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Growing up with a kind but alcoholic father and a suspicious, passive-aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels. Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and secrets from their shared past.

When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

So many stories begin the same way: With a prophecy. A chosen one. And the inevitable quest to slay a villain, save the kingdom, and fulfill a grand destiny. But this is not that kind of story. It does begin with a prophecy: A child will rise to defeat the Eternal Khan, a cruel immortal god-king, and save the kingdom. And that prophecy did anoint a hero, Jian, raised since birth in luxury and splendor, and celebrated before he has won a single battle.

From the outside, Elena Vega’s life appears to be an easy one: the only child of two professional parents, private school, NYU. But her twenties are aimless and lacking in connection. Something has always been amiss in her life: her father, the brilliant but deeply troubled Santiago Vega. Born in rural Puerto Rico, Santiago arrived in New York as a small child. His harsh, mercurial father returned to the island, leaving Santiago to be raised by his mentally ill mother and his formidable grandmother.

Carly Castillo has only ever known Fish Village. Her grandmother claims that they descend from the Karankawas, an indigenous Texas people once believed to be extinct, thereby tethering them to Galveston. But as Carly ages, she begins to imagine a life elsewhere, undefined by her family’s history. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave Galveston for bigger cities with more possibilities. But he didn’t take them then, and he sure as hell won’t now.

Wenn die erfolgreichen Kämpfe und schmerzhaften Niederlagen des Lebens (im Alter so um die 50 - drei links, drei rechts, drei fallen lassen) auf einander treffen, Scheidungen abgeschlossen wurden, große und kleine Kinder aus frühen oder mittleren Beziehungen ihre eigenen Wege gehen, mehrere Karrieren bereits weggearbeitet worden sind, und es eigentlich nichts mehr zu beweisen gibt, und dann ein ordentlicher Schluck Hormone dazu kommt.

This epic narrative poem focuses on the days after the end of the Civil War through the fall of 1877, describing the leaders and events of the Indian Wars, including Red Cloud, Sitting Bull, Crazy Horse, Dull Knife, Spotted Tail, the Fetterman Massacre, the Wagon Box Incident, and the Battle of Little Big Horn.

Guadalupe, New Mexico, is usually a pretty quiet town. That is until everything starts going to hell with a series of bizarre murders. Not to mention, a demon gives birth at a park. A boy disappears in the middle of a swimming pool. Rattlesnakes invade the town. Asked by his best friend the sheriff to assist in the investigation, Prosecutor Matthew Riley suspects a high-end resort development is at the heart of the crimes. But he also discovers a conspiracy of the living has opened the door for an ancient evil seeking revenge for old and new betrayals that threaten his own family.

In this second book of The Awakening Series, Jim Edwards continues having adventures in pursuit of love and money. This time, his life leads to dangerous aspects of the unforgiving desert. Mysterious signs portend creatures beyond any previous human experience. Protection and hope appear to be only Native American legends. Jim has to run from the most powerful entity in the history of the world.

Madison Colson knows deep down that her father—a convicted serial killer—is innocent. But believing it and proving it are two entirely different things. Unable to help her father, Madison has spent most of her adult life overcompensating by helping others. When her aunt dies unexpectedly, duty calls her back to Fog Lake, Tennessee, a beautiful but painful place she’d rather forget. Terrifying events begin to unfold once she arrives, unleashing her worst nightmares. The Good Samaritan Killer—or a copycat—is back, and now Madison Colson is his target.

It's the number one rule in this beach town: don't fall for a tourist. But Jonah Lachlan isn't like any tourist I've ever met. He's not here for a good time, that much is obvious. In fact, the brooding, boy-next-door cutie is clearly hell-bent on being miserable. Though he's here with his best friend, he doesn't seem interested in hook-ups. Or fun. The guy brought a book to this beach full of gorgeous single gay men, for crying out loud. Who does that?? And as if he couldn't be any more confusing, he seems superhumanly immune to anyone who flirts with him. Myself included.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be.

In Denton, Arkansas, the fate of the high school football team rests on the shoulders of Billy Lowe, a volatile but talented running back. Billy comes from an extremely troubled home: a trailer park where he is terrorized by his unstable mother's abusive boyfriend. Then Billy's abuser is found murdered in the Lowe family trailer, and all evidence points toward Billy. Now nothing can stop an explosive chain of violence that could tear the whole town apart on the eve of the playoffs.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: She can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.

At thirty-five, Mika Suzuki’s life is a mess. Her last relationship ended in flames. Her roommate-slash-best friend might be a hoarder. She’s a perpetual disappointment to her traditional Japanese parents. And, most recently, she’s been fired from her latest dead-end job. Mika is at her lowest point when she receives a phone call from Penny—the daughter she placed for adoption sixteen years ago. Penny is determined to forge a relationship with her birth mother, and in turn, Mika longs to be someone Penny is proud of. Faced with her own inadequacies, Mika embellishes a fact about her life.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

Dorothy Moy breaks her own heart for a living. As Washington’s former poet laureate, that’s how she describes channeling her dissociative episodes and mental health struggles into her art. But when her five-year-old daughter exhibits similar behavior and begins remembering things from the lives of their ancestors, Dorothy believes the past has come to haunt her. Fearing that her child is predestined to endure the same debilitating depression that has marked her own life, Dorothy seeks radical help.

For more than 25 years, Bob Grant has mesmerized radio listeners with his pioneering "tell it like it is" style of straight talk. He's outrageous, he's addictive, and he has a number-one ranked talk show. Always informed, always in the center of national controversy, Grant may make conservatives stand up and cheer, and liberals howl in protest -- but in Let's Be Heard, he makes everyone take notice.

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.