検索キーワード： 歴史・批評

In Listen to This, Alex Ross, the music critic for The New Yorker, looks both backward and forward in time, capturing essential figures and ideas in classical-music history as well as giving an alternative view of recent pop music that emphasizes the power of the individual musical voice in whatever genre.

In haar hoorcollege over 120 jaar stijlen en substijlen in jazz en in de geïmproviseerde muziek geeft Vera Vingerhoeds inzicht in de muzikale ontwikkelingen in jazz. Wat is jazz? Hoe ontwikkelen zich nieuwe vormen van jazz? Welke muzikale ingrediënten zijn kenmerkend voor een stijl? Hoe wordt er geïmproviseerd? Van worksongs en blues via swing, bebop en free jazz naar postbop, fusion, wereldjazz en de urban jazz van vandaag: meer dan 20 jazzstijlen komen aan bod met gebruikmaking van veel luisterfragmenten.

Die Geschichte der schönsten Weihnachtslieder der amerikanischen Tradition. Ein faszinierender und unterhaltsamer Überblick über die Geschichte der Weihnachtslieder, die mit der amerikanischen Tradition verbunden sind. Pikante Anekdoten, Hintergründe, Skandale und Klatsch aus anderen Zeiten eines Amerikas, das es nicht mehr gibt. Alles, was Sie über die schönsten Weihnachtslieder Altamerikas noch nicht wissen, finden Sie in diesem mit Leidenschaft und leichter Hand geschriebenen Buch.

Barrington saw the eight-year-old Mozart perform in London. He then met with Mozart and his family, and he recounts that meeting, describing Mozart's skill at sight-reading and improvisatory composition demonstrated at the meeting, as well as describing elements of the young composer's personality. He also conveys the results of his research into Mozart's other early activities and compares Mozart's precocious talents to other well-known child prodigies of his era.

“Paul is dead.” It was the late 1960's, the Beatles hadn’t toured since 1966, and some truly bizarre indications began appearing, pointing to the unthinkable: Paul McCartney had been killed in a car accident and replaced by a look-alike. The Walrus Was Paul unearths every single clue from one of rock ’n’ roll’s most enduring puzzles and takes you on a magical mystery tour of baffling, yet fascinating, hints for solving this mystery.

The members of Led Zeppelin are major deities in the pantheon of rock gods. The first and heaviest of the heavy metal monsters, they violently shook the foundations of rock music and took no prisoners on the road. Their tours were legendary, their lives were exalted, and their music transcendent. No band ever flew as high as Led Zeppelin or suffered so disastrous a fall. And only some of them lived to tell the tale. Originally published in 1985, and last updated in 2008, Hammer of the Gods is considered the ultimate word on Led Zeppelin.

Sex, Drugs & Rock Stories. Alles, was ein wahrer Rockfan wissen muss. Warum wollte Axl Rose einst David Bowie verhauen? Was verbindet AC/DC mit einem Serienkiller? Und was haben Faith No More mit dem Fall der Berliner Mauer zu tun? Die Musikgeschichte steckt voller Sonderbarkeiten, aberwitzigen Begebenheiten und wilden Geschichten, die der Journalist und ehemalige Metal Hammer-Chefredakteur Christof Leim in diesem lustig-krachenden Anekdotenreigen für die Ewigkeit festgehalten hat.

Look to the shadowy corridor between chart-topping hits and the cryptic tales that lurk behind them in “Rock & Roll Nightmares: Blood On The Tracks.” This electrifying true crime tome peels back the curtain on the eerie nexus of melody and morbidity, guiding you through a chilling journey where the anthems of the airwaves meet their macabre muses.

La nueva música clásica es una exploración personal y profunda sobre el rock: la revolución musical que comenzó en los años cincuenta con el rock ’n’ roll, le dio la vuelta al mundo en los sesenta montada en los hombros de los Beatles y transformó para siempre la música popular con las experimentaciones del movimiento hippie, más los que le siguieron.

