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When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day. But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: She can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.

At thirty-five, Mika Suzuki’s life is a mess. Her last relationship ended in flames. Her roommate-slash-best friend might be a hoarder. She’s a perpetual disappointment to her traditional Japanese parents. And, most recently, she’s been fired from her latest dead-end job. Mika is at her lowest point when she receives a phone call from Penny—the daughter she placed for adoption sixteen years ago. Penny is determined to forge a relationship with her birth mother, and in turn, Mika longs to be someone Penny is proud of. Faced with her own inadequacies, Mika embellishes a fact about her life.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

So many stories begin the same way: With a prophecy. A chosen one. And the inevitable quest to slay a villain, save the kingdom, and fulfill a grand destiny. But this is not that kind of story. It does begin with a prophecy: A child will rise to defeat the Eternal Khan, a cruel immortal god-king, and save the kingdom. And that prophecy did anoint a hero, Jian, raised since birth in luxury and splendor, and celebrated before he has won a single battle.

From the outside, Elena Vega’s life appears to be an easy one: the only child of two professional parents, private school, NYU. But her twenties are aimless and lacking in connection. Something has always been amiss in her life: her father, the brilliant but deeply troubled Santiago Vega. Born in rural Puerto Rico, Santiago arrived in New York as a small child. His harsh, mercurial father returned to the island, leaving Santiago to be raised by his mentally ill mother and his formidable grandmother.

Carly Castillo has only ever known Fish Village. Her grandmother claims that they descend from the Karankawas, an indigenous Texas people once believed to be extinct, thereby tethering them to Galveston. But as Carly ages, she begins to imagine a life elsewhere, undefined by her family’s history. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave Galveston for bigger cities with more possibilities. But he didn’t take them then, and he sure as hell won’t now.

Dorothy Moy breaks her own heart for a living. As Washington’s former poet laureate, that’s how she describes channeling her dissociative episodes and mental health struggles into her art. But when her five-year-old daughter exhibits similar behavior and begins remembering things from the lives of their ancestors, Dorothy believes the past has come to haunt her. Fearing that her child is predestined to endure the same debilitating depression that has marked her own life, Dorothy seeks radical help.

For more than 25 years, Bob Grant has mesmerized radio listeners with his pioneering "tell it like it is" style of straight talk. He's outrageous, he's addictive, and he has a number-one ranked talk show. Always informed, always in the center of national controversy, Grant may make conservatives stand up and cheer, and liberals howl in protest -- but in Let's Be Heard, he makes everyone take notice.

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

Who's Going to Love the Dying Girl? by Bree Rolfe is a revolutionary debut poetry collection touching on society, loss, illness, and learning to grasp with things that cannot be changed. Rolfe executes verse with precision and fierceness.

This is the 14th book in the Limericks for Meditation series.

Actor and comedian Kevin O'Brien performs Mark Twain's classic—and delivers four lectures analyzing the brilliance of this great American novel.

We're set loose, untended, like beings from a menagerie of sorts, one day cooped up, the next fending for ourselves out in the oddness of the world doing for ourselves. This is the motif pursued in Gateless Menagerie. We intersect with the wild as well when out roaming, reacquainting with the animal kingdom and it with us. We are one in the same: gateless and viewed. How do the animals see us? How do we appear to them? Are we in harmony or only tolerating one another?

This participatory interactive collection of experimental poetry is designed to promote and provoke reflection and revision, and to push back against categorizations as a matter of form or otherwise. The forms reflect bits and pieces of story wrapped into all aspects of our lives. I hope you will enjoy this collection, dedicated to those who question, wonder, and continue to strive to fill in the missing blanks.

Brunch at Ruby's is warm, funny Southern women's fiction about finding and keeping love, lifelong friendships with women who are like sisters, and the bonds between them that bend but don't break. Brunch at Ruby's is book one in a growing series set in the heart of Decatur, Georgia.

With over 40 poems and lyrics, Corey Toomey explores the complex themes of loss and abandonment with his collection Farewell to Giants. Highlights include the opening "Treasure Girl", the epic "Athena's Dream", and the climactic title poem.

Marvin Spangler is a self-centered, ill-equipped teacher of high school history, tasked by his principal to form an auctioneering team that has a chance in hell of winning a Tennessee state championship. He assembles a team comprising three very different souls: Larry Jr., the damaged prodigy, is led by fate; Eric, the obsessed jock, by unrequited love; and Helen, the usually disinterested beauty, by an inexplicable fascination. Together they surrender to a journey that carries them to the cusp of the summit of their dreams...and the nightmares awaiting far down below.

In Alone on a Cliff, the girls return to the cliff where they spent a night stranded in 1973 while on a trek PerryAnn hatched to find Billy. Now, over 20 years later, they are on a trek to find Billy again, only this time, it isn't only Billy they are searching for. Unhealed wounds, the healing balm of forgiveness, and gratitude for those who stand by us weave the story like threads running through a tapestry. Through it all, MatiLou and PerryAnn always return to the most important quest they share: to care for Mother Earth.