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Listening to The Satires by Juvenal is to come face to face with the corruption, the debauchery, the waste, the sloth, and the mean-spirited greed of ancient Rome...or is it more like modern times? Indeed, these masterpieces of biting social commentary could easily have been written today about any number of metropolitan areas we are all familiar with.

Socrates, at 70+ years of age, defends himself against charges of corrupting the youth of Athens, atheism, and other false claims before accepting his fate and starting his final days on Earth.

75 Classical Myths Condensed from their Primary Sources is designed to familiarize students with these stories in the most economical and accessible way possible. This text provides condensed versions of the essential myths and legends of the Greeks and Romans, as told by their primary sources. The streamlined stories, which retain much of the drama, irony, and pathos of the originals, include Homeric epics, Greek tragedies, and more.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

These four plays, translated into blank verse by C. A. Wheelwright, present to us the wide range of this ancient playwright's fertile imagination. From war and peace to politics and society to the relationships between mena nd women, no topic is off-limits.

Many stories have stood the test of time, but this selection have entranced audiences for thousands of years and remain as fresh today as they were when first told. A fascinating collection which gives vivid insights into lives in ancient times and the issues that occupied the people of the day.

Though the Romans were known for having contributed much to culture and the arts, there was one facet that was unrivaled when it came to ancient civilizations: their published works. Philosophy was their forte, and it goes without saying that the meditations by Marcus Aurelius is a superb piece of philosophical writings and musings. What is interesting about this collection is that it chronicles his thoughts during the time of his reign as Roman Emperor from AD 161 to 180.

Libidinous, licentious, salacious and very, very funny, The Satyricon is one of the most remarkable documents from ancient Rome. It tells the ribald story of Encolpius, a man of active and varied appetites (powered notably by his passion for his favourite lover, the handsome Giton), who plunges without inhibition into the life of Roman pleasures: orgies of food, feasting, abundant sex and escapades. The kind of hedonism found occasionally in Roman mosaics is here brought to life.

For years, the Greeks have lain siege to the walls of Troy, the final act in the greatest war the ancient world has ever seen. Rivers of blood have been shed in the fight, but it takes one man to end the conflict: the brilliant strategist Ulysses, who defeats the Trojans with a simple trick - a wooden horse with an army inside. Victorious, Ulysses and his men prepare to make the long trip home to Ithaca. It will be an odyssey to remember.

The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.

This anonymous fourteenth-century text is the glory of English mysticism, and one of the most practical and useful guides to finding union with God ever written. Carmen Acevedo Butcher’s new translation is the first to bring the text into a modern English idiom - while remaining strictly faithful to the meaning of the original Middle English. The Cloud of Unknowingconsists of a series of letters written by a monk to his student or disciple, instructing him (or her) in the way of Divine union.

Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.

Sophocles' timeless drama is often considered the greatest of all surviving Athenian plays. Oedipus, king of Thebes, must save his ailing city by tracking down the murderer of its former king. Translation by F. Storr.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

Originally meant to be heard rather than read, this great epic returns to the oral form for today's listeners.

Long considered the world's greatest adventure story, The Odyssey is celebration of life in all its infinite variety. The poem has deeply ingrained in us the sense of life as a journey, introducing a gallery of characters and events that have profoundly influenced western literature. Scylla and Charybdis, Circe, the Lotus Eaters, a visit with the dead, and, through it all, Odysseus's determined search for home, are all here in a classic translation.

Virgil's Aeneid, one of the greatest classical poems, tells the story of Aeneas, son of Priam, after the fall of Troy. His quest is to find the site "in the west" where he will found a new town prophesied to be the seat of a world empire: Rome.

After the death of their father, Oedipus, Antigone and Ismene return to Thebes. The ruler is their unyielding uncle by marriage, Creon, who assumed command after the death of the sons of Oedipus, Eteocles, and Polynices in a fratricidal struggle to take control of the city. Creon has the body of one brother buried with full civic honors but forbids the burial of the body of the other, whom he regards as a traitor. Antigone's challenge to Creon's decree, which she considers unjust, results in the extinction of the family line of Oedipus.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

Contained here is Julius Caesar's own account of his military adventures in Gaul at the head of the Roman army, uniquely presented in Caesar's first-person perspective (rather than as a third-person narrative as in the original Latin). Included are seven sections ("books") of the Gallic War, each encompassing one year of Caesar's battles and intrigues; though there is an eighth book, it is generally accepted to have been written by another general, shortly after Caesar's death in 44 BCE.