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Exemple classique de poésie épique, Le Bouclier d'Hercule, centré sur la description d'un bouclier extraordinaire et d'un duel héroïque, est un poème riche en imagerie et en symbolisme dont le contenu illustre les thèmes chers à la mythologie grecque.

Una historia de amor para dos cuerpos. El poemario Todas las noches que fuimos humo trata de una historia de amor que transcurre en una habitación de hotel en la Gran Vía madrileña en el espacio de una noche de verano. Los dos protagonistas se citan para cenar al caer el sol y se despiden a primera hora de la mañana siguiente cuando amanece. Esa noche ambos pasan por diferentes estados de ánimo, algunos compartidos y otros secretos, y se entregan a lo que sucede debajo de las sábanas: lo íntimo, lo privado, el deseo, la soledad, el miedo y la ternura.

This poetry collection unfolds like a transformation, me, the narrator, being the figurative Old Monarch. Documenting this journey, the book is separated into three sections, “Sonoran Milkweed,” “Longing In Flight,” and “Eucalyptus Tree (My Arrival to Rest)." In the first stage of my journey, I explore my childhood in Arizona, and the naive assumptions of youth. In the second stage, I have left home. I am falling in love for the first time, as I become a young woman. Finally, the last stage is the old monarch’s arrival to the garden.

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

Si alguna vez sentiste que no podías más, si te rompieron el corazón, si confiaste a ciegas y te apuñalaron por la espalda, si creíste que después del dolor no había nada más, este libro es para ti. En Valentía II encontramos el reflejo de alguien que supo abrazar el dolor y convertirlo en vuelo, como un colibrí renaciendo después de una noche fría de invierno. Kelbin Torres, una vez más, abre las puertas de su alma para mostrarnos que cada caída no es más que un impulso para ser valientes y continuar.

Este no es un libro de esos que dejas olvidados en un rincón, sino uno al que vuelves cada vez que lo necesitas. Es de esos que logran derrumbarte, pero también hacerte brillar. Te hará llorar y reír, te acercará más a la vida. Aquí encontrarás verdades, de esas sin filtro, que te hacen reflexionar. No encontrarás utopías, pues cada palabra nace de una experiencia. Valentía es un camino, tiene sus obstáculos, sus dolores y tristezas, pero también está lleno de esperanza, de fe.

Le « feu », c’est ce trauma qui m’a ravagée dans ce que j’ai de plus intime et qui a chamboulé ce que je croyais réellement posséder, mon corps, mon âme et tout ce qui se situe entre les deux. Mais j’ai espoir qu’en en parlant, un dialogue s’installe. Ce livre, je l’adresse à mes sœurs et à mes frères partout dans le monde, à toute personne qui entamerait un processus de guérison ou de travail sur soi.

Every day, we hear a version of this message, and so we search and strive. Yet none of the places we’ve been told to look—our careers, relationships, even dreams that come true—seem to give lasting satisfaction. After twenty years as a professional writer of other people’s truth, Anna Mitchael found herself at the same crossroads. Tired of reaching and wondering where it was all headed, she began asking questions.

Crossing a Bridge over Troubled Waters: Is a collection of contemporary poems for poetry lovers and enthusiasts that deals with spirituality, relationships, intellectual prowess, and enlightenment. It shares my beliefs that poetry is the purest form of communication, and it examines the influence of spirituality in our lives. In these tumultuous times of pervasiveness and evilness that encompass mankind, I truly believe that spirituality is the saving grace for mankind's existence.

In After You Were, I Am, charged moments from history collide with our own godless modern world. Read by the author, the recording is divided into three sections - ingenious rewritings of canonical prayers, dramatic monologues from the Pendle witch trials of 1612, and the divine tragedy of the Elizabethan magus John Dee - obsess over individual human characters and how our past informs (and informs on) our present.

From the Observer to the Observed by Márquez Price is a compelling anthology that traverses the landscapes of personal reflection, cultural identity, and the human experience. Through a rich tapestry of poems and prose, Price delves into the depths of resilience, love, and the interconnectedness of all beings.

Step into laughter, wonder and faith! In STEP INTO THE SKY, the sequel to the beloved PAINTING THE WORLD GLAD, Rod Butler explores the worlds of laughter, wonder, and faith...while bringing funnies and smiles along the way.

From inspirational Poet & Voice Artist Ashley Lord (@loveashleylord) this beautiful collection of poetry takes you on a peaceful and inspiring journey beyond the mind, diving you deep into a relaxed and peaceful state with her ethereal poetic narration. Through a soft and graceful lens she invites you into a beautiful, powerful world of healing, spirituality & self-love. Perfect for anyone who wants to relax the mind and soften anxiety & overwhelm, her work is particularly healing for those navigating a challenging time in their life.

Oğuz Türkleri'nin ünlü epik destanlarıdır Dedem Korkut Hikayeleri. Dede Korkut destanların ilk anlatıcısıdır. Dirse Han Oğlu Boğaç Destanı da eski bir Türk geleneği olarak Toy ile (şölen) başlamaktadır. "Bir gün Kam Gan oğlu Han Bayındır yerinden kalkmıştı. Şami otağını yer yüzüne diktirmişti Alaca gölgeliği gök yüzüne yükselmişti. Bin yerde ipek halıcığı döşenmişti. Hanlar hanı Bayındır yılda bir kerre ziyafet verip Oğuz beylerini misafir ederdi. Gene ziyafet tertip edip attan aygır, deveden erkek deve, koyundan koç kestirmişti. Bir yere ak otağ, bir yere kızıl otağ, bir yere kara otağ kurdurmuştu.."

Dreams are like moments, and during these moments, the soul steps out of its conversation with your body. The aftermath of the dream feels as if there was a death, yet the soul gifted your mind with memories...history of your life’s highlights and low points. Plunged into the depths, there is a great personal unmasking always learning about yourself, and upon awakening, conversing body and soul return.

The poems in Jailbreak of Sparrows reveal the ways in which the ordinary becomes monumental: family portraits, politically charged reports, and tributes to the unsung. Espada’s focus ranges from the bombardment of his family’s hometown in Puerto Rico amid an anti-colonial uprising to the murder of a Mexican man by police in California, from the poet’s adolescent brawl on a basketball court over martyred baseball hero Roberto Clemente to his unorthodox methods of representing undocumented migrants as a tenant lawyer.

Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to a fleeting encounter in the street. Ecstasy also engages with the poet’s Christian upbringing, interrogating faith as both an enemy and valve of catharsis, and a bedfellow of what this book celebrates and courts: profound human ecstasy.

Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.

Our life was supposed to be adorable and unique which turned into a dream of sorrow. Trying to build the perfect family, just so she could destroy it all. There were many days when she was silent and always never around. How could someone so beautiful and full of life turn untrustworthy, unfaithful and undependable overnight? Showing her my affection she was apart of my life, which happened to be urban legend she never cared for anyone but herself, this is why we grow apart?

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.