検索キーワード： ナレーター "Kit Griffiths" 文学・フィクション

New York is slipping from Cleo’s grasp. Sure, she’s at a different party every other night, but she barely knows anyone. Her student visa is running out, and she doesn’t even have money for cigarettes. But then she meets Frank. Twenty years older, Frank's life is full of all the success and excess that Cleo's lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. She offers him a life imbued with beauty and art - and, hopefully, a reason to cut back on his drinking. He is everything she needs right now.

Avery, a strait-laced lawyer living in London, is the typical eldest daughter, though she’s hiding a secret that could undo her perfect life forever. Bonnie was a boxer but, following a devastating defeat, she's been working as a bouncer in LA, until one reckless night threatens to drive her out of the city. And Lucky, the rebellious youngest, is a model in Paris whose hard-partying ways are finally catching up with her. Then there was Nicky, the beloved fourth sister, whose unexpected death left Avery, Bonnie and Lucky reeling.

Herne - the hunter, mischief-maker, spirit of the forest, leader of the wild hunt - hurtles through the centuries pursued by his creator. A shape-shifter, Herne dons many guises as he slips and ripples through time - at candlelit Twelfth Night revels, at the spectacular burning of the Crystal Palace, at an acid-laced '60s party. Wherever he goes, transgression, debauch and enchantment always follow in his wake. But as the forest is increasingly encroached upon by urban sprawl and gentrification and the world slides into crisis, Herne must find a way to survive.

Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank’s life is full of all the excesses Cleo’s lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. But their impulsive marriage irreversibly changes both their lives and the lives of those close to them, in ways they never could’ve predicted.

In The Love That Dares, queer love speaks its name through the words of lovers from years gone by. Alongside the more famous names coexist beautifully written letters by lesser-known lovers, giving us an insight into queer love outside of the spotlight of fame or fortune. These letters give us a glimpse into the passion and courage it took to continue a gay relationship in times when it was at best improper and at worst illegal. Enlightening introductions to each set of letters give readers an idea of the historical context in which they were written.

In 1953, life is getting back to normal after the war and Christina Camble is one of those looking to the future. But her trust in men is destroyed when she discovers her fiancé has a wife and child. She gives up her job and flat in a bid to escape London and moves to Scotland, where she hopes to get her life back on the right track. Christina’s expectation of a peaceful life is interrupted when she meets handsome but reserved Alex MacDonald, the Laird of Craiglogie, a man physically scarred and emotionally wrecked by his experiences in World War Two.

Erma Bridges dreams of violence. After years of dedication to academic research, her career is falling apart, all because of a mysterious workplace complaint. Erma suspects Jenny, a vindictive colleague, who has seemingly disappeared. Panicked, overworked and on the verge of a nervous breakdown, Erma sets out to find Jenny. Through her search, she uncovers a dark series of crimes on campus - do they have something to do with Jenny's disappearance?

Beyond the stars, two gods vie for rule of the world. One stands for Nature - the belief that everything is stamped in flesh from the start. The other, Nurture - the belief that all is potential, that the true self is coaxed out through love and living. And so, they take a bet. Each immortal selects a set of twins as their champions. The twins that prevail in contest will decide which immortal rules.

Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.'s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home.

War has come. The fire god Hseth is leading an unstoppable army south, consuming everything in her path. Middren’s only hope of survival is to unify allies and old foes against a common enemy. Elo navigates an uneasy alliance with Arren; his friend, his enemy, and his king. Now they each must decide how much they're willing to sacrifice to turn the tides of war. Meanwhile, Inara joins her mother on their ship, the Silverswift, to seek aid.

War has come. The fire god Hseth is leading an unstoppable army south, consuming everything in her path. Middren's only hope of survival is to unify allies and old foes against a common enemy. Elo navigates an uneasy alliance with Arren—his friend, his enemy, and his king. Now they each must decide how much they're willing to sacrifice to turn the tides of war. Meanwhile, Inara joins her mother on their ship, the Silverswift, to seek aid.

This is the story of Corey Fah, a writer who has hit the literary jackpot: their novel has just won the prize for the Fictionalization of Social Evils. But the actual trophy, and with it the funds, hovers peskily out of reach. Neon-beige, with UFO-like qualities, the elusive trophy leads Corey, with their partner Drew and eight-legged companion Bambi Pavok, on a spectacular quest through their childhood in the Forest and an unlikely stint on reality TV. Navigating those twin horrors, along with wormholes and time loops, Corey learns—the hard way—the difference between a prize and a gift.

The three Blue sisters are exceptional—and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left the family reeling. A year later, as they each navigate grief, addiction and ambition, they find they must return to New York to stop the sale of the apartment they were raised in.

The warm, comfortable family life of young Nesta, daughter of Prince Rhys of Deheubarth is destroyed when her father is killed and she is taken hostage. Her honour is further tarnished when she is taken as an unwilling concubine by King William's ruthless younger brother Henry, who later ascends the throne under suspicious circumstances. Gerald FitzWalter, an ambitious young knight is rewarded for his unwavering loyalty to his new King with Nesta's hand in marriage.

Gods are forbidden in the kingdom of Middren—but now they are stirring, whispering of war. Godkiller Kissen sacrificed herself to vanquish the fire god Hseth, who murdered her family and endangered her friends. But gods cannot be destroyed so easily, and Hseth’s power threatens to reform with even greater strength and a thirst for vengeance. As tensions rise throughout the land, the kingdom needs its Godkiller more than ever.

Gods are forbidden in the kingdom of Middren. Formed by human desires and fed by their worship, there are countless gods in the world—but after a great war, the new king outlawed them and now pays “godkillers” to destroy any who try to rise from the shadows. As a child, Kissen saw her family murdered by a fire god. Now, she makes a living killing them and enjoys it. But all this changes when Kissen is tasked with helping a young noble girl with a god problem. The child’s soul is bonded to a tiny god of white lies, and Kissen can’t kill it without ending the girl’s life too.

Kissen’s family were killed by zealots of a fire god. Now, she makes a living killing gods, and enjoys it. That is until she finds a god she cannot kill: Skedi, a god of white lies, has somehow bound himself to a young noble, and they are both on the run from unknown assassins. Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour. Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world.

Merryn grew up on the wilds of Bodmin moor, raised by her mother and her aunt in an old farmhouse. Here, the locals never leave the village, fear for the future of their farms and cling desperately to the folkloric tales that are woven into their history. Except Merryn, who has escaped to Manchester for university, briefly untethering herself from her past. When Merryn returns home for the memorial service of her ex-girlfriend Claud, she finds her childhood home stranger and more secretive than ever. She’s sure that her mother is hiding something.

Eley Williams returns with a subversive and essential collection of short stories exploring the nature of relationships both intimate and transient – from the easy gamesmanship of contagious yawns to the horror of a smile fixed for just a second too long. Whether jostling for attention or ducking to evade it, her characters seek connections not only with each other but also to versions of themselves.

Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked doors of the Villa Rosa. Already feeling insecure after seeing the 'beautiful people,' the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.