet Phoenix. In order to defeat the Ascendant, Alexander de Finita, and put this nightmare behind him, it’ll take every asset he can bring together. There’s just one problem.

The setting for the event is an apocalyptic author, listeners get together, prepper camp out which is occurring in Alabama when a geomagnetic storm triggers a chaotic pole shift like event causing earthquakes and flooding. The electrical grid has gone down and the unexpected slip of Earth’s Tectonic plates grinding together causes the New Madrid Fault line in Tennessee to tear itself apart and alter America’s continental shape and coastlines forever.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. But Elantris fell...10 years ago.

When the Colonial Marines set out after their deadliest prey, the Xenomorphs, it's what Corporal Hicks calls a bug hunt - kill or be killed. Here are fifteen all-new stories of such "close encounters", written by many of today's most extraordinary authors. Set during the events of all four Alien films, sending the Marines to alien worlds, to derelict space settlements, and into the nests of the universe's most dangerous monsters, these adventures are guaranteed to send the blood racing - one way or another.

Jon-Tom has been trapped in a strange land of talking owls and wizarding turtles for a year now, his sole consolation that in this universe his musical abilities have inadvertently made him something of a sorcerer. But when an encounter with some burglars leads to him snapping the magical duar that channels his power, he finds himself an ordinary human again — on a quest to repair his instrument with nothing but his staff and his semi-faithful, ever-complaining otter sidekick to defend him.

Jon-Tom and his friends have seen better days. After his motley crew moved heaven and Earth to save civilization at the battle of Jo-Troom Gate, his merry band went its separate ways. Mudge, the foul-mouthed otter, eagerly returned to thieving, drinking, and whoring, while Talea, the girl of Jon-Tom’s dreams, embarked on her own adventures, leaving him to study magic with Clothahump, the irascible wizard whose inept spell trapped him in this weird otherworld in the first place.

Jon-Tom just wanted to go home. Trapped in a world where animals speak and magic is real, the American college student yearned for an ordinary dorm-room life. But here his music has magical power — even if he can’t control it — which may be able to save the world from the army of the Plated Folk, whose sinister queen plans on killing and eating every warm-blooded mammal she can get her pincers on and taking over their lands.

The games are over. The war is here. Does humanity have a chance against the gods? Five men and women venture to another universe to find beings whose power gives them abilities they can’t imagine. Their leader? The greatest warrior produced since Prometheus: Achilles. Young, untested, but with unbridled potential, will his raw talent be enough? Can Achilles fight gods and turn back the tide of fate for the entire universe? Or will he be crushed like an ant beneath the feet of beings who can walk the stars? Humanity comes face-to-face with their creators.

It’s an ordinary day in the Bellwoods, save for the fact that Jon-Tom the spellsinger has awoken as a six-foot blue crab. He soon reverts to normal — as normal as a college student trapped in a world of magic and talking animals can be, anyway — but the bizarre changes keep happening, affecting not just him but the whole of this strange world. His wizardly mentor suspects these are the effects of the perambulator, a cosmic being whose presence distorts reality.

Jonathan Thomas Meriweather is a typical college student, interested in girls, music, and an occasional taste of reefer. But when a journey through an interdimensional portal lands him in a world of talking animals and ominous sorcery, he finds he is on a very different trip indeed. Here, when he plays a strange instrument called a duar, peculiar things happen: powerful magic that may be the only way to stop a dark force that threatens his new world — and his old one.