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Born to wealth that the Civil War ravaged, held captive by renegade Comanche, and rejected by family and friends, Mary Elizabeth (“Libby”) Haley ran away from home at the age of 14. Libby learned to navigate the dangerous and volatile Old West and made a name for herself as Squirrel Tooth Alice. Given her moniker because of a gap in her front teeth and her passion for raising ground squirrels as pets, Libby made the best of a difficult situation.

From underground soldiers to intrepid spies, Women of War unearths the hidden history of the brave women who risked their lives to overthrow the Nazi occupation and liberate Italy. Using primary sources and brand new scholarship, historian Suzanne Cope illuminates the roles played by women while Italians struggled under dual foes: Nazi invaders and Italian fascist loyalists.

Rosemary Woodruff Leary has been known only as the wife of Timothy Leary, the Harvard professor-turned-psychedelic high priest, whose jailbreak captivated the counterculture and whose life on the run with Rosemary inflamed the government. But Rosemary was more than a mere accessory. She was a beatnik, a psychonaut, and a true believer who tested the limits of her mind and the expectations for women of her time.

In 1955, the AP thrummed with the news of Lulu Bell Parr's death. The incongruity of her final years as a pauper in a shack with her time as a Wild West star could not be ignored. Then, she was forgotten. Nearly fifty years later, small town history buffs stumbled upon her unmarked grave and set out to give her the recognition she deserved. They raised over seven thousand dollars, erected a monument on her grave (with a parade through town and celebration), and then went on to have her inducted in the National Cowgirl Hall of Fame.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

Everyone got married in the 1950s, then started to produce the soon-to-be-famous baby boom. For Americans who had survived the Great Depression and World War II, prosperous married life was a triumph. The unwed were objects of pity, scorn, even suspicion. Women over twenty-three were consider old maids. But Eva Eldridge— who’d left the farm for a job in a wartime shipyard where she made a hasty and disastrous marriage—finds herself left out. Now in her thirties and marginally employed, she is the perfect target for handsome Vick, who promises everything.

You won't be familiar with every one of the huge array of women featured in this book, but all, familiar or not, leave unanswered questions behind them—from Cleopatra to Ruth Ellis, from Boudicca to Bonnie Parker, from Lady Caroline Lamb to Moll Cutpurse, from Jezebel to Ava Gardner. The risqué, the adventurous and the outrageous, the downright nasty and the downright desperate—all human (female!) life is here. Wicked? Misunderstood? Naïve? Foolish? Predatory? Manipulative? Or just out of their time? Listen and decide.

Running from Bondage, Karen Cook Bell's enlightening and original contribution to the study of slave resistance in eighteenth-century America, explores the individual and collective lives of these women and girls of diverse circumstances, while also providing details about what led them to escape. She demonstrates that there were in fact two wars being waged during the Revolutionary Era: a political revolution for independence from Great Britain and a social revolution for emancipation and equality in which Black women played an active role.

At thirty-two years old, everything in Nona Willis Aronowitz’s life, and in America, was in disarray. Her marriage was falling apart. Her nuclear family was slipping away. Her heart and libido were both in overdrive. Embroiled in an era of fear, reckoning, and reimagining, her assumptions of what “sexual liberation” meant were suddenly up for debate.

Before Barbie, the Gibson Girl epitomized female fashion and beauty of her era. She was the image every woman aspired to in Progressive America . She not only influenced fashion but changed all of American society. But, who exactly was this elusive Gibson girl?

In 1955, Katharine Clark, the first American woman wire reporter behind the Iron Curtain, saw something none of her male colleagues did. What followed became one of the most unusual adventure stories of the Cold War. While on assignment in Belgrade, Yugoslavia, Clark befriended a man who, by many definitions, was her enemy. But she saw something in Milovan Djilas, a high-ranking Communist leader who dared to question the ideology he helped establish, that made her want to work with him. It became the assignment of her life.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina.

La mujer ha sido la gran relegada de los libros de historia lo que no quiere decir que no haya tenido una importancia decisiva en el devenir de la Humanidad tanto como protagonista como desde un segundo plano. Así lo demuestran una serie de anécdotas o curiosidades que revelan su ingenio, su astucia o su consejo tanto en el ámbito privado como en las grandes gestas de la humanidad. Desde emperatrices y reinas, pasando por las grandes rivalidades entre mujeres de distintas épocas, cortesanas, pensadoras, artistas y escritoras.

Le forme di violenza esercitate nel Medioevo contro le donne compongono un catalogo impressionante: percosse in nome del diritto del marito a "correggere" la moglie, del padre a costringere e punire la figlia, del padrone a battere la serva; ingiurie connesse al comportamento femminile; stupri, segregazioni, omicidi in nome dell'onore tradito; spoliazione di beni, a partire dalle eredità e dalle doti; matrimoni e monacazioni forzate; manipolazione delle coscienze e violenze inquisitoriali; maltrattamenti, prevaricazione e discriminazione nel mondo del lavoro.

Vi kender alle historierne om kongerne – om politik og magt, om arvefølge, alliancer, rænkespil og skandaler. Men hvad med alle de kvinder, der gennem tiderne og udfordringerne stod ved deres side? Denne bog dykker ned i historien og mærker suset fra 600 års kvindelig kongehistorie med små biografier om dronninger og elskerinder – hvem var de, og hvad tænkte de egentlig? Mød alle de kvinder, der stod bag magten, hør deres historie, forstå den tid, de levede i, og lyt til deres stemme.

In 1943, Kathleen, then thirty, was a nurse-in-training at the Blackburn Royal Infirmary. For the next three years, she kept a meticulous diary of her day-to-day existence, leaving behind a vivid record of the real-time concerns of a busy, thoughtful woman on the frontline of the war at home. Kathleen’s days were never the same. She writes in clear and lively prose about life in the hospital: of her fellow nurses, her patients, about death and dying, and the progress of the war as wounded soldiers returned from Normandy in the summer of 1944.

Si hiciésemos una encuesta para saber cuántos pintores conocemos, la mayoría consultada mencionaría a Goya, Velázquez o Van Gogh, pero con seguridad no se hallaría a ninguna mujer en esta lista. Como si no hubiesen existido, pero no es verdad, existieron muchas y excelentes pintoras. ¿Por qué no las conocemos? Porque a lo largo de los siglos han estado escondidas en conventos en el Medievo o dedicándose a labores domésticas en el Renacimiento o el Barroco.

In 16th-century Europe, two women came to hold all the power, against all the odds. They were Elizabeth I and Catherine de Medici. One a Virgin Queen who ruled her kingdom alone, and the other a clandestine leader who used her children to shape the dynasties of Europe, much has been written about these iconic women. But nothing has been said of their complicated relationship: 30 years of friendship, competition and conflict that changed the face of Europe.

A Woman's Game explores the history of women's football from the Victorian era—with players in high-heeled boots—to the present day. It is the story of a rise, fall and rise again: from the game's first appearance in England in the late 19th century, through the incredible teams, which at their height in 1920 drew 53,000 spectators to Goodison Park, to its 50-year ban in the UK and the aftershocks when that ban was lifted.

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.