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To write for the theater, you need to know about theater. Ideas are easy to come by. Examine your background, interest, and beliefs. Examine the world around you. Exercises can help you come up with ideas. Choose the audience you want to reach, and write to that audience.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.

Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.

Daniel Day-Lewis is an actor regarded by many as the finest of his generation. His portrayal of cerebral-palsy sufferer Christy Brown in My Left Foot won him his first Oscar in 1990, and in 2008 another Oscar followed for his role in There Will Be Blood. His roles in The Age of Innocence, The Last of the Mohicans and In the Name of the Father further cemented his reputation as well as grossing millions at the box office, making Day-Lewis one of Hollywood's most bankable stars.

Set in 1938 Brooklyn, this gripping psychological mystery begins when attractive, level-headed Sylvia Gellburg suddenly loses her ability to walk. The only clue lies in Sylvia’s obsession with news accounts from Germany. Though safe in Brooklyn, Sylvia is terrified by Nazi violence—or is it something closer to home?  

For more than half a century, a shared love of canals and narrowboats has been inseparable from the marriage of Timothy West and Prunella Scales. The two iconic actors have spent many of the happiest days of their life together enjoying the calming pleasures of watching land and nature unfold before them at four miles an hour.

This classic comedy is set in the charming country home of Charles Condomine, a remarried widower. A witty and convivial evening party among friends is transformed when a seance conjures the ghost of Elvira, Charles' first wife, who delights in wreaking havoc among the living. An enchanting Coward comedy!

What happens when conflicting emotions inhabit the same space? When a new vocabulary is devised to disguise the same old thoughts? In this barbed satire of political correctness, Rebecca Gilman's provocative characters spin a web of their own, revealing the latent racism that may lurk beneath the porcelain veneer of a liberated conscience.

Imogen, the daughter of King Cymbeline, is persecuted by her wicked stepmother, the Queen, and by Cloten, the Queen's doltish son. Disguised as a boy, she sets out to find her husband, the banished Posthumus. On her journey, she unwittingly meets her two brothers, stolen from the court as infants. Posthumus, meanwhile, has been convinced by the villainous Iachimo that Imogen is unchaste and agrees to a test of her faithfulness.

A behind-the-scenes story of a high-stakes political drama that dared the country and its citizens to look into the mirror - and change. Robert Kennedy had an early mistrust of Dr. Martin Luther King and his tactics, but became one of the civil rights movement’s greatest champions.

Six hilarious satires from the ingenious Molière, France’s original master of comedies: "The Imaginary Cuckold", "The School for Husbands", "The School for Wives", "Tartuffe" and "The Misanthrope".

The riveting story of the rivalry between the two most renowned actresses of the 19th century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today.

In Michael B. Druxman's outrageous comedy, Hail on the Chief!, cantankerous gentleman rancher Oliver Pettridge hates his neighbor, a former cowboy movie star. He's hated him for years over a property line dispute. As the play begins, the neighbor has just been elected President of the United States.

From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean.

Leslie Odom Jr. burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor.

He's the anonymous Twitter sensation whose hilarious and unfailingly accurate barbs satirizing and celebrating the theatre industry have won him a devoted following. His identity is the subject of feverish speculation in the media, fueled by his regular appearances at West End opening nights in costume, wig and latex mask. He has become a genuine theatre impresario, launching talent competitions Search for a Twitter Star and its successor, Search for a Twitter Composer. And now, West End Producer is ready to share all he's learnt about how to get ahead in show business, in the form of an audiobook, narrated by the author himself.

Told with grace and deep understanding, as well as humor, Mia Farrow's exquisitely written memoir goes beneath the surface of her amazing life, with all its drama, success, and pain, and exposes the inner workings of a mind and spirit for whom truth, compassion, and faith are essential.

Michael B. Druxman’s Rathbone joins the actor near the end of his life while, because of his troubled financial condition, he is working on still another less than memorable film. The play delves into Rathbone’s dark side, exploring his relationships with his first wife, the son he virtually abandoned, and Ouida, the divisive woman to whom he was married for over 40 years, yet perhaps never really knew.

This is a book for the thinking actor, and the finest actors I've known are just that. The best actors bring it all together: body, heart, spirit, and mind. A theory of acting, if true, shows us to ourselves. Jeff Zinn knows this. He knows it as an actor, director, teacher, and thinker. His theory of everything is simple and revelatory.

As Captain Blood, Robin Hood, and the Sea Hawk, he was the "King of the Swashbucklers". As Errol Flynn, he was Hollywood's number one rogue. He was married three times, and also was the defendant in three rape trials. Indeed, it's fitting that his last major swashbuckling film cast him in the role of Don Juan. The play joins Flynn a few weeks before his premature death. Knowing that the end is near, he is in a New York airport, waiting to fly west to see his children for the last time.