検索キーワード： 歴史・批評

On July 29, 1890, a hot and muggy afternoon, shortly after Vincent van Gogh was laid to rest after his honor killing for “compromising” his doctor's twenty-one-year-old daughter, Marguerite, twenty-six of his unknown paintings and other art material were stolen from the hotel where he had been laid out for his final viewing by his doctor and his son.

La saga des Médicis, sous la plume du grand Dumas. Les Médicis sont une des familles les plus riches et les plus influentes de Florence. Des ressources financières considérables leur permirent d'investir dans l'architecture, la sculpture, la peinture mais aussi dans la collection de pierres précieuses et d'objets d'orfèvrerie. La maison de Médicis est apparue, au XIIe siècle, au sein de la République de Florence, et devient, au XVIe siècle, la famille régnant sur le grand-duché de Toscane.

When the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, bringing a lifetime's reading to bear on the place where she started, hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see?

Published in 1873, Studies in the History of the Renaissance is considered one of the most influential works in the field of aestheticism. The book is a collection of essays that explore various artists of the Renaissance period, focusing primarily on the art, culture, and philosophy of the time.

Stories of "The American West" often rely on tired tropes of tough cowboys, but real history is much less straight and narrow and way more interesting. Join host Niecy Nash-Betts for a wild round-up of LGBTQ+ lives that got buried in the dust of popular culture and history, and a look at how queer people continue to shape the West today–from gay rodeo to two-spirit identity to trans truckers.

Cv/VAR 124 publishes an interview recorded in 2010 with Mat Collishaw, first published in Interviews-Artists Volume Three, explores the range of his work, from 'zoetropes', animated models exhibited at the Freud Museum and installed at the Victoria and Albert museum, to photo-works and projections, with the artist’s original interventions in the natural world that fuse histories, desires and dreams. This edition includes studies of Nam June Paik and other essays on contemporary art.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

In 1922, after fifteen years of searching, archaeologists finally discovered the tomb of King Tutankhamun. There, buried alongside the king's mummy, they found more than 5,000 unique objects, from the mundane to the extravagant, from the precious to the everyday. Tutankhamun's spectacular gold mask is justifiably famous, but the rest of the treasures remain largely unknown, their stories untold.

With outrageous anecdotes about everyone from Leonardo Da Vinci to Caravaggio to Edward Hopper, Secret Lives of Great Artists recounts the seamy, steamy, and gritty history behind the great masters of international art. You'll learn that Michelangelo's body odor was so bad, his assistants couldn't stand working for him; that Vincent van Gogh sometimes ate paint directly from the tube; and Georgia O'Keeffe loved to paint in the nude. This is one art history lesson you'll never forget!

Gavin Plumley considered himself a distinctly urban being… until he met his rural husband, Alastair. Together, they bought Stepps House—a three-storey building in Pembridge, Herefordshire—on love at first sight. But then came the inevitable question from an insurance salesman: 'How old is it?' The date they'd been given of 1800 seemed out by centuries. As Gavin traced Stepps House through various hands and eras, he uncovers a past steeped in history and art, memory and nature that resonates powerfully with our present.

Jerry Saltz is one of our most-watched writers about art and artists, and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice. Now, in Art Is Life, Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning points—from the cultural reset of 9/11 to the rolling social crises of today—Saltz traces how visionary artists have both documented and challenged the culture.

Colour unlocks the history of the colours of the rainbow, and reveals how paints came to be invented, discovered, traded and used. This remarkable and beautifully written book, part travelogue part narrative history, remembers a time when red paint was really the colour of blood, when orange was the poison pigment, blue as expensive as gold and yellow made from the urine of cows force-fed with mangoes. It looks at how green was carried by yaks along the silk road, and how an entire nation was founded on the colour purple.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

From Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s that tackle ideas of class and deprivation, Looking to Sea embraces ideas from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. Looking to Sea is an astonishingly perceptive portrait of the twentieth century.

World War I saw an unprecedented loss of life in Western Europe, and destruction on a scale no one alive had ever seen. All those who experienced it were irrevocably changed, including many writers and artists upon whose oeuvre it left an indelible mark. This captivating series examines the impact of the war on artists and thinkers through the prism of their great works. In each episode, a leading figure from the worlds of science, culture and the arts reflects on a single iconic piece, and discusses how the events of 1914-18 shaped its creation.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

Jerry Saltz is one of our most-watched writers about art and artists and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: Witty and provocative, he has attracted contemporary listeners to fine art as few critics have.

Pulitzer Prize-winning cartoonist Art Spiegelman is one of our most influential contemporary artists; it’s hard to overstate his effect on postwar American culture. Maus shaped the fields of literature, history, and art, and has enlivened our collective sense of possibilities for expression. A timeless work in more ways than one, Maus has also often been at the center of debates, as its recent ban by the McMinn County, Tennessee, school board from the district’s English language-arts curriculum demonstrates.

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we hear them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through this book always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.