検索キーワード： 死・悲嘆・喪失

The Underbird is a modern comeback story of a downtrodden underdog that makes a revolutionary comeback.

Black Boy Say You: Help Mama, Lost Be Mind offers a modern take on spirituality and mental health and details the worries of a young Black boy that fears his mind wanders too far.

A Preponderance of Thoughts is an ode to surviving depression. It outlines the author's frantic yet palpable emotions in a fight to stay alive. The poems explore and tackle the many questions asked when one's mind is spiraling into a perfect mess. An allegory of sorts that showcases the many fractured phases of a damaged existence. Outlined is the transition of a defeated soul metamorphosing into an empowered and victorious spirit.

Eine der Klassiker aus der Feder von Friedrich Schiller. "Sieh da! Sieh da, Timotheus, die Kraniche des Ibykus!" Schillers Rache-Ballade in der Interpretation von Mathieu Carrière. Ein Erlebnis.

Adam Scott Campbell survived a life-threatening brain tumor at age nine that recurred as a young adult. When thereafter he faced death again, he was ready for heaven. Instead, heaven came to him. Visited by his Angel, she filled him with the strength, courage, hope, and life to continue on with a purpose--to share that we are never alone and that we are stronger than we know.

So very rarely is a book of poetry so engaging that it, upon release, immediately becomes essential listening. The emotional rollercoaster that is Damaged, written by Jimmy Broccoli, whips you around on unstable rails, transporting you to a poetic wonderland that challenges the traditional while embracing the unexplored. It’s multicolored, neon graffiti on darkened walls in dimly lit rooms. It’s hesitant confessions gently leaving the lips of the accused. It’s the unexpected invitation to the dance. Damaged is exposed and vulnerable verse that whispers in bold type.

In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David's gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.

Following the sudden loss of her mother, poet K.B. Marie explores the meaning of life and love after great loss. Nature and zen themes featured throughout.

Katherin Edwards examines the fine line between what we remember and forget; how the memories we retain become cloudy and altered by the passage of time. This book of poems is also a compilation of the wonder and surprise we discover when we manage to endure in the midst of grief and loss.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

After the bestselling I Wish I Knew, Donna Ashworth has now produced an extraordinary three-volume collection of poems that will touch and inspire every listener in the ups and downs we all face in love, in life and in loss. These brilliantly accessible poems bring delight, comfort and strength in the height of romance, the darkness of grief and the endlessly unpredictable moments in between.

A veces uno se topa con la muerte, a pesar de no haberla presentido, y no solo no se extraña sino que la acepta con la misma naturaleza con la que se acepta la vida.

In her devastatingly powerful debut collection, Cecilia Knapp examines the experience of motherlessness and its lasting impact, as well as the lessons passed between generations of women. These poems explore women's complicated relationship with their bodies, with sex, and with shame as she traverses the violence of romantic love, but also employs humour and mischief, a wry reclaiming of power.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.

You have been looking for this book for quite some time. Pick it up to begin a journey into the deepest depths of the human psyche and the darkest corners of the imagination. Dare to delve into the human psyche's unspeakable corners and passages with this chilling horror anthology collecting some of history's greatest English poems.

La produzione in versi più conosciuta di Giacomo Leopardi. La raccolta si divide in quattro fasi: la prima riguarda temi erotici, il suicidio, la natura e il senso della vita; la seconda tratta i piccoli e i grandi idilli; la terza è dedicata alla donna di cui Leopardi si innamorò, Fanny Targioni Tozzetti; la quarta e ultima fase comprende infine due canzoni sepolcrali, la "Palinodia", il capitolo "I nuovi credenti", "La ginestra" e "Il tramonto della Luna". Giacomo Leopardi (1798 – 1837) è stato un filosofo, filologo, poeta e scrittore italiano.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.