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妻を亡くして田舎に住む機関士は、ある日、大列車事故に遭遇し、事故で孤児となった少女を養女として実の息子とともに育てる。やがて少女は美しい娘に成長し、機関士も息子も彼女を愛するようになり深い苦悩に苛まれる。その卓越した映像美は見事だ。

In this essential guide to acting, internationally renowned directing coach Judith Weston demonstrates what constitutes a good performance, what actors want from a director, and what directors do wrong. She also goes over script analysis and preparation and how actors work, and she shares important and helpful insights into the director/actor relationship.

The Twilight Zone Companion is the complete show-by-show guide to one of television's greatest series. Zicree's well-written account is fascinating listening for even the casual fan. Coverage of each episode includes a plot synopsis, Rod Serling's opening narration, behind-the-scenes stories from the original artists who created the series, and a complete list of cast and credits.

ねぇ、もし、みんなの世界も私の世界のように魔法がふつうにある世界になっていたらどうなってたと思う？ 私ね魔女や魔法使いが、魔法の使えない人、使わない人となかよく暮らしていたらきっとステキで楽しい世界になっていたと思うんだ。 私は魔女と魔法使いの家に生まれて私も魔女だけど、学校には魔女や魔法使いじゃないお友だちもたっくさんいるんだ。 それに休み時間にみんなにも魔法をおしえたりしてるの。 みんなも魔法使ってみて！きっとすっごく楽しいから！ ＜カバーイラスト：広瀬コウ＞ (C)2017 原和規/AJBRC

「ください」「ちょうだい」は、子供のセリフ。子供は、それでいいんです。何でも自分で決めたがるのも、子供気分。子供はいいとして、大人がそれでは幸せになれません。 喜び、楽しみ、満足は、自分で見つけ出すのが大人。身を委ねることで、深い世界に到達するのが大人なのです。でも、感性を磨いてこなかった人は、その術を知りません。深い幸せを得るための方法、中谷さんから教わりました。★こんな方に、オススメです。□お金をかけなければ、幸福感が得られない方。□男性心理のリアルがわからない方。□何でも自分で決めなければ、気が済まない方。★別ナカ65――7つの学び○「風俗は、祭り。」○「張り合わない女性に、男は惹かれる。」○「男が求めているのは、リセットできる場所。」○「選ぶ行為をやめると、相手に価値を見出せるようになる。」○「委ねることで、癒しは得られる。」○「満足させてではなく、満足を見出そう。」 何度も聴いて、幸福体質に!

I’ll Be There for You is a deep dive into Friends history and lore, exploring all aspects of the show, from its unlikely origins to the societal conditions that amplified its success. Journalist and pop culture expert Kelsey Miller relives the show’s most powerful moments, sheds light on its sometimes dated and problematic elements, and examines the worldwide trends that Friends catalyzed, from contemporary coffee culture to the wildly popular ’90s haircut The Rachel.

It’s never as simple as just speaking; there’s a real trick to it. We’ll talk through cadence and tone, how to form concise sentence structure on the fly, and how to keep people interested in what you have to say.

The legendary Academy award-winning writer and director takes the listener on a unique joyride of personal memoir, cultural criticism and Hollywood history. For the first time, in his own words, explore the mind, the myth, and the movie magic of the one and only Quentin Tarantino.

In this follow-up to her critically acclaimed memoir, Home, Julie Andrews shares reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria.

Veteran actor Titus Welliver (Lost, The Good Wife) talks about what it’s like to play the iconic Detective Harry Bosch. From becoming a leading man to the dramatic journey Bosch takes in season one, Titus opens up about bringing this much-beloved character to the screen.

In this eye-opening companion to seasons 2 and 3 of Netflix’s acclaimed series The Crown, renowned biographer - and the show’s historical consultant - Robert Lacey takes us through the real history that inspired the drama. Covering two tumultuous decades in the reign of Queen Elizabeth II, Lacey looks at the key social, political, and personal moments and their effects - not only on the royal family but also on the world around them.

Werner Herzog is the undisputed master of extreme cinema: building an opera house in the middle of the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears - he has always been intrigued by the extremes of human experience. From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance: what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes.

ボンバーズバス制作、丸福ボンバーズ出演でお贈りするライト感覚オーディオドラマ。ハートウォーミングあり、シュールあり、お気軽にお楽しみください！

私はシングルマザーのタクシー運転手。「しょうらいのゆめはたくしーのうんてんしゅ！」と言ってくれる息子のためならどんなことも頑張れる。そんな私の前に現れた怪しい男。男は私を脅してきた。この男、一体何者！？ ーーー

その８割近くが失われてしまっているという戦前のものを中心に、「映画探偵」とも称されるコレクターたちによって奇跡的に発掘された日本映画が、断片しか見つかっていないものも含め、ミニシアターのラピタ阿佐谷で企画上映された。題して「映画探偵の映画たち」。 私はその内、３日間の上映、計10本を見に行った。 １月17日 『播州皿屋敷（ばんしゅうさらやしき）』1929年（昭和4年） 監督：賀古残夢（かこ・ざんむ） 『武士道』1925年（大正14年） 監督：ハインツ・カール・ハイラント、賀古残夢（かこ・ざんむ） 『吉良の仁吉（きらのじんきち）』1937年（昭和12年） 監督：児井英男（こい・ひでお） 『電車が軌道を走る迄（まで）』1929年（昭和4年） 監督：荻野茂二（おぎの・しげじ） 『曼珠沙華（まんじゅしゃげ）』1945年（昭和20年） 監督：柿本久夫（かきもと・ひさお）(本文より）切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

Ade Edmondson smashed onto the comedy circuit in the 1980s, stormed The Comedy Store and, alongside Rik Mayall, brought anarchy to stage and screen. How did a child brought up in a strict Methodist household – and who spent his formative years incarcerated in repressive boarding schools – end up joining the revolution? Well, he is part Norse. Could it be his berserker heritage? With wisdom, nostalgia and uniquely observed humour, Ade traces his journey through life and comedy.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

Encompassing the 35 year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination. In this brief, engaging account, these formative decades come vividly to life.

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment.

With exclusive insights from the legendary cast, including Al Pacino, Robert Duvall, Robert De Niro, and Talia Shire, and commentary from a diverse array of film experts and ardent aficionados, we dissect the film’s magnetic allure and its pervasive influence across our culture. Journey alongside Rebecca Keegan, acclaimed senior film editor at The Hollywood Reporter, as she explores the heart of this cinematic masterpiece through a new lens.

Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he’s known to have a special talent for bringing out the best in the people he’s worked with, notably the actors. In those intense collaborations, he seeks to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.