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In this innovative biography, Ruth Franklin explores the transformation of Anne Frank (1929–1945) from ordinary teenager to icon, shedding new light on the young woman whose diary of her years in hiding, now translated into more than seventy languages, is the most widely read work of literature to arise from the Holocaust.

Muchos hemos tenido amigos imaginarios, aunque sean en nuestros sueños. Algunos los imaginamos tan raros como si fueran extraterrestres; otros se ven tan parecidos a nosotros que hasta podrían ser de la familia. Eso le pasó a Fernando Pessoa, el poeta portugués que llevó este juego un paso más allá, creando no uno, ni dos, sino ¡más de sesenta amigos imaginarios!, cada uno con nombre, personalidad e, incluso, características físicas e historias propias, pero parecidos a él en una cosa: escribían literatura.

Edna O'Brien's family encouraged her to attend pharmacy school but she left before finishing, to marry an older writer, give birth to two sons, and publish, in 1960, her first novel. The Country Girls so scandalized the O'Briens' local parish that the book was burned by the priest, her family disgraced. Country Girl comes 21 books later, a rich and heady accounting of the events, people, emotions, and landscape that imprint upon and enliven one lifetime.

The never-before-seen correspondence of John le Carré, one of the most important novelists of our generation, is collected in this beautiful volume. During his lifetime, le Carré wrote numerous letters to writers, spies, politicians, artists, actors and public figures. This collection is a treasure trove, revealing the late author's humor, generosity, and wit—a side of him many listeners have not previously seen.

Science fiction dwells mostly in the realm of possibility, where mysteries proliferate nevertheless, meaning is never static, and “time and history have convinced us that things are not as they seem”. So, too, does all language, argues Samuel Delany, in his vigorous justification for the writing life. Chronicling his struggle with dyslexia, the evolution of his gay and Black identity during the AIDS crisis, and his experiences and relationships through five decades as a writer of fiction and nonfiction, Delany is a longtime observer of language’s inner workings.

Novelist, playwright and short story writer Irvine Welsh joins Robin Morgan in the Audible Studios to discuss his latest book The Blade Artist, his involvement in the Trainspotting film sequel, and why he is inspired by bad writing. Possibly best known as the author of Trainspotting, in his latest novel The Blade Artist, we see the return of one of the most iconic characters from this story.

After studying English at university, O'Leary had a successful career as a children's editor at the Penguin Random House publisher. Not enjoying living in London, O'Leary moved to the countryside and spent her daily commute working on her novel, The Flatshare. After its astounding success, O'Leary was able to achieve her dream of being a full time writer and released her second novel The Switch.

"A volte i posti assomigliano semplicemente ai loro nomi", scrive Sandro Veronesi a proposito di Montevideo; a volte, invece, i luoghi, i volti, i fatti, hanno bisogno di altre parole per essere visti. È questa narrazione visiva a legare assieme, in un flusso unico eppure fatto di cose molto diverse, i reportage che compongono "Live".

In his probing and revelatory biography of one of the great prose stylists of the 20th century, acclaimed biographer Michael Shelden breaks new ground in the evocation of George Orwell’s personal life and in our understanding of his art. Based on original interviews, previously undiscovered letters and documents, and astute literary detective work, Orwell is the major biography of one of the great yet elusive literary figures of our time. Shelden reveals the author of 1984 as a lively, engaging literary personality.

In the middle of the twentieth century, four American Catholics, working independently of one another, came to believe that the best way to explore the quandaries of religious faith was in writing. The four writers were Thomas Merton, Dorothy Day, Flannery O'Connor, and Walker Percy.

Jonathan Franzen's work raises major questions about the possibilities of contemporary fiction: How does one appeal to a broad mass of mainstream readers on the one hand while persuading connoisseurs, on the other, that one's fiction has is high art? Even more acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the two later novels, on which his reputation rests?

John Hay, Lincoln's private secretary and later secretary of state under presidents McKinley and Roosevelt, and Samuel Langhorne Clemens, famous as "Mark Twain", grew up 50 miles apart on the banks of the Mississippi River in the same rural antebellum stew of race, class, and want. This shared history drew them together in the late 1860s, and their mutual admiration never waned in spite of sharp differences.

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India", Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

"En 1660, parmi les poésies qui furent faites pour célébrer le mariage de Louis XIV, on remarqua beaucoup une ode intitulée "La nymphe de la Seine". Chapelain, dont nous pouvons dire qu'il était alors le ministre des finances et de la littérature manda près de lui l'auteur de ces vers et fut tout surpris de voir un jeune homme d'une vingtaine d'années. Il le félicita pour son précoce talent et lui compta cent louis de la part du monarque. Le poète qui était honoré de tant de faveur s'appelait Jean Racine et il allait illustrer son nom par des chefs-d'œuvre immortels.

Published in their entirety, Sylvia Plath's journals provide an intimate portrait of the writer who was to produce in the last seven months of her life some of the most extraordinary poems of the 20th century. Faithfully transcribed from the 23 journals and journal fragments owned by Smith College, The Unabridged Journals of Sylvia Plath includes two journals that Plath's husband, Ted Hughes, unsealed just before his death in 1998.

As the US occupation of Iraq rages, novelist Mortada Gzar, a student at the University of Baghdad, has a chance encounter with Morise, an African American soldier. It’s love at first sight, a threat to them both, and a moment of self-discovery. Challenged by society’s rejection and Morise’s return to the US, Mortada takes to the page to understand himself. In his affecting memoir, Mortada interweaves tales of his childhood work as a scrap-metal collector in a war zone and the indignities faced by openly gay artists in Iraq with his impossible love story and journey to the US.

John le Carré was one of the greatest novelists of his generation but also had an extraordinary life, from his childhood with a con man father to his inimitable career as a writer. From his involvement in the Cold War, time in Berlin, travels to Vietnam and engagement with world leaders, his experiences were truly remarkable. This collection of letters reveals John le Carré—the man, the writer and his world—for the first time and most intimately.

Between 1987 and 1989, Paul Bowles, at the suggestion of a friend, kept a journal to record the daily events of his life. What emerges is not only just a record of the meals, conversations, and health concerns of the author of The Sheltering Sky but also a fascinating look at an artist at work in a new medium.

Miller played the lead role in Death in Paradise before leaving to spend more time with his family. Beyond television, Miller has acted in films such as Johnny English (2003) and its sequel, Molly Moon and the Incredible Book of Hypnotism (2014), and on stage in The Ladykillers (2011) and The Duck House. His directorial debut was the film Huge. We'll be chatting to Ben Miller about his book The Boy Who Made the World Disappear, his partnership with Alexander Armstrong and what he would put into a black hole.  

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.