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Journaliste et auteur de best-sellers, Johann Hari a mené l'enquête auprès d'experts et scientifiques pour comprendre ce qui nous arrive. A l'encontre des théories courantes, il montre que nous ne sommes pas responsables personnellement. Il adopte ainsi une approche déculpabilisante, en pointant du doigt les "forces extérieures" qui pèsent sur les individus. Parmi elles, la technologie et les réseaux sociaux, la surcharge d'informations, la culture de l'instantanéité, la montée du stress, la détérioration de notre alimentation, etc.

Gen X—often overlooked, sandwiched between the Boomers and Millennials—has a unique story to tell about aging. "Gen X: From Mixtapes to Menopause - A Short Story About Growing Up and Growing Older" dives into the journey of a generation raised on grunge, MTV, and the dawn of the digital age, now navigating the complexities of midlife. With wit, wisdom, and a bit of irreverence, this short story book explores what it means to grow older while staying true to the rebellious spirit of Gen X.

In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. In C'mon, Get Happy, authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture. The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities.

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bona fide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.

A fusion of travel literature and cultural criticism investigating the dark history of the US and exploring how past horrors – from witch trials to slavery and genocide – continue to haunt the national consciousness. Haunted States is a unique guidebook that explores the dark, often horrifying, history of the US. Based on the author’s journey across the United States in summer 2022, it explores locations connected to Gothic fiction and film, tracking the relationship between the American landscapes and the various forms of fictional horror the nation has produced over the centuries.

In The Extinction of Experience, Christine Rosen investigates the cultural and emotional shifts that accompany our embrace of technology. In warm, philosophical prose, Rosen reveals key human experiences at risk of going extinct, including face-to-face communication, sense of place, authentic emotion, and even boredom. Considering cultural trends, like TikTok challenges and mukbang, and politically unsettling phenomena, like sociometric trackers and online conspiracy culture, Rosen exposes an unprecedented shift in the human condition, one that habituates us to alienation and control.

Eine neue Sichtweise auf unsere Gewohnheiten. Wieso sind große, bunte Eier für Vögel attraktiver als die kleinen, unscheinbaren? Warum werden Früchte im Laufe der Evolution immer süßer? Und warum wird die Weltbevölkerung immer übergewichtiger, obwohl das Interesse an einer gesunden Lebensweise größer ist, denn je?

Сергей Хоббит — бывший виджей культового телеканала A-One, а ныне ведущий радио Maximum не понаслышке знает о горячих годах российской альтернативы. Взяв за основу внутрянку андеграундной жизни нулевых, он рассказал о том, как все происходило на самом деле. Ну и, конечно, ответил на вопрос: почему же все-таки Первый Альтернативный прекратил свое существование и почему никто никогда не вернет 2007-й.

We know what people who believe in God believe; but do we know what the atheists believe in God's stead? This book looks at the latest atheistic science (hint: there is none) as well as the politics of the Militant Atheist movement that has turned non-belief into a political crusade. Written by Evan Sayet, longtime television writer ("Politically Incorrect w/Bill Maher) and political commentator who has advised presidential campaigns, written speeches for presidential candidates (and a president) and who has appeared on every television news network from MSNBC to Fox.

What happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

All I Ever Wanted Was to Be Hot is a funny, provocative retrospective on the last thirty years of Western beauty standards. From the Pussycat Dolls to Victoria’s Secret, The Girls of the Playboy Mansion to Lara Bingle, the media of the 2000s was littered with high profile examples of hotness as the highest form of social currency. Is it any wonder a girl growing up in that era might believe “good looks” were as integral to womanhood as having a pulse?

Dai tempi delle guerre persiane, Oriente e Occidente sono fratelli coltelli, amici e nemici, sogno e incubo. "L’Oriente è l’Oriente, l’Occidente è l’Occidente: e nessuno potrà mai accordarli", dichiara Rudyard Kipling al tempo della fondazione dell’impero britannico d’India. Sulla base dei troppi malintesi generati dal loro confronto sono emersi anche "ismi" ideologici, tanto accaniti tra loro quanto ambigui: orientalismo e occidentalismo, avvolti nel dilatare delle loro contraddizioni. Già Oswald Spengler aveva decretato il "tramonto dell’Occidente".

In 1999, the bestselling video game Tony Hawk’sPro Skater was released, and a new generation was exposed to skateboarding culture right in their very own homes. Kids and adults alike could now spend hours playing as actual skateboarders, learning the vernacular, listening to the music skateboarders loved, and having fun onscreen before trying to skate IRL in the driveway.

The only child of Holocaust survivors who fled to Australia in 1950, Kruszelnicki has always forged his own destiny in an idiosyncratic way. Before he became one of the world's favourite scientific storytellers, he ambled through a convoluted cacophony of a career. In this long-awaited autobiography, you will learn that it's okay not to have a linear path through life, and that by following our curiosities and our passions, we can bend the universe to our liking.

WOKE: AN EVANGELICAL GUIDE introduces and explains a range of key ideas, from postmodernity to political correctness, which define aspects of woke culture; offers Christian reflection and practical advice to parents, students, pastors, educators, policymakers, and any other concerned citizens; and helps faithful Christians respond to those issues with clarity, charity, vigor, and effectiveness.

Su cosa camminiamo quando percorriamo le strade di Roma? "Sul tetto di case antiche" avrebbe risposto Montaigne, perché è l’unico luogo dove i resti sono "profondi fino agli antipodi". Costruzioni, distruzioni, ricostruzioni, sovrapposizioni, riutilizzi. Strutture edificate e dissolte, mai scomparse seppure incendiate, ridotte a calce, annichilite o trafugate, perché trasformate, riemerse casualmente o reinventate. Se vogliamo conoscere Roma, la città dalle infinite stratificazioni, dobbiamo avvicinare la complessità.

We live in a new age of beauty. With advancements in cosmetic surgery, walk-in treatments, augmented reality face filters, photo editing apps, and exposure to more images than ever, we have the ability to craft the image we want everyone to see. We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition. But is our beauty culture truly empowering? Are we really in control? In Pixel Flesh, Ellen Atlanta holds a mirror up to our modern beauty ideal, as well as the pressure to present a perfect image, to live in an age of constant comparison and curated feeds.

Die zweiten Olympischen Spiele auf deutschem Boden sind das erste Weltereignis in der BRD: München 72 bietet die einmalige Chance, das moderne Deutschland vorzuzeigen. Alle wollen zum Aufbruch in die neue Zeit beitragen: berühmte Athleten, Helfer, eifrige Hostessen. Es ist ihr deutscher "Summer of Love". Bis es zum Terroranschlag auf die israelische Mannschaft kommt – und die "heiteren Spiele" ein abruptes Ende finden. "München 72" erzählt kunstvoll vom geteilten Deutschland, von alltäglichem Rassismus, Mode und Musik, Aufklärung und Sex.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

As Daphné B. obsessively watches YouTube makeup tutorials and haunts Sephora’s website, she’s increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colors, that obscures, that highlights who we are and who we wish we could be.