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Flavia Albia is a private investigator, always drawn to an intriguing puzzle - even if it is put to her by her new husband's hostile ex-wife. On the Quirinal Hill, Clodia Volumnia, a very young girl with stars in her eyes, has died, amid suggestions that she was poisoned by a love potion. It will have been supplied by a local witch, who goes by the name of Pandora, though Albia learns that Pandora carries on a trade in herbal beauty products while hiding much more dangerous connections.

In the first century, under Domitian's reign, strange and brutal goings on are nothing new in Rome. Flavia Albia, daughter of Marcus Didius Falco, has taken over her father's business as a private informer but she tries to shy away from the brutal, the complicated, and the political—because nothing good comes of any of them. Unfortunately, she's not very good at turning them down. This time a commission shows up on her doorstep—someone is staging brutal murders in some of the most beautiful buildings in Rome, each staging different.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.

Flavia Albia, daughter and successor of private informer Marcus Didius Falco is twiddling her thumbs with no clients during the December festival of Saturnalia. But that doesn't mean all is quiet. Her husband Tiberius and the Fourth Cohort are battling organized crime interests that are going to war over the festival nuts. A series of accidental poisonings, then bloody murders of rival nut-sellers, and finally a gruesome warning to Tiberius from the hidden criminal powers to back off.

Flavia Albia's day-old marriage is in trouble - her new husband may be permanently disabled, and they have no funds. So when Palace officials ask her to help expose a plotter in their midst, she is obliged to accept their commission. The plot could not be bigger. Ever since he died in AD 68, apparently by his own hand, Rome has been haunted by reports that Emperor Nero is in fact very much alive and about to return to claim his throne.

The next book in the gripping Flavia Albia series, by acclaimed author Lindsey Davis. A tragic accident...or was it? Emperor Domitian has been awarded (or rather, has demanded) yet another Triumph to celebrate two so-called victories. Preparations are going smoothly until one of the men overseeing arrangements for the celebration accidentally falls to his death from a cliff on the symbolic Capitoline Hill. But an old woman comes forward, insisting that the man was in fact pushed - and she refuses to leave it alone.

In the sacred grove of Julius Caesar, something deadly stirs in the undergrowth - a serial killer, who haunted the gardens for years, has claimed another victim - in Lindsey Davis' next historical mystery, The Grove of the Caesars. At the feet of her adoptive father, renowned private informer Marcus Didius Falco, Flavia Albia learned a number of important rules. First and foremost - always keep one's distance from the palace, nothing good comes from that direction. But right behind it - murder is the business of the Vigiles, best to leave them to it.

Four novella-length stories written to illuminate Lindsey Davis's unparalleled output of the last 30 years, with an introduction written and narrated by the author.