検索キーワード： 歴史・批評

Dieser Pop-Splits ist Eric Claptons Song "Tears in Heaven" gewidmet und beantwortet die Frage, wie man musikalisch über den Tod des eigenen Kindes hinwegkommt...

Der Titel ist Teil des Pop-Splits "Tears in Heaven - 21 traurige und schöne Geschichten".

Wie ein Spruch aus der Haarschampoo-Werbung zu einer Frauenhymne wurde (A Woman's Worth); welche Therapie zur kollektiven Sause taugt (Shout) und welcher ursprünglich für einen Porno komponierte Song die Puppen tanzen ließ (Ma Nah Ma Nah)...

Welches weltbekannte Mädchen nicht einmal einen Imbißstand unter ihrem Pseudonym aufmachen durfte (Girl from Ipanema); mit welchem Handbuch man einen Top-Ten-Hit schreibt (3 A.M. Eternal); und weshalb man von seiner eigenen kreativen Leistung am Ende oft nichts hat (Bitter Sweet Symphony)...

Wie man sich als Rockstar an nervigen Fans rächt (Elke); wie man es mit Muttis Hilfe im Rockgeschäft nach ganz oben schafft (Mit 18); und wie man mit masturbativen Übungen eine ganze Nation in Atem hält (Heiß)...

Wie die US-Armee mit Rockmusik einen Dikator stürzte (Welcome To The Jungle); wie der Song eines Afrikaners das Leben der Kurden in der Türkei erleichterte (Yeke Yeke), und wie die RAF-Terroristin Ulrike Meinhof Marianne Faithful aus einer Depression holte (Broken English)...

Wie Leonard Cohen Janis Joplin flach legte (Chelsea Hotel Nr.2); und wie die britische Königin-Mutter Pete Townshend von The Who dazu brachte, eines seiner besten Lieder zu schreiben (My Generation)...

Children of the Stone chronicles Ramzi's journey - from stone thrower to music student to school founder - and shows how through his love of music he created something lasting and beautiful in a land torn by violence and war. This is a story about the power of music, but also about freedom and conflict, determination and vision.

Dieser Popsplit handelt von dem Beatles-Song "I want to hold your hand" und davon, wie Bob Dylan den Beatles das Kiffen beibrachte...

Der Titel ist Teil des Pop-Splits "The Fab Four - 21 Geschichten der Beatles".

Wie ein Stones-Konzert NENA zu einem Vorzeigesong der Neuen Deutschen Welle und der Friedensbewegung der 80er Jahre inspiriert.

Dieser Titel ist Teil des Pop-Splits "99 Luftballons - 21 Geschichten aus Deutschland."

Welche Maklerin aus L.A. auf ihrer Website mit einem Welthit werben kann, der für sie geschrieben wurde (My, Sharona); wie man sich als Band an seinem schlimmsten Fan rächt (Elke) und wie man eine Affäre stilvoll beendet (So long, Marianne)...

Wie man als Hardrocker über den Tod eines geliebten Menschen wegkommt (Nothing Else Matters); wie die hübsche Italo-Amerikanerin aus dem Fernsehen zum letzten Rettungsanker eines Popidols wurde (Maria Bartiromo); und wie man als Fan zu Fans kommt, die werden wollen wie man selbst (Butterfly)...

Dieser Pop-Split stellt den Titel Bitter Sweet Symphony vor und erklärt, weshalb man von seiner eigenen kreativen Leistung am Ende oft nichts hat...

Der Titel ist Teil des Pop-Splits "Rock Bizz - 21 Geschichten zu Geld und Ruhm".

Drawing on interviews with family members, managers, promoters, and the jazz musicians who worked with her, as well as contemporary newspaper articles and reviews, Late Life Jazz tells the unsung story of one of America's finest singers, Rosemary Clooney. Ken Crossland and Malcolm Macfarlane trace Rosemary's life from her hardscrabble beginnings in Maysville Kentucky, through her first performances singing with the Barney Rapp Band in Cincinnati, through her rise to pop stardom in the early 1950s.

Released in 1974, Sweet Home Alabama has become synonymous with Southern rock. From its opening guitar riff, it is instantly recognizable, a raucous, irreverent defense of a Deep South state and its segregationist governor against the jabs of Neil Young. But the roots of Lynyrd Skynyrd's best-selling anthem go much deeper than regional pride or resentment of a fellow rocker.

The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a record company that becomes a monument to racial harmony in 1960’s segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise.

The Beatles' third tour of North America was nearly a year in the planning. By late 1964, manager Brian Epstein knew that they were not only the biggest act in his stable: they had become the biggest act on earth. America worshipped them. Somewhere different for the start of this tour, in New York - somewhere appropriately massive - had to be found. It was: a baseball stadium in Flushing, Queens. On August 15, 1965, The Beatles played the concert of their lives there.

When Gustavo Dudamel, at the age of 28, ascended the podium at the Hollywood Bowl for his inaugural concert as conductor of the Los Angeles Philharmonic, he immediately captivated the hearts of his audience, just as he had the minds of music critics who designated him a modern-day Leonard Bernstein. In Changing Lives, the maestro's story becomes the entry point to an equally captivating subject: El Sistema, the music education program that nurtured his musical talent, first as a young violinist and then as a budding conductor under the mentorship of its founder, Jos Antonio Abreu.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.

Beatleness explains how the band became a source of emotional, intellectual, aesthetic, and spiritual nurturance in fans’ lives, creating a relationship that was historically unique. Looking at that relationship against the backdrop of the sexual revolution, the Vietnam War, political assassinations, and other events of those tumultuous years, the audiobook critically examines the often-heard assertion that the Beatles changed everything.

The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales.