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Told from the perspectives of statesman and orator Frederick Douglass, and journalist and activist Ida B. Wells, Before 13th is a story that illuminates the contradictions of freedom. Friends and rivals, Douglass and Wells clashed over how to grapple with the racism and exoticism that defined portrayals of African Americans at the 1893 Chicago World’s Fair, where Douglass was invited to speak after they had initially agreed to boycott the event. It uses the story of this real-life conflict as a lens through which we see the history of slavery and incarceration as never before.

Pumkin Patterson is a thirteen-year-old girl living in a tiny two-room house in Kingston, Jamaica, with her grandmother (who wants to improve the family’s social standing), her Aunt Sophie (who dreams of a new life in Paris for her and Pumkin), and her mother Paulette (who’s rarely home). When Sophie is offered the chance to move to France for work, she seizes the opportunity, and promises to send for her niece in one year’s time....

It’s the summer of 1964 and three innocent men are brutally murdered for trying to help Black Mississippians secure the right to vote. Against this backdrop, twenty-one year old Violet Richards finds herself in more trouble than she’s ever been in her life. Suffering a brutal attack of her own, she kills the man responsible. But with the color of Violet’s skin, there is no way she can escape Jim Crow justice in Jackson, Mississippi. Before anyone can find the body or finger her as the killer, she decides to run. With the help of her white beau, Violet escapes.

A true renaissance man, Richard Claxton “Dick” Gregory was one of the pioneering satirists of his generation, a reformer and brilliant spokesperson for the downtrodden and forgotten who dedicated his life to speaking unadulterated truth—and to improving ordinary lives. A revered human rights and environmental activist, fearsome and uncompromising social critic, lauded bestselling author, and beloved nutrition guru, Gregory aimed not only to educate souls, but to liberate them.

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy.

Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads listeners through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.

Summer, 1957. Atticus Turner and his father, Montrose, travel to North Carolina to mark the centennial of their ancestor’s escape from slavery, but an encounter with an old nemesis leads to a life-and-death pursuit. Back in Chicago, George Berry is diagnosed with cancer and strikes a devil’s bargain with the ghost of Hiram Winthrop, who promises a miracle cure—but only if George brings Winthrop back from the dead.

Set in 1982, in rural, racially divided Ricksville, Mississippi Wade in the Water tells the story of Ella, a Black, unloved, precocious eleven-year-old, and Ms. St. James, a mysterious white woman from Princeton who appears in Ella’s community to carry out some research. Soon, Ms. St. James befriends Ella, who is willing to risk everything to keep her new friend in a town that does not want her there.

Relations punctures the human illusion of separation. New and established storytellers reshape the narratives that divide and subjugate, revealing the truth of our shared humanity despite differences in language, identity, class, gender, and beyond. This vital anthology is Nana Ekua Brew-Hammond’s striking vision of a meeting place of perspectives, centered in the African and diaspora experience.

Sahara is Not Okay. Entering her sophomore year, she already feels like a failure: her body is too much, her love life is nonexistent, she’s not Nigerian enough for her family, her grades are subpar, and, well, the few Black classmates she has are vanishing—or dying. Sahara herself is close to giving up: depression has been her longtime “Life Partner."" She believes that this narrative—taking the form of an irreverent, no-holds-barred “thesis” addressed to the powerful University Committee that will judge her.

Lying and cheating may be sins to some people, but for Raven Moreaux, it is a way of life. She comes from a long line of grifters and couldn’t be prouder…Until she’s forced to help the government. A former Confederate official is suspected of stealing the Declaration of Independence, and Raven, posing as his housekeeper, is tasked with getting it back. Her partner is the too handsome Braxton Steel. Masquerading as a valet/driver, Brax is also supposed to be her “husband.”

Bee Tyler needs a break. In the bustling San Francisco tech community, no one ever seems to stand still—especially her perfect sister and business partner, Beth. So when her best friend suggests a getaway on the wildly popular house-swap app, Vacate, Bee decides a countryside retreat might be exactly what she needs.

With the end of Alistair Sorenson’s tyrannical reign, Dèmi has accepted Jonas’s proposal to rule as his Queen with hopes to finally free her people, the magical Oluso. Yet social prejudice, corrupt council members, and the continued distrust of the nonmagical Ajès throughout the kingdom prove seemingly implacable obstacles. To make matters worse, Dèmi struggles to control her newly awakened iron blood magic. As Ekwensi’s rebel army—led in part by Colin, her best friend and one-time lover—become more triumphant in their mission, war seems inevitable.

Someone wants Morgan Shaw dead—or so the beautiful, brilliant, and hugely popular evening news anchor of top-rated Chicago TV station WLTV believes. Fearing for her safety, she turns to P. I. Ashe Cayne for protection. Though he sympathizes, Ashe turns her down—he’s not a bodyguard. But when Morgan’s car tires are slashed and she’s threatened again, Ashe agrees to help her.

Mickey Hayward dreams of writing stories that matter, but, for now, her days are filled with listicles about lip gloss and click-bait articles about celebrity haircare. Still, the job is flashy and her girlfriend is steady and supportive. The path may be long, but Mickey’s well on her way, and it’s far from the messy life she left behind in Maryland. Everything finally seems to be falling into place—until she finds out she’s being replaced.

After discovering the depth of betrayal, treachery, and violence perpetrated against her by Mareen’s Tribunal Council and exposing her illegal blood-gift to save her Praetorian squad, Ikenna becomes a fugitive with a colossal bounty on her head. Yet, somehow, that’s the least of her worries. Her grandfather’s longtime allies refuse to offer help, and the Blood Emperor’s Warlord is tracking her. She’s also struggling to control the enormous power she was granted by the Goddess of Blood Rites…and come to terms with the promises she made to get such power.

After a whirlwind year, Tabitha Walker’s carefully organized plan to achieve the life she wanted—perfect job, dream husband, and stylish home—has gone off the rails. Her checklist now consists of diapers changed (infinite), showers taken (zero), tears cried (buckets), and hours of sleep (what’s that?). Don't get her wrong, Tabby loves her new bundle of joy and motherhood is perhaps the only thing that's consistent for her these days. When the news station announces that they will be hiring outside competitors for the new anchor position, Tabby throws herself into her work.

Olivia Jones, hard-working and accomplished, has, against the odds, blazed an enviable career path in the finance world. But behind the veneer of her success, she is mourning several devastating losses and betrayals. Untethered from her life in New York City, Olivia moves to a summer home in The Hamptons. Here, Olivia finds a close-knit community of African American elites who escape New York City for the beautiful beaches of the Hamptons. Since the 1930s, very few have known about this Historically Black Beachfront Community, and the residents like it that way.

On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys—as they call the plantation owners, after Lucifer himself—have decided to turn around the farm’s bleak financial prospects by making the women bear children. They have hired a “stockman” to impregnate them. But the women are determined to protect themselves.