Die 80er-Jahre! Was für ein wunderbares musikalisches Jahrzehnt. Die beiden Hosts Falk und Ryll präsentieren im aktuellen Album 13 außergewöhnliche Lieblingssongs der 80er mit den Geschichten ihrer Gäste. Mit "Kayleigh" von Marillion hat Regine Brühl eine wahre Hymne aus den Achtziger-Jahren als ihren Lieblingssong ausgewählt. Dirk Neuß erzählt, was ihn fasziniert an den Tubes und "Don't want to wait anymore". Warum "Hallelujah" von Leonard Cohen für Patricia Küll Veränderung bedeutet hat, das erzählt sie Falk&Ryll.

Pete Crighton came of age in the early/mid 1980s in the shadow of HIV/AIDS. Growing up in Toronto, he was terrified that his friends and schoolmates would find out that he was “different” at a time when being gay felt like a death sentence. His only comfort was music, the songs a balm to his painful adolescence. Struggling to make sense of his sexuality and fear of the disease stifled Crighton as a sexual being. Instead of exploring sex, he began curating a massive music library.

Cello is a group biography that weaves together four narratives of cellists who suffered various forms of persecution, injury, and misfortune. Interwoven with their remarkable and often moving stories are a series of interludes that offer a foil to the group biographies. These examine the themes explored in the narratives from different perspectives, drawing together essay-like musings, historical research, personal experience, and the author’s many interviews and encounters with contemporary cellists.

When Miranda Sawyer interviewed Liam Gallagher in 1994, his gag wishing Damon Albarn would die of AIDS became front-page news all over the world. This fascinating pop history, exploring the moment British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, UNCOMMON PEOPLE takes us back to when Jarvis Cocker became a national hero, films like Trainspotting were international hits, rave became what everybody did - and it felt like the revolution was happening.

From larger-than-life adventures to vivid and poignant tales of the imagination, Highways and Byways is a collection of stories taking readers on an enthralling tour (complete with the odd detour) through the raucous, well-lived life of one of this country's most successful and beloved artists.

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music's structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead's dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence.

In the vast expanse of the rap universe, few stars shine as brightly and controversially as Drake. With his melodic flow, introspective lyrics, and genre-bending music, Drake has left an indelible mark on both rap and pop culture. However, his ascent to the summit of the music industry has not been without its detractors. From fellow artists to internet trolls, many have sought to challenge Drake's dominance through the age-old tradition of the diss track. Yet, despite the barrage of criticism and ridicule, Drake remains not only relevant but also revered in the world of music.

Kurt Cobain. GG Allin. Wendy O. Williams. Duane Allman. Travis Barker. Jimmy Page. Janis Joplin. Ozzy Osbourne. Chrissie Hynde. Dee Dee Ramone. Chris Cornell. Marc Bolan. Tommy Lee. Amy Winehouse. Jimi Hendrix. What do these artists all have in common? They’re rowdy rock stars whose over-the-top lifestyles spun out of control, landing them deep in Rock & Roll Nightmare territory. Rock & Roll Nightmares: True Stories, Volume 1 is a meticulously-researched, up-to-date, entertaining, and shocking book that rounds up the tragic tales from the 1960s to the present day.

El propio título lo dice: ¡Viva la música, j***r! Que es lo mismo que decir, viva la más incomprendida de las músicas: bien porque se supone que la clásica es demasiado difícil de escuchar, o porque su etiqueta de conciertos resulta demasiado pomposa y encorsetada o, simplemente, porque sus entradas son demasiado caras.

Formed in Hermosa Beach, California, in 1978, for eight brutal years Black Flag made and played brilliant, ugly, no-holds-barred music on a self-appointed touring circuit of America’s clubs, squats, and community halls. They fought with everybody: the police, the record industry, and even their own fans. They toured overseas on pennies a day and did it in beat-up trucks and vans. Spray Paint the Walls tells Black Flag’s story from the inside, drawing on exclusive interviews with the group’s members, their contemporaries, and the bands they inspired.

For millennia, the sacred drummers of pre-Christian Mediterranean and western Asia were women. In this inspiring book, Layne Redmond, herself a renowned drummer, tells their history.