検索キーワード： 成長

In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People).

Meet Casey Han: a strong-willed, Queens-bred daughter of Korean immigrants immersed in a glamorous Manhattan lifestyle she can't afford. Casey is eager to make it on her own, away from the judgements of her parents' tight-knit community, but she soon finds that her Princeton economics degree isn't enough to rid her of ever-growing credit-card debt and a toxic boyfriend. When a chance encounter with an old friend lands her a new opportunity, she's determined to carve a space for herself in a glittering world of privilege, power, and wealth—but at what cost?

It happened in stages. My father left. My twin sister died of an incurable autoimmune disease. My mother started breaking down. Then I was diagnosed with the very thing that took my other half from me. That was when I realized Mama’s eyes turned gold when she cried. So I moved in with my father and his new family - new wife, new son, new stepbrother. Kaiden Monroe made me feel normal. Hated. Cared for. Loathed. And...loved. Somewhere along the way, I’d found solace in the boy with brooding eyes. But everything happens in stages. And nothing good ever lasts.

Lisa and Elliot have been best friends ever since the day they met as children. Popular, bright and sporty, Lisa was Elliot's biggest supporter when the school bullies made his life a misery, and for that, he will always be grateful. Twenty years later, life has pulled the pair apart, and Lisa is struggling. Her marriage is floundering, her teenage kids are being secretive and she's so tired she can't think straight. So when Elliot knocks on the door, looking much better than she remembers, she can't help but be delighted to see her old friend again.

Intermezzo ist die Geschichte zweier ungleicher Brüder. Als Ivan klein war und Peter ein Teenager, standen die beiden sich nahe, später wurden sie einander immer fremder. Als sie ihren Vater verlieren, reißen alte Wunden auf. Ihre Schuldgefühle, ihre Suche nach Sinn und Nähe treiben beide Brüder zu den Frauen in ihren Leben. Doch jeder von ihnen muss einen Weg finden, eine übermächtige Aufgabe zu meistern: wirklich zu trauern. Und wirklich zu lieben.

In una notte di mezza estate si intersecano due storie di seduzione, separate da più di duecento anni e oscillanti vertiginosamente fra il sublime e l’esilarante. Ma questa è solo l’intelaiatura di una vicenda che non si lascia raccontare, perché Kundera sembra avervi miniaturizzato una quantità imponente di «temi esistenziali». Primo fra tutti quello della lentezza: una parola di cui scopriremo un senso nuovo, come se non l’avessimo mai conosciuta prima.

A prime number is inherently a solitary thing: it can only be divided by itself, or by one: it never truly fits with another. Alice and Mattia, too, move on their own axis, alone with their personal tragedies. As a child, Alice’s overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia, she recognizes a kindred, tortured spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found.

Hi'i is proud to be a Naupaka, a family renowned for its contributions to hula and her hometown of Hilo, Hawaii, but there’s a lot she doesn’t understand. She’s never met her legendary grandmother and her mother has never revealed the identity of her father. Worse, unspoken divides within her tight-knit community have started to grow, creating fractures whose origins are somehow entangled with her own family history.

When Rachel Nardelli finds out Alison Petrucci—her childhood rival—is found dead in Pleasant Pond, the same place the two girls had first said goodbye to each other back in eighth grade, the town of Waterbury is outraged by the fear of losing one of their own—the heir to Maine’s largest construction company. But it’s a little more complicated for Rachel. She saw Alison the night she died. Callous, she said something she shouldn’t have. She stirred up the past. The next morning, Alison was gone.

In many ways, twelve-year-old Artem’s life in Chernihiv, Ukraine, is normal. He spends his days helping on his grandfather’s sunflower farm, drawing in his sketchbook—a treasured gift from his father, who works in America—and swimming in the river with his little brother, Yuri. In secret, Artem has begun wrestling with romantic feelings for his best friend, Viktor. In a country where love between two boys is unthinkable, Artem has begun to worry that growing up, his life will never be normal.

Nach einer Glaubenskrise zieht der siebzehnjährige Seminarist Noel für einen Sommer zu seinen Großeltern nach Faha, einem kleinen irischen Dorf, in dem nichts sich je ändert; auch der Regen nicht, der das Dorf seit Anbeginn begleitet. Bis er eines Tages, wir schreiben die Karwoche des Jahres 1958, plötzlich aufhört. An diesem Tag kommt auch Christy in das Örtchen, ein weitgereister Mann, der im Auftrag der Regierung durch das Land zieht und für die Elektrifizierung wirbt. Christy wird Untermieter bei Noels Großeltern und für den jungen Mann ein Freund und Mentor.

Die bewegende Geschichte einer Kinderfreundschaft – gefühlvoll erzählt von Bestsellerautorin Barbara Leciejewski Frau Petri zerriss Susis Brief, einmal, zweimal, dreimal, viermal. Kleine Fetzen flogen in den Mülleimer. "Nimm diese hübsche Ansichtskarte, schreib etwas Schönes. Darüber freuen sich deine Eltern ganz sicher, und das möchtest du doch, oder nicht?" Sechs Wochen Kuraufenthalt an der Nordsee – ein toller Urlaub, versprechen ihr die Eltern. Doch die achtjährige Susanne und die übrigen Kinder verbringen im "Haus Morgentau" die schlimmste Zeit ihres Lebens.

When jobs are scarce, a hard working father is let go to make way for the boss's son. An opportunity opens to look for work on the mainland, but when the family arrives they encounter more difficulties than they had first planned on. Bullied and beaten, the teen son goes through a rough transition. Not wanting to further trouble his parents, he is soon faced with a decision of whether or not to join a gang?

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Über die erste Liebe, unverbrüchliche Freundschaften, den Preis von Freiheit und den unendlichen Mut einer jungen Generation. Lai wächst in einem trubeligen Arbeiterviertel in Peking auf. Ihr Vater redet nicht, die Mutter interessiert sich nur für das Geschehen auf dem Hausflur, einzig die Großmutter ist wirklich präsent, kompromisslos in ihrer Liebe zu ihren Enkeln. Als Kind lernt Lai bei einem Nachbarschaftsstreich die Härte des Regimes kennen. Bald darauf auch die erste Liebe. Durch Gen bekommt sie Zugang zu Büchern und Bildung.

يسيطر الشعور بالغربة على الشخصية الرئيسية في هذه الرواية، وهي المحرك الأكبر له، شعوره بالغربة بدأ منذ طفولته واستمر طوال حياته، يحاول أن يمحوه بكل الأشكال، الشرب والمخدرات والجنس لكن لا ينفعه شيء عندما يفكر فقط في الموت، ويصل إلى مرحلة يعتبر نفسه فيها لم يعد إنساناً بشرياً، وتأتي الرواية في ثلاث فصول وتحكي قصته من طفولته وحتى أواخر العشرينات من عمره.

"كان مجيئي إلى الدنيا صدمة حقيقية لعائلتي، كانت والدتي في الخامسة والأربعين عندما رُزِقتْ بي، أما أبي فكان في الخمسين من عمره.

كانا يدركان أنهما أكبر سنًا من أن يُنجبا طفلًا، أمر كهذا لم يكن مألوفًا في تلك الأيام".

رواية "واحد، ولا أحد، ومائة ألف " التي يصفها "بيراندِلُّلو" نفسه، في رسالةٍ من رسائل سيرته الذَّاتيَّة، فيقول: "النَّصُّ الأكثر مرارةً من أيِّ نصٍّ آخر، السَّاخرُ أعمقَ ما تكون السُّخرية من تحلُّلِ الحياةِ نفسِها" هو عملَه الرِّوائيَّ الوحيد والأخير. وهو الذي سينظر إليه كثيرٌ من الدَّارسين والمفكِّرين لاحقاً على أنَّه تكثيفٌ لكلِّ الأفكار واختصارٌ لكلِّ العوالم التي أراد "بيراندِلُّلو" التَّعبيرَ عنها في الرِّوايةِ والقصَّةِ والمسرح.

Milena Cervi ha quindici anni quando sua madre Angelica entra nella Chiesa della Verità e ne diventa vittima incapace di riconoscerne le ambiguità. Così a vent’anni Milena decide di trasferirsi a Roma. Qui incontra Emanuele, un uomo più grande di lei nel quale crede di vedere la cifra del suo riscatto. Presto la relazione assume i contorni di un rapporto manipolatorio, di un legame tanto più doloroso quanto più difficile da spezzare. Alice Urciuolo racconta le infinite distorsioni dell’amore.

È possibile inseguire il proprio sogno senza perdere la parte più autentica di sé stessi? Sfuggire a un destino già scritto senza che questo finisca per bruciarci? Francesco cresce nella periferia di Milano, figlio di meridionali e con il sogno di scrivere: un ragazzo ai margini di un paese ai margini. O almeno questa è la sua sensazione per dieci mesi l’anno, finché non arriva l’estate e lui torna con i genitori in Basilicata, dove la vita sembra più autentica.