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Lois Gibbs, Luella Kenny, and other mothers loved their neighborhood on the east side of Niagara Falls. It had an elementary school, a playground, and rows of affordable homes. In the spring of 1977, pungent odors began to seep into these little houses, and it didn’t take long for worried mothers to identify the curious scent. It was the sickly-sweet smell of chemicals.

Nora May French and Carrie Sterling arrive at Carmel-by-the-Sea at the turn of the twentieth century with dramatically different ambitions. Nora, a stunning, brilliant, impulsive writer in her early twenties, seeks artistic recognition and Bohemian refuge among the most celebrated counter-culturalists of the era. Carrie, long-suffering wife of real estate developer George Sterling, wants the opposite: a semblance of the stability she thought her advantageous marriage would offer, threatened now that her philandering husband has taken to writing poetry.

A riveting history of the American West told for the first time through the pioneering women who used the challenges of migration and settlement as opportunities to advocate for their rights, and transformed the country in the process.

Elinor Cleghorn became an unwell woman 10 years ago. She was diagnosed with an autoimmune disease after a long period of being told her symptoms were anything from psychosomatic to a possible pregnancy. As Elinor learned to live with her unpredictable disease, she turned to history for answers, and found an enraging legacy of suffering, mystification, and misdiagnosis. In Unwell Women, Elinor Cleghorn traces the almost unbelievable history of how medicine has failed women by treating their bodies as alien and other, often to perilous effect.

A weave of biography, criticism, and memoir, Shine Bright is Danyel Smith’s intimate history of Black women’s music as the foundational story of American pop. Smith has been writing this history for more than five years. But as a music fan, and then as an essayist, editor (Vibe, Billboard), and podcast host (Black Girl Songbook), she has been living this history since she was a latchkey kid listening to “Midnight Train to Georgia” on the family stereo.

From the New York Times best-selling author of The Last Castle and The Girls of Atomic City comes the fascinating story of America’s national day of thanks and of the tenacious and inspiring Sarah Josepha Hale, a 19th-century woman who made establishing this holiday her life’s mission - one brought to fruition by the wise support of Abraham Lincoln.

Growing up in Paris, the daughter of a German mother and an Irish father, Svenja O'Donnell knew little of her family's German past. In this transporting and illuminating audiobook, the award-winning journalist vividly reconstructs the story of her grandmother Inge's life from the rise of the Nazis through the brutal postwar years, from falling in love with a man who was sent to the Eastern Front just after she became pregnant with his child, to spearheading her family's flight as the Red Army closed in, her young daughter in tow.

In a voice as candid as it is evocative, Gail Caldwell traces a path from her West Texas girlhood through her emergence as a young daredevil, then as a feminist - a journey that reflected seismic shifts in the culture itself. Caldwell's travels took her to California and Mexico and dark country roads, and the dangers she encountered were rivaled only by the personal demons she faced.

Glamour, danger, liberation: in a Mad Men–era of commercial flight, Pan Am World Airways attracted the kind of young woman who wanted out, and wanted up. Required to have a college education, speak two languages, and possess the political savvy of a Foreign Service officer, a jet-age stewardess serving on iconic Pan Am between 1966 and 1975 also had to be between 5′3" and 5′9", between 105 and 140 pounds, and under 26 years of age at the time of hire.

Tensions during the Yalta Conference in February 1945 threatened to tear apart the wartime alliance among Franklin Roosevelt, Winston Churchill, and Joseph Stalin just as victory was close at hand. Catherine Grace Katz uncovers the dramatic story of the three young women who were chosen by their fathers to travel with them to Yalta, each bound by fierce family loyalty, political savvy, and intertwined romances that powerfully colored these crucial days.

Since its very beginning, mainstream feminism has catered to a particular group of women: middle class, cis-gendered, Western and above all, white. And the exclusion of everyone outside this narrow category is not merely an oversight, a coincidence, a slip. It is baked into the way feminism works. This must change. White supremacy is killing feminism. Until all of us are free and equal in society, none of us are. The power to transform it lies with each one of us. It starts with understanding how we got here in the first place.

When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper, John Wayne Gacy, and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, “There are no female serial killers.”

In the waning years of the 19th century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. Inventive writers whose in-depth narratives made headlines for weeks at a stretch, these “girl stunt reporters” changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

One of Italy’s most revered cultural figures reconstructs the extraordinary life of the legendary Cleopatra at the height of her power in this epic story of passion, intrigue, betrayal, and war.

One of the most important stories of World War II, already optioned by Steven Spielberg for a major motion picture: a spectacular, searing history that brings to light the extraordinary accomplishments of brave Jewish women who became resistance fighters - a group of unknown heroes whose exploits have never been chronicled in full, until now.

Tired of seeing Muslim women portrayed as weak, sheltered, and limited, journalist Seema Yasmin reframes how the world sees them, to reveal everything they can do and the incredible, stereotype-shattering ways they are doing it. Muslim Women Do Things is a celebration of the ways in which past and present Muslim women from around the world are singing, dancing, reading, writing, laughing, experimenting, driving, and rocking their way into the history books.

Now is the time for a new women’s history - for the famous, infamous, and unsung women to get their due - from the Enlightenment to the #MeToo movement. Recording the important milestones in the birth of the modern feminist movement and the rise of women into greater social, economic, and political power, Miles takes us through through a colorful pageant of astonishing women.

Women in the War beautifully weaves together the oral histories of 10 remarkable women who dedicated their young adulthood to the war effort. From aiding codebreaking at Bletchley Park to plotting the Battle of the Atlantic and working alongside Churchill in the War Rooms below Whitehall, these are the women who helped to defend the Home Front and kept Britain going. Now with the wisdom of age, they look back at how they coped with danger, trauma and stress, and tell how their spirits were fortified by friendship, fellowship and romance.

In Daughters of Yalta, Catherine Katz uncovers the dramatic story of the three young women who travelled with their fathers to the Yalta conference, each bound by fierce ambition and intertwined romances that powerfully coloured these crucial days.

Voices from the Blue tells the story of the hundred years of service of female police officers within the Metropolitan Police through the voices of the women who fought their way towards equality and won the respect of both their colleagues and the public. The authors have interviewed hundreds of former and serving policewomen and with the co-operation of the Metropolitan Police and the Women's Police Association now have access to the files and stories of thousands of former officers who served over the past hundred years.