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In Oedipus at Colonus, the banished king, after years of wandering, accompanied by his faithful daughter Antigone, finds himself in Athens. Receiving a warm if guarded welcome from Theseus, King of Athens, he prepares to settle himself to spend his last days in peace. However, unwelcome visitors from his tortured past continue to haunt him until the very end.

This drama follows the myth of Iphigenia at Aulis, where she is subject to human sacrifice by her father Agamemnon. He draws her and Clytemnestra, her mother, thither with a promise of marriage to Achilles. The necessities of sacrifice are both in dialogue and in choral poetry weighed and judged. This play concludes either in an epiphany of wisdom or of violence. A form for tragedy in English, distinguished by seven scenes of dialogue and seven choral performances, is established in this play.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.

The Broadway Rapture: A Drama of the Gouldium. Against uncomfortable competition in national telegraphy, the Western Union Company, led by Jay Gould, with a number of new telegraphic firms warred to maintain her primacy. When the murderer of Jim Fisk becomes a partner in one of his competitors, revengeful competition is pursued by Gould. The Broadway Rapture is of historical fights for capital superiority. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays there are seven scenes of dialogue and seven choral episodes.

The Parliamentry troops believe he will hide in the home of Colonel Beverly, a famous Cavalier - they surround the house believeing they will smoke him out. No King is found and they are told that they have killed the four children who were in the house - but they escape with the old forester, Jacob Armitage, who must now teach them to lose their lace, and velvet manners and behave and look like Puritans

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

In The Trachinian Tragedy, better known as the Women of Trachis, the wife of Herakles, Deianeira, finds she has a rival in the house for her husband's affection. The consequences of her counteraction are incredible. In this faithful translation, F. L. Light attempts to write as good a play in English as the original in Greek. F. L. Light has also translated Antigone of Sophocles.

After Zeus has learned that Prometheus stole his sovereign property, fire, and conveyed it to mankind, he orders Hephaistos, under the direction of Power and Force, to bind his adversary to an arduous crag of most difficult remoteness on the earth. As the Titan responds to this punishment, the reader is inspired with the fire of individual affirmation, devoted indomitably to life and liberty.

The Theatrical Event discusses the objectives of theater studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators.

Although he achieved notable success as a novelist, poet, essayist, and painter, August Strindberg is best known today as one of the first and most significant masters of naturalist theatre. Among his many dramatic works are a number of one-act plays, four of which are presented in this recording. All of the plays feature a persistent theme in Strindberg's works: the inevitable disillusion that results from intense involvement in relationships, whether they be familial, romantic or circumstantial.

The Online Stage presents Shakespeare’s most famous and most quoted play, a revenge drama which explores the inevitable conflict between conscience and justice, between morality and obligation. The tragedy arises, not from an obvious weakness in the character of Hamlet, but rather from his inability to deal with an apparently insoluble moral dilemma.

The Cherry Orchard is Chekhov's final play, first performed in 1904 at the Moscow Art Theatre and directed by Konstantin Stanislavski. It takes place on the Ranevsky family's country estate, which boasts a large cherry orchard that is in bloom as the play opens. The family is gathering at the estate for a reunion but also to decide how to handle their debts, which have reached a crisis point.

Prince Kreon, enforcing an arbitrary mandate, is enraged that Antigone would abide by a natural law of sisterly respect in contradiction of his will. As neither can be reconciled with the other's acts, the drama grows devoutly tenebrous. This translation is iambic, as is most of the text in Greek.

Lady Susan is an epistolary novel by Jane Austen about a beautiful and manipulative widow scheming to arrange wealthy marriages for herself and her daughter. This book is the basis for the film Love & Friendship, written and directed by Whit Stillman, and starring Kate Beckinsale and Chloe Sevigny. This dramatized production is presented by the Online Stage.

The St. Charles Players present a unique telling of Victor Hugo's classic tale, in a new multi-cast dramatization performed in exciting Radio Theatre style.

Olga, Masha, and Irina lead a drab life in a provincial garrison town. Their love lives and marriages leave a lot to be desired, and they dream of eventually escaping to Moscow. Some critics called this the best drama of the 20th century.

Oedipus Rex is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as Oedipus, King of Thebes). It tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall.

Peer Gynt är ett äventyrsdrama, skrivet med stor humor och mycket ironi på fyndig fri vers med ett djärvt folkligt språk. Peer Gynt är ett av Ibsens populäraste verk. Det kombinerar prosans äventyrsberättelse, poesins versspråk och dramats dialog och handling. Dramat är mycket längre än normalt för dramer, men har regelbundet satts upp i förkortad form; första gången 1876 med Griegs senare så välkända musik.

A versão em áudio desta descrição da Guerra de Tróia é rica em elementos sonoros ligados às batalhas, à natureza, às manifestações dos deuses e à musicalidade grega. Com a participação de 16 profissionais de voz, entre atores, narradores e dubladores, que interpretam 34 personagens, além da voz do narrador.Vozes: Angela Couto (Atena); Barros Batista (Antíloco, Hermes, Dólon e Glauco); Carol Leiderfarb (Hera); Di Ramon (rei da Lícia, Menelau, soldado troiano e Príamo).

Based on a series of lectures by Leonard Peikoff and edited by Marlene Trollope, Discovering Great Plays provides the ability to understand, judge, and savor the values offered by great drama. Listeners will discover plot-theme as the key to a play; see Antigone as a great heroine and Iago as the darkest villain in literature; learn about the Cornelian hero; see how Schiller's "Grand Inquisitor" scene is the most dramatic and philosophic in all of theater; and discover Shaw's brilliance in presenting the genius against society.