検索キーワード： ナレーター "Sumit Kaul" 文学・フィクション

Mara was the demon who tried to distract Lord Buddha with the help of his three daughters—Raga, Arati and Tanha. Paroosh believes Mara’s three daughters have been strayed in this world wearing skins of teenage girls. And he seeks to deliver to Mara, by sacrificing the girls against the peepal tree, for he wants the father to reunite with his daughter.

Originally published in 1923, the book begins with a man named Almustafa living on an island called Orphalese. Locals consider him something of a sage, but he is from elsewhere and has waited twelve years for the right ship to take him home. From a hill above the town, he sees his ship coming into the harbor, and realizes his sadness at leaving the people he has come to know. The elders of the city ask him not to leave. He is asked to tell of his philosophy of life before he goes, to speak his truth to the crowds gathered. What he has to say forms the basis of the book.

‘gazal mndaakinee’ ek snkalan hai itihaas men ghaṭit ghaṭanaa_on kaa aur vartamaan men beetate manaaveey moolyonu kaa, jahaan kavitaa_en itihaas ke kiradaaron se baat karatee hai to gazal aaj ke samaaj ko aaiinaa dikhaatee prateet hotee hai- abhiṣek naagar...

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. 

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes us on a great journey with incredible ease.

In this delightful collection, Ruskin Bond introduces us to the Dehradun he knows intimately and loves unreservedly - the town in which he had spent many years of his childhood and youth. A town which, when he knew it, was one of pony-drawn tongas and rickshaws; a town fond of gossip but tolerant of human foibles; a town of lush lichi trees; charming winter gardens and cool streams; a small town; a sleepy town; a town called "Dehra".

India has the second-largest legal profession in the world, but the systemic delays and chronic impediments of its judicial system inspire little confidence in the common person. In India’s Legal System, renowned constitutional expert and senior Supreme Court lawyer Fali S. Nariman explores the possible reasons.

Is there a connection between Greek and Hindu mythology? Does it have something to do with a common Indo-European root? Or maybe an exchange of ideas in the centuries that followed the arrival of Alexander the Great, when Greek emissaries travelled to the kingdoms of Mathura and Magadha? In this book, mythologist Devdutt Pattanaik turns his attention to ancient Greek tales and explores a new world of stories. Long have Europeans and Americans retold Indic mythologies. It is time for Indians to reverse the gaze.

Chanakya's Arthashastra is an unrivalled political treatise that has been used by scholars, academics and leaders across the world. In Chanakya and the Art of Getting Rich, Radhakrishnan Pillai brings out the inherent lessons from Arthashastra to present a strategic and practical way of wealth creation. This is a holistic study, written for anyone and everyone.

Where Will Man Take Us? explores the changes technology is bringing about in us - as a society and as a species. What will the next generation turn into, what will it be like, how will the new Adam and Eve live and love? In this audiobook, Atul Jalan tackles nanotechnology, artificial intelligence, quantum computing, and genetics, seamlessly weaving the future of technology with the changing dynamics of human love, morality, and ethics.

Devdutt Pattanaik is the author of over 25 books and 500 articles on the relevance of mythology in modern times. Trained in medicine (MBBSfrom Grant Medical College, Mumbai University), he worked in the healthcare and pharmaceutical industries for 15 years before devoting all his time to his passion for decoding beliefs of all cultures, modern and ancient, located beneath the veneer of rationality. To know more, visit www.devdutt.com.

Ruskin Bond’s Book of Verse brings together the poetry of one of India’s best-loved writers. This charming collector’s edition is a treasury of poems on love and nature, travel, humour, and childhood and will be a lasting source of delight to listeners.

James Bond seems unable to function after the death of his wife. Determined to restore 007 to the effective agent he used to be, M sends him on a mission to Japan, to the mysterious ‘Castle of Death’ and into the lair of an old and terrifying enemy. For Bond and Blofeld, this will be their final encounter. Only one of them can survive.

प्रेम कितना मोहक, सम्मोहक और मादक होता है.. उसके विभिन्न पड़ावों से गुजरते हुए मैंने यह जाना है। 'मन पतंग दिल डोर' को लिखते हुए मैंने महसूस किया है कि मोहब्बत का कोई मौसम नहीं होता। वो जब हो जाए वही उसका मौसम हो जाता है। यौवन जब आता है तो अनेक मधुर एहसास लिए आता है.. उन एहसासों को शब्द मैंने नहीं दिए हैं बल्कि उन्होंने खुद अपने लिए शब्द चुने हैं।

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