検索キーワード： "John Daly" 文学・フィクション

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

While the issues of the day that consumed the attention of scholar, accomplished linguist, politician and severe Puritan, John Milton (1608-1674) are now largely of historical interest, the verse which they inspired remains a staple of English literature.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Christopher Smart (1722-1771) was an English poet and scholar. This extraordinary poem, which is a florid display of Smart's opinions on a variety of theological, historical, and scientific subjects, was written between 1759 and 1763, while the author was confined in a lunatic asylum. His condition was diagnosed as religious mania, as evidenced by his compulsion to break into spontaneous prayer in public.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

Queen Marguerite de Navarre was one of the most powerful women of her age. Her masterpiece, The Heptameron, is a collection of some 72 stories told by five gentlemen and five ladies who find themselves stranded in an abbey. Proposed as an edifying way of passing the time while a bridge is being repaired, the tale-telling - as well as the conversations that follow each story - quickly becomes a battle of wits between the sexes, with tales concerning illicit lovers, romantic conquests, lecherous monks, manly honor, and women's virtue.

Wally K. Daly was a prolific, award-winning dramatist, whose writing credits included Casualty, Juliet Bravo and Doctor Who. He wrote 38 radio plays during his 30-year career, across a range of genres including comedy, horror and science fiction. This collection includes his best-known SF serial, The Scream Trilogy, and three other thrilling sci-fi dramas.

John Pollen (1855-1923) was an official in the Indian Civil Service. A keen linguist, he learned Russian, Esperanto, and Persian and in 1915 published an English translation of The Rubaiyat of Omar Khayyam. His collection contains 158 quatrains and includes a set of seven prefatory quatrains by Andrew Lang and a foreword by the Aga Khan.

Although his output was small, John of the Cross (1542 - 1591) is considered one of the most important figures in Spanish poetry. All his verses explore the same theme: the search of the soul for union with its creator and the glory of the resulting "mystical marriage". This selection of 20 poems opens with his most famous poem, "The Obscure Night of the Soul" and concludes with a free translation of "Psalm 137 (By the Waters of Babylon)".

Nearly all Michael Angelo's sonnets express personal feelings, and by far the greater number of them were composed after his 60th year. To whom they were addressed, we only know in a few instances. Nothing is more clear than that Michael Angelo worshiped Beauty in the Platonic spirit, passing beyond its personal and specific manifestations to the universal and impersonal.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

Robert Louis Stevenson was a novelist, essayist, poet and travel writer, and created some of the most famous and influential characters in modern literature. From Long John Silver and David Balfour to Dr Jekyll and Mr Hyde, his figures swiftly became the shorthand for piracy, monstrous medicine, and the slave trade in America. A master of atmosphere and an enthusiast of foreign travel, Stevenson wrote countless stories which have been enjoyed in film, television and theatre adaptations throughout the years.

The Swedish playwright August Strindberg was one of the founding fathers of naturalistic theater. A feature of many of his plays is the minute dissection of attitude and motivation by individuals within tightly bound groups. As in the present drama, such relentless inspection of behavior often has drastic consequences. Thekla, married to the needy Adolf, has a surprise encounter with her former husband, the lordly Gustav. Or is it really a surprise